Los Angeles Times' Scores

For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16526 movie reviews
  1. 10 Items or Less is not deep, but it's a charming enough diversion to spend a day with two likable people.
  2. Despite an intriguing premise in which the architect of a housing project is confronted by a resident-turned-activist who wants his help in getting the place torn down, Matt Tauber's The Architect feels schematic and contrived.
    • 36 Metascore
    • 50 Critic Score
    Turistas seeks to exploit the current craze for torture-porn, but it lacks the relentless sadism of the "Saw" franchise. More than half the movie is dull buildup.
  3. Despite striking a chord in terms of sibling politics and the inelegant ways we deal with death, Two Weeks too often feels as if it's destined for heavy rotation on the Lifetime Movie Network.
  4. Eating Out 2 is sweet-natured, but like the first edition, lame and way too talky.
  5. This is a bitter, occasionally farcical drama with the most hostile cinematic view of Los Angeles since "Crash."
  6. Despite this lack of narration, Our Daily Bread never fails to enthrall because of the impeccable eye -- for composition, for color, for movement within the frame -- of filmmaker Geyrhalter.
  7. Bloated and logy, and art-directed within an inch of its life, the movie shovels heaps of phony portent and all-purpose mystical imagery onto a thin and maudlin plot.
    • 28 Metascore
    • 40 Critic Score
    Like a fatally snarled string of Christmas lights, Deck the Halls promises holiday cheer but delivers only frustration.
  8. What is interesting is not how little sense Déjà Vu makes but how little that matters. If you want your films to add up logically, you're welcome to take your calculator somewhere else. But if you do, you will be missing out on some first-class genre fun.
  9. Not only screams out to be a midnight movie, but one in need of, shall we say, an herbal supplement, and we aren't talking ginkgo biloba.
  10. As a take on celebrity as religious mass derangement, Backstage is nominally interesting. As a study of two characters, it's not very convincing.
  11. An exceptional family film, arriving just in time for the Thanksgiving holiday. Directed with sensitivity by "The Full Monty's" Peter Cattaneo, it is the antithesis of the standard synthetic Hollywood family movie, which is all too often weighed down by ludicrously exaggerated special effects and stunts and glazed over by gross humor.
  12. A lively and entertaining disquisition on the purpose and uses of knowledge in a world that cares less about scholarship than quantifiable results.
  13. Though the film's final break-the-bank action sequence in Venice is worth waiting for, Casino Royale's 2-hour, 24-minute running time is long enough to exhaust all but the series' biggest fans.
  14. No film with as many elements as Happy Feet is successful with all of them, and the romantic-emotional elements of this story feel overly familiar. But the music and dancing are fresh and new, and this strong an ecological message has not been seen since Hayao Miyazaki's "Princess Mononoke."
  15. For a druggie movie, Candy is surprisingly dynamic and involving.
  16. If Linklater regards the fake culture that has replaced real places with horror, he has nothing but respect and affection for his characters, and the movie is rescued from nihilism by his humanistic view.
  17. The movie does have its flashes of genius. "Home for Purim," the movie, is set in the Deep South, where Yiddish is spoken with a drawl.
    • 66 Metascore
    • 100 Critic Score
    Those who can surrender to the Quays' poetic logic will find The Piano Tuner to be nothing short of a masterpiece.
  18. It's an ambitious film drenched in sincerity and oozing with nostalgia that, despite the energy provided by its title icon via archival footage, falls flat dramatically in nearly every other way.
  19. Sublime psychological thriller.
  20. For all the time we spend watching Justin and Nicole negotiate their needs, we have no idea who these people are.
  21. Russell Crowe is invariably involving on screen, and Ridley Scott is a splendid director when the material is right. No film they collaborate on will be devoid of interest, but A Good Year almost is.
  22. Harsh Times goes down like the vinegar its protagonist chugs to try to beat a drug test. It's carefully crafted, exasperating and ugly, a festival of self-destructiveness, in all ways a reflection of its lead as brought to careening, erupting, implosive life by Christian Bale.
    • 38 Metascore
    • 50 Critic Score
    As for Gellar, she seems game but glum, treading water in a role that represses her comic talents and leaves her little to do but suffer in silence.
  23. A refreshingly grown-up comedy, "Stranger" is a charming film that is unafraid to be low-key in ways that studio releases seldom are.
  24. Langley's impeccably nonjudgmental camera knows exactly what details to record. Drawn from more than 300 hours of footage, the film's all too brief 94 minutes mesmerizes with its insight and, rarer still, its beauty.
  25. Yet whenever you get too irritated at Fur's pretensions, the remarkable acting of its two stars pulls you back in and keeps you watching.

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