Los Angeles Times' Scores

For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16526 movie reviews
  1. A dark and lovely drama about the complications of human connections that is Michael Keaton's impressive directing debut.
  2. Unpredictable and gratifying, Three Monkeys emerges as a mordant cautionary tale on the contagiousness of corruption. It is rich in atmosphere.
  3. An entertaining, adeptly crafted documentary that treats its provocative subject matter with refreshing respect.
  4. Old-fashioned in the worst sense, Bardwell's ghost story is heavy on Freud, light on fear.
  5. Conjures up plenty of debauched tableaux with its photogenic, jaded showbiz denizens and hangers-on, but nary a reason for existing.
  6. The singer-actress' saucy, glamorously wry performance makes up for some of the film's inherent predictability.
  7. It's not "Raging Bull" or "Fight Club," but Fighting is populated by believable losers and lovingly adorned with just the right faces and peeling wallpaper to absorb you in Montiel's world.
  8. Simultaneously exhilarating and confounding, dazzling and confusing, this is filmmaking of such verve and style that you likely won't care that you can't follow it completely.
  9. By consistently and relentlessly overplaying everything, by settling for standard easy emotions when singular and heartfelt was called for, by pushing forward when they should have pulled back, director Joe Wright and screenwriter Susannah Grant have made the story mean less, not more. Instead of enhancing The Soloist's appeal, they have come close to eliminating it.
  10. The result is as gripping as a title fight and as mesmerizing as a conversation with a cobra. You may not be happy with everything said, but you will not be bored.
  11. In the end, it all can't help feeling a little slight, more a pleasant wade into a writer's neurotic playground than a satisfyingly deep dip.
  12. It's pretty much all nonsense, but Mutant Chronicles is based on a game -- so just play along. That's when the fun begins.
  13. It would be Pollyannaish to pretend that the documentary Earth is without its problems, but the bottom line is, difficulties be damned, it shouldn't be missed.
    • 75 Metascore
    • 70 Critic Score
    Kim is deft and sensitive with her tiny co-stars, but Treeless Mountain lacks the freshness and surprise of "In Between Days."
  14. Somehow when State of Play should be at its stomach-clenching best, the tension simply evaporates.
  15. The narrative is infused with chilling facts, and the filmmakers know how to build their case, but a drama demands more. We should have been immersed in Dee's wrenching journey, not just sitting it out on the sidelines.
    • 41 Metascore
    • 60 Critic Score
    The movie thrives on absurdity and outrage, calculating that at some point you'll give in to its gonzo energies and go along for the ride.
  16. It's a can't-miss effort that knows how to please.
  17. It is also hard not to see remnants of a younger Michael Caine -- beautifully seductive and enigmatic all those years ago in "Alfie." He has said his wife cried when she saw the performance; you understand why.
  18. Lemon Tree is in its best moments a sober-hearted take on the righteous blowback from whittled-away souls, and a movie that invariably rights itself with each return to the beautifully steely gaze of Abbass.
  19. Adventurous, ambitious and ingeniously futuristic, Sleep Dealer is a welcome surprise. It combines visually arresting science fiction done on a budget with a strong sense of social commentary in a way that few films attempt, let alone achieve.
  20. You may never have expected to see the words heavy metal, endearing and warmhearted in the same sentence, but you just did.
  21. Director James Wong ("Final Destination") and writer Ben Ramsey are utterly blasé in their approach to the series' mythology and structure, cobbling together an 84-minute movie that seems to exist only to rile up fanboys. On that count -- and that count alone -- Dragonball Evolution triumphs.
  22. In the end, Hannah Montana: The Movie is big, beautiful, a little boring and utterly safe. There are flashes of inspiration -- the "Hoedown Throwdown" dance, the scenes between Martindale and the Cyruses -- but it also is what it is: Miley Cyrus' next big step.
  23. It heaps piles of bad, crazy stuff at our feet then walks away. There is no moral to this story, and there's not much comedy either.
  24. Scott's coming-of-age bumblings form the piece's narrative rhythm. But the most affecting moments come from Mickey's midlife machinations: Baldwin, who also produced the film, has his best role since "The Cooler."
  25. Greg Mottola has taken that most overdone of contemporary genres, the coming-of-age story, and made it engaging, bittersweet and even fun.
  26. As good as it is because of the care and skill writer-directors Anna Boden and Ryan Fleck bring to it, gifts that were visible in their first film, "Half Nelson," which earned a lead actor Oscar nomination for Ryan Gosling.
  27. While Alien Trespass stays true to the era and the genre, it forgets that its mission in this galaxy is not merely to pay tribute but to entertain.
  28. The mysterious Bart and the mythology of the senior prom as the defining moment in the life of a teenager are the unseen specters hovering over the slight comedy Bart Got a Room.

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