Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. 5x2
    Bruni-Tedeschi is a lovely actress, and whatever emotion is evident onscreen comes courtesy of her.
  2. Chrystal unravels a bit toward the end as it becomes more fable-like, but the performances make it worthwhile.
  3. There is nothing extraordinary about the filmmaking, but Mashayekh's old-fashioned commitment to his and co-writer Belle Avery's story creates an overall satisfying experience.
  4. Cinderella Man's key emotional moments feel as if they've been predigested for an audience that can't be trusted to feel things for itself but needs to be firmly albeit lovingly pointed in the appropriate direction.
  5. As beautifully structured as one of the Z-Boys' graceful and intricate maneuvers. It is economic yet possesses depth and is visually striking, capturing an idea of what life is like in a very fast lane.
  6. Immensely entertaining.
  7. This delightfully spirited film is perfectly cast, and it's hard to imagine how Daniel Auteuil, José Garcia and Sandrine Kiberlain could possibly improve upon their irresistible, multifaceted portrayals.
  8. Numerous films have explored undersea life, but few as comprehensively and as consistently compelling as Deep Blue, by the creators of the "Blue Planet" TV series.
  9. Not quite the sum of its occasionally interesting parts. Most of its cast makes strong impressions, but the plot and motivation don't quite jell, resulting in a minor item that shows its star Troy Garity to good advantage.
  10. Smart, sassy, compassionate and critical.
  11. As it is, Bustin' Bonaparte is an enjoyable diversion, but with more energy and style it might have been a gem.
  12. Has its share of summery charms, including gorgeous postcard views of Santorini, an old-worldy Romeo-Juliet romance, and some particularly good performances by Tamblyn and Boyd.
  13. Or
    A work of exceptional subtlety and is all the more captivating and heart-rending for being so.
  14. The film aims for a light social satire but mainly falls flat. It feels more like a long-lost pilot for some never-aired 1970s sitcom or a misguided sequel to a Billy Joel song.
  15. If you're thinking of seeing it, and you're old enough to drive (or even read this), do yourself a favor and rent the original instead.
  16. Madagascar is a classical gas. It's a good-humored, pleasant confection that has all kinds of relaxed fun bringing computer-animated savvy to the old-fashioned world of Looney Tunes cartoons.
  17. Hurting the film is the fact that the central character, Anthony, is so self-absorbed.
  18. Informativeand endearing film.
  19. Alice Wu's debut film is so deft, natural and exquisitely specific, it feels fresh.
  20. As extraordinary as all of this imagery is, it is the film's sound design that takes it to another level. A quirky, electric mix of ambient sound, effects and music by composer Bruno Coulais and sound designer Laurent Quaglio gives the film its heart and its sense of humor.
  21. Instantly forgettable.
  22. Fixing Frank is "good theater," and in the writing and in Butler's quietly chilling, ever-so-civilized portrayal, Apsey emerges as a veritable Svengali.
  23. The strongest scenes are those between Elliot and Richard, which give Second Best a verisimilitude lacking in the rest of the film. The truest thing here is that these two guys have been friends forever and always will be.
  24. Julien Hernandez's Sex, Politics & Cocktails gives all three a bad name.
  25. An impassioned plea for change, the film balances bleak, Dickensian conditions with details of a growing number of international programs designed to combat the epidemic.
  26. The most energetic of the prequels, the only one at all worth watching. But that doesn't mean it is without the weaknesses that scuttled its pair of predecessors. Quite the contrary.
  27. Dallaire is not only the protagonist of Shake Hands, he is a compelling reason to see it.
  28. Turns out to be a thudding dud, crammed with clunky dialogue, bad acting and gruesome but unpersuasive gore. Mindhunters will pass muster with only the most undemanding horror fans.
  29. A threadbare comedy glomming onto the ample talent of its star, Will Ferrell.
  30. All I could think about while watching Jennifer Lopez prance through Monster-in-Law was how cool and poised she was in "Out of Sight."

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