Los Angeles Times' Scores

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For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,699 out of 16526
  2. Mixed: 5,810 out of 16526
  3. Negative: 2,017 out of 16526
16526 movie reviews
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  1. Introducing the Dwights
    The movie belongs to Blethyn, who takes a difficult, easily misunderstood role and gracefully cracks it open to reveal what's inside.
  2. Rescue Dawn
    Aside from a riveting adventure story that Herzog tells in all of its terrifying, stripped-down simplicity, Rescue Dawn is a fascinating study of human particularity.
  3. Transformers
    Transformers' multiple earthling story lines are tedious and oddly lifeless, doing little besides marking time until those big toys fill the screen.
  4. License to Wed
    The movie is a pastiche of tortured slapstick, groan-inducing dialogue and a lethal dose of treacle, apparently awaiting one of Williams' trademark sprees of riffing and vamping to save the day. That moment never comes, however.
  5. Ratatouille
    Ratatouille is as audacious as they come. It takes risks and goes places other films wouldn't dare, and it ends up putting rival imaginations in the shade.
  6. Sicko
    Sicko is likely Moore's most important, most impressive, most provocative film, and it's different from his others in significant ways.
  7. Evening
    For all of its class-act bona fides, Evening lurches between the morose and the sentimental, with occasional incursions into the absurd.
  8. Vitus
    Combines complex relationships with a winning style of storytelling.
  9. Dr. Bronner's Magic Soapbox
    Lamm effectively uses interviews with family members and the soap's users to draw a well-rounded portrait of the otherwise inscrutable senior Bronner. In doing so, she observes a bittersweet story of a family and the surprising effects a crusading eccentric can have on them.
  10. Live Free or Die Hard
    A slick and efficient piece of action entertainment, fast moving with energetic stunt work and nice thriller moves.
  11. Ghosts of Cité Soleil
    A forceful documentary set against the 2004 Haitian coup d'état that toppled the government of President Jean-Bertrand Aristide.
    • 53 Metascore
    • 40 Critic Score
    Over the GW
    It's not vivid or harrowing enough to command attention. Worse, at a mere 76 minutes, the movie skips past what seems like lots of crucial exposition in favor of vague flashbacks and confusing inserts. The awkward documentary-style interviews don't help.
  13. 1408
    In the grand scheme of things, the Dolphin Hotel is no Overlook, but it's no cheesy slaughter motel either.
  14. Evan Almighty
    Carell is lovable as God's unwilling disciple. But the comedy is less than divine.
  15. A Mighty Heart
    Moving and frighteningly real.
    • 62 Metascore
    • 70 Critic Score
    Black Sheep
    The cast, including Tammy Davis as a handyman and Glenis Levestam as a housekeeper with a taste for innards, hits its marks flawlessly, even when the material isn't first-rate. Like "Shaun of the Dead," Black Sheep is at once exhilarating and self-deprecating, knowledgeable without being fannish, clever but not too clever.
  17. Broken English
    A wry, charming romance about a New York woman who has given up hope of finding love.
  18. Lady Chatterley
    The most frankly sensual movie in memory. Winner of five Cesars, the French Oscar, including best picture and best actress for its luminous star, Marina Hands, it has found the soul of the celebrated D.H. Lawrence novel.
  19. You Kill Me
    We've seen the inner lives of hit men and mobsters rendered innumerably in recent years on film and television, but You Kill Me does it in a satisfyingly comedic way, loaded with easily identifiable idiosyncrasies.
  20. Klimt
    Klimt comes alive only fitfully at best, and it seems that for those occasional moments when it comes into focus there is an equal number that are merely silly.
  21. Fantastic Four: Rise of the Silver Surfer
    Earnest, gee-whiz and foursquare, this simple and intentionally inoffensive sequel gets points for being easy to take and scrupulously avoiding obvious sources of irritation.
  22. Nancy Drew
    Hopefully, the girls who see Nancy Drew this summer will take their cues from the smart, engaged, intellectually curious character Roberts so charmingly portrays.
  23. Eagle vs Shark
    As it turns out, spending a couple of hours with emotionally arrested, socially moronic characters is not a whole lot more fun than spending a couple of hours with actual emotionally arrested, socially moronic people.
  24. Fido
    Most consistently funny is a deadpan Henry Czerny as the pipe-smoking, battle-hardened Zomcon head of security.
  25. When the Road Bends: Tales of a Gypsy Caravan
    As compelling as the music and concert footage is, it is the vitality of the performers as characters that enables the movie to transcend the music documentary genre.
  26. Strike
    Despite the grim Cold War environment, Schlöndorff blends, mostly successfully, goofiness and melodrama into the overall social realist tone.
  27. Czech Dream
    Czech Dream has an impish effectiveness. But what saves it from being an arrogantly aren't-we-clever? home movie is, refreshingly, the flimflammed masses themselves, lured as the bargain-hungry but left looking like cattle out for a graze.
  28. Macbeth
    The film is strictly straight-to-video action movie stuff, albeit with dialogue in iambic pentameter.
  29. Noriko's Dinner Table
    Through a barrage of fragmented images of lurid events, escalating hysteria and sheer madness, Sono holds up a cracked mirror to modern life, inspiring the viewer to think with unexpected seriousness about what it means to be a human being.
  30. Lights in the Dusk
    There's a dry humor underlying the absurdity of Koistinen's experience. When things cannot possibly get worse, they do.
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