For 16,524 reviews, this publication has graded:
-
56% higher than the average critic
-
6% same as the average critic
-
38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
-
Positive: 8,698 out of 16524
-
Mixed: 5,809 out of 16524
-
Negative: 2,017 out of 16524
16524
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Carina Chocano
Bruni-Tedeschi is a lovely actress, and whatever emotion is evident onscreen comes courtesy of her.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Crust
Chrystal unravels a bit toward the end as it becomes more fable-like, but the performances make it worthwhile.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Crust
There is nothing extraordinary about the filmmaking, but Mashayekh's old-fashioned commitment to his and co-writer Belle Avery's story creates an overall satisfying experience.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Cinderella Man's key emotional moments feel as if they've been predigested for an audience that can't be trusted to feel things for itself but needs to be firmly albeit lovingly pointed in the appropriate direction.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
As beautifully structured as one of the Z-Boys' graceful and intricate maneuvers. It is economic yet possesses depth and is visually striking, capturing an idea of what life is like in a very fast lane.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Los Angeles Times
- Read full review
-
-
Reviewed by
Kevin Thomas
This delightfully spirited film is perfectly cast, and it's hard to imagine how Daniel Auteuil, José Garcia and Sandrine Kiberlain could possibly improve upon their irresistible, multifaceted portrayals.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Crust
Numerous films have explored undersea life, but few as comprehensively and as consistently compelling as Deep Blue, by the creators of the "Blue Planet" TV series.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Not quite the sum of its occasionally interesting parts. Most of its cast makes strong impressions, but the plot and motivation don't quite jell, resulting in a minor item that shows its star Troy Garity to good advantage.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Los Angeles Times
- Read full review
-
-
Reviewed by
Kevin Thomas
As it is, Bustin' Bonaparte is an enjoyable diversion, but with more energy and style it might have been a gem.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Carina Chocano
Has its share of summery charms, including gorgeous postcard views of Santorini, an old-worldy Romeo-Juliet romance, and some particularly good performances by Tamblyn and Boyd.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
A work of exceptional subtlety and is all the more captivating and heart-rending for being so.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Crust
The film aims for a light social satire but mainly falls flat. It feels more like a long-lost pilot for some never-aired 1970s sitcom or a misguided sequel to a Billy Joel song.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Carina Chocano
If you're thinking of seeing it, and you're old enough to drive (or even read this), do yourself a favor and rent the original instead.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Madagascar is a classical gas. It's a good-humored, pleasant confection that has all kinds of relaxed fun bringing computer-animated savvy to the old-fashioned world of Looney Tunes cartoons.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Crust
Hurting the film is the fact that the central character, Anthony, is so self-absorbed.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Los Angeles Times
- Read full review
-
-
Reviewed by
Carina Chocano
Alice Wu's debut film is so deft, natural and exquisitely specific, it feels fresh.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Crust
As extraordinary as all of this imagery is, it is the film's sound design that takes it to another level. A quirky, electric mix of ambient sound, effects and music by composer Bruno Coulais and sound designer Laurent Quaglio gives the film its heart and its sense of humor.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Los Angeles Times
- Read full review
-
-
Reviewed by
Kevin Thomas
Fixing Frank is "good theater," and in the writing and in Butler's quietly chilling, ever-so-civilized portrayal, Apsey emerges as a veritable Svengali.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Crust
The strongest scenes are those between Elliot and Richard, which give Second Best a verisimilitude lacking in the rest of the film. The truest thing here is that these two guys have been friends forever and always will be.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Julien Hernandez's Sex, Politics & Cocktails gives all three a bad name.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Crust
An impassioned plea for change, the film balances bleak, Dickensian conditions with details of a growing number of international programs designed to combat the epidemic.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
The most energetic of the prequels, the only one at all worth watching. But that doesn't mean it is without the weaknesses that scuttled its pair of predecessors. Quite the contrary.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Dallaire is not only the protagonist of Shake Hands, he is a compelling reason to see it.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Turns out to be a thudding dud, crammed with clunky dialogue, bad acting and gruesome but unpersuasive gore. Mindhunters will pass muster with only the most undemanding horror fans.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Crust
A threadbare comedy glomming onto the ample talent of its star, Will Ferrell.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Carina Chocano
All I could think about while watching Jennifer Lopez prance through Monster-in-Law was how cool and poised she was in "Out of Sight."- Los Angeles Times
- Read full review
-
Reviewed by