For 16,526 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,699 out of 16526
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Mixed: 5,810 out of 16526
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Negative: 2,017 out of 16526
16526
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kevin Thomas
In its leisurely, exceedingly subtle way, The Pool charts Venkatesh's gradual awakening to the larger world.- Los Angeles Times
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Reviewed by
Michael Ordoña
This is not a terrible movie, but it's too familiar by half and too confusing by a third.- Los Angeles Times
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Reviewed by
Kevin Thomas
The new film is so leisurely paced and overly long that what means to be at once charming yet darkly satirical lapses into tedium and barely comes alive.- Los Angeles Times
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Reviewed by
Kevin Thomas
Not even a brief appearance by Quentin Tarantino and a ton of references to other movies enlivens the proceedings much.- Los Angeles Times
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Reviewed by
Robert Abele
The cast tries but rarely achieves an authenticity of emotional intimacy.- Los Angeles Times
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Reviewed by
Gary Goldstein
A tedious, by-the-numbers raunch-fest that exists strictly because it can.- Los Angeles Times
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Reviewed by
Michael Ordoña
The product's not 100% giggle-free: Several songs have amusing lyrics, especially parodies of "Juno" and "High School Musical."- Los Angeles Times
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Reviewed by
Michael Ordoña
Among the sunnier, funnier films of the year, thanks largely to the zest with which Faris embodies a mental vacuum.- Los Angeles Times
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Reviewed by
Gary Goldstein
Cube fills the bill as the shaggy, aimless Curtis, a veritable ghost of glories past. It's not a particularly layered performance, but it works.- Los Angeles Times
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Reviewed by
Kenneth Turan
It's an unhinged, off-the-wall comedy that will try anything once, an uneven film in which the hits are so dead-on that the misses don't seem to matter.- Los Angeles Times
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- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Mastery of tone is everything here, and Azazel's control, combined with his wit, perception, discretion and easy command of the visual and of his cast makes Momma's Man a gem.- Los Angeles Times
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- Critic Score
For the most part, The Rocker is content to simply keep the beat, marking time as the summer movie season moves on.- Los Angeles Times
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Reviewed by
Michael Ordoña
Despite some absolutely gorgeous animation and adjusting expectations for what Clone Wars is meant to be, the Force is not strong with this one.- Los Angeles Times
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Reviewed by
Kenneth Turan
Bardem's performance is so good it tends to mask how lacking much of what surrounds it is.- Los Angeles Times
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Reviewed by
Michael Ordoña
This oddly paced kids' entertainment displays flashes of intelligence -- then misspells terms on NASA control panels.- Los Angeles Times
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Reviewed by
Mark Olsen
An empty enterprise that provides a few moments of goofy fun, Mirrors reflects back nothing.- Los Angeles Times
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Reviewed by
Michael Ordoña
As a horror-comedy, it boldly declines to scare or amuse.- Los Angeles Times
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Robert Abele
Though not strictly a religious tract, Henry Poole Is Here is undeniably selling spiritual reawakening. If only its makers believed that aesthetically useful adage: God is in the details.- Los Angeles Times
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Reviewed by
Kenneth Turan
Impeccably made and uncompromisingly adult, Claude Chabrol's A Girl Cut in Two is unquestionably the work of a master.- Los Angeles Times
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Reviewed by
Kenneth Turan
There is genuine humor and palpable satiric intent underneath the waves of unnerving bad taste and political incorrectness.- Los Angeles Times
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Reviewed by
Mark Olsen
Elegy seems determined to make real every ageist dig that could be thrown its way -- out of touch, balefully slow and, for a film at least partly about the zesty enterprise of sex, awfully lifeless.- Los Angeles Times
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Reviewed by
Gary Goldstein
Fortunately, Rose's on-camera turns as a kind of "I-was-there" guide through the various incarnations of the Alleged Gallery and its starrier alumni, help give this freewheeling portrait a welcome heart.- Los Angeles Times
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Mark Olsen
The film gets the scummy patina right, all phony-Leone dusty trails, but while everybody on screen looks to be enjoying themselves, it is no fun to watch.- Los Angeles Times
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Michael Ordoña
Grossman bangs out a visceral, energized biopic that captures the vibrant idiocy of punked-out youth and a tortured soul gaining his wish of cult status.- Los Angeles Times
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Jan Stuart
In the role of dramaturge, Rogen and his co-scripter Goldberg lack Apatow's discipline and deft hand for peripheral characters; the writing in Pineapple Express gets lazy whenever it strays too far from its central axis of players.- Los Angeles Times
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Reviewed by
Michael Ordoña
The soul of the grape, that thing that elevates a wine to greatness, proves here as elusive on screen as in the bottle.- Los Angeles Times
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Carina Chocano
Impossibly long and angular, with a brutally beautiful face, she represents something that's been rare in the popular culture in the past decade: an artist with a voice and a vision.- Los Angeles Times
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Reviewed by
Kenneth Turan
As the summer heats up, let Frozen River wash over you; let its bracing drama and the intensity of its acting restore your spirits as well as your faith in American independent film.- Los Angeles Times
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