Los Angeles Times' Scores

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For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,714 out of 16550
  2. Mixed: 5,819 out of 16550
  3. Negative: 2,017 out of 16550
16550 movie reviews
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  1. The Dreamers
    Does have its pleasures, but the feeling is inescapable that the person most pleased is Bertolucci himself. In essence he is the dreamer of the title, as eager to retreat into this hermetic world of his own creation as his characters are into theirs. Fair enough, but why does he have to drag us along with him?
  2. Hiding and Seeking: Faith and Tolerance After the Holocaust
    Heartfelt and deeply moving.
  3. Blind Shaft
    Makes for gripping, merciless drama.
  4. On the Run
    Reveals its secrets slowly and with coy deliberation. The storytelling has the quality of a striptease, so that by the end of the film, Le Roux looks radically different from how he appears at the start.
  5. The Perfect Score
    As forgettable as the humor is the film's predictable portrayal of adults as clueless, overbearing cretins.
  6. Latter Days
    At once romantic, earthy and socially critical, Latter Days is a dynamic film filled with humor and pathos.
  7. The Big Bounce
    There may once have been a real movie rattling inside the empty studio package known as The Big Bounce, but no longer.
  8. You Got Served
    The heart of the movie, however, is the dancing, which is as spontaneous as it is spectacular, incorporating considerable gymnastics.
  9. Win a Date with Tad Hamilton!
    A sweet-natured romantic comedy that's easy viewing but could have used a little more energy and a little less unalloyed niceness to put it over with more punch.
  10. Touching the Void
    It's a nervy, quasi-documentary scheme that's often successful, perhaps more so than you'd expect for this kind of a hybrid endeavor. But Macdonald's technique eventually turns out to be as distancing as it is involving, paradoxically undercutting the reality as often as it enhances it.
  11. The Butterfly Effect
    As the requisite love interest, Amy Smart gives the film's only professional performance, while co-star Eric Stoltz, as the story's villain, walks somnolent through the scenery with what seems to be barely suppressed mirth. Given the deeply unpleasant plot machinations and amateurish direction, the actor's amusement is understandable.
  12. Made-Up
    In working with Lynne Adams' script, Shalhoub, the esteemed star of the current USA series "Monk," gives his cast the inspiration and confidence to express the characters' many facets and seeming contradictions.
  13. Teacher's Pet
    Smart and stylish, Disney's Teacher's Pet is one family film that has appeal for adults as well as children.
  14. Torque
    A terrific action picture, fast-moving, studded with great stunts and smart enough not to take itself too seriously. Amid a plethora of high-minded, big-deal, year-end Oscar contenders, it offers a welcome contrast (and respite).
  15. Tom Dowd & the Language of Music
    If there is one moment in The Language of Music that will thrill old rock fans, it's watching Dowd, his fluid hands moving with a surgeon's grace, remix for the film's benefit the 24-track sub-master of "Layla."
  16. The Tracker
    Redeemed by its adherence to a simple yet distinctive approach to storytelling and its uniformly strong acting.
  17. Along Came Polly
    On paper it has every advantage, from gifted stars Ben Stiller and Jennifer Aniston to an established comedy writer-director with a promising idea about a romance between a carefree woman and a worried man. But instead of maximizing those pluses, Along Came Polly so completely fritters them away that even its brief 90 minutes feels unhappily long.
  18. Tokyo Godfathers
    As with the greatest animated films, the triumph of Kon's work lies not just in its beauty and singularly sophisticated storytelling but in how that beauty and storytelling combine to give the films a sting so human you can forget you're watching a cartoon.
  19. My Baby's Daddy
    A tedious comedy... It's not the worst premise for humor dashed with a little wisdom, but the script, written by the film's star Eddie Griffin and others, is less than inspired and tends to blur the line between immaturity and just plain stupidity.
  20. Aileen: Life and Death of a Serial Killer
    She was guilty, no doubt, but as this immensely moving film makes clear, Aileen Wuornos was also heartbreakingly human.
  21. Chasing Liberty
    The film means to be an unpretentious, engaging romantic comedy but stretches its charm awfully thin with a 110-minute running time.
  22. The Battle of Algiers
    Achieves its success through a combination of attitude and technique, uniting, to exceptional effect, a way of viewing the world morally while looking at it physically.
  23. Yves Saint Laurent 5 avenue Marceau 75116 Paris
    Engrossing and illuminating.
  24. Secret Things
    The result is both merciless and darkly funny.
  25. Millennium Mambo
    There's wonderful promise in Hou's attempt to make a movie about the kind of woman who's usually part of the scenery.
  26. Japanese Story
    Collette is fearless in reaching deeply into her emotions, and her expressiveness as an actress comes across as completely natural because it so clearly comes from within.
  27. The Company
    Makes the world of ballet, seen by so many as rarefied, accessible and exciting, a rigorous art that yields breathtaking results.
  28. Paycheck
    The sort of noisy nonsense that Woo's earlier action movies made irrelevant, but alas not extinct.
  29. The Young Black Stallion
    A film truly geared to the 6-year-old level. If not younger.
  30. Cold Mountain
    There are not one, but two wars raging inside this adaptation: one between the North and the South, and another, more calamitous war between art and middlebrow entertainment.
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