Los Angeles Times' Scores

For 16,531 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16531 movie reviews
  1. A beautifully made, unapologetically artistic piece of work.
  2. As ingenious and lively as the original film.
  3. A splendid example of pure cinema.
  4. Call this a brooding comedy or a darkly whimsical drama, "Wilbur's" willingness to mix gallows humor and real sadness make it something on which labels do not easily fit.
  5. Whitney takes having it both ways to new heights -- depths is perhaps more like it. He satirizes reality TV while showing total nudity and at times carrying sex to the verge of soft-core porn. As titillating and energetic as the film is, it is also rather sad because it reveals what aspiring actors will endure for what they apparently regard as an opportunity.
  6. Directed by Olivier Dahan, Isabelle Huppert takes the most familiar type of material and attains impeccable results.
  7. Hokey though it is, with a horse-hugger ending thrown in to boot, Hidalgo has a sweet-natured appeal that welcomes sentiment without overdoing it.
  8. Because no one involved with Starsky & Hutch actually seems to care about the movie, all Wilson can do is idle in neutral while Stiller frantically shifts gears, looking for an excuse to split.
  9. The Reckoning isn't great by any means and there are moments during the final stretch when it isn't even good. But for its first hour or so, the story moves at a steady clip, generating enough mystery to keep you guessing and enough atmosphere to keep you interested.
  10. Never does Down by Love, handsome and fully crafted, have the feel of being a filmed play. It emerges as a fresh, challenging and unpredictable experience with a stunning finish.
  11. So engaging and illuminating that it is enjoyable even for those unfamiliar with one of cinema's most dynamic forms.
  12. Devastating and amusing.
  13. Slight in the extreme, more tasteless than amusing, but at least its young actors manage to make promising impressions, especially Wiehl and Brenner, whose characters have a tad more dimension than the others.
  14. Pretty dreadful.
  15. By the time Greendale reaches its rousing crescendo with the anthem "Be the Rain" and Young and Crazy Horse have blown off the barn doors, the Canadian-born artist has crafted one genuinely tasty slice of Americana.
  16. The picture is sleek rather than merely slick, moves like lightning and is loaded with nail-biting incidents and dynamic action. What's unfolding for the most part is fun and exciting, but unfortunately it isn't always fully clear.
  17. Twisted is rubbish, but it looks good enough, moves fast enough and does improve as it progresses, principally because its plot disintegrtes to the point of outright comedy.
  18. Sufficiently original and engaging to be called merely "Havana Nights" but will no doubt get a boost by the reference to the popular 1987 "Dirty Dancing."
  19. Funny but not a comedy, serious but never overbearing, emotional in an engaging and bittersweet way, Good Bye, Lenin! is a wonderful film unto itself about a world unto itself.
  20. The four individuals' narratives are not always that compelling and make for a film best experienced on a strictly sensory level. Let the images wash over you and enjoy.
  21. The film's drawback, and it is a serious one, is that few of its characters wear very well. The more we see them, the less they involve us and hold our interest, a situation not helped by the bombastic, theatrical style of acting a few of the performers have felt free to employ.
  22. In effect, aspects of Gibson's creative makeup -- his career-long interest in martyrdom and the yearning for dramatic conflict that make him an excellent actor, coupled with his belief in the Gospels' literal truth -- have sideswiped this film. What is left is a film so narrowly focused as to be inaccessible for all but the devout.
  23. If they had to make things up, couldn't they have made up something smarter?
  24. Though not exactly a gripping experience for adults, parents have reason to be grateful for a movie that has been so carefully tailored to preschool to first-grade sensibilities.
  25. While the cast members are all appealing, with characters that are barely penciled in it falls on their shoulders to make the film even passably watchable, which they only barely manage.
  26. At a time when crassness and dumbing down pervade popular entertainment, especially movies aimed at youthful audiences, Confessions of a Teenage Drama Queen dares to be smart.
  27. There's nothing casual about the way this film has been put together, yet that painstaking care leads to laughter that is completely unrestrained.
  28. Gene Hackman, bristling with wit and energy, is at his amusing best in the robust comedy.
  29. High-spirited and good-natured, Crying Ladies never loses touch with reality.
  30. Too short by half, Lost Boys of Sudan affords frustratingly little by way of real analysis and history. But it does introduce us to two extraordinary young men whose faith in this country is almost as unbearably sad as their stories.

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