Los Angeles Times' Scores

For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16526 movie reviews
  1. Not just any kind of trash, it's high-art trash, a kind of "When Tutu Goes Psycho" that so prizes hysteria over sanity that it's worth your life to tell when its characters are hallucinating and when they're not.
  2. Although like the Cold War itself, the film does drag on at times, "Disco" really is a delight.
  3. In a confident yet relaxed feature debut, Fuentes-León has created a wholly unified work of art.
  4. Pastor and Naharro have written a great part for Dueñas and direct her with great care. In fact, her delicately nuanced portrayal is crucial to why this lovely film works so well.
  5. "A Man Within" won't be the last word on Burroughs, who died in 1997, but it's a welcome addition to the biographical canon - less as clear-eyed investigation than for the intimate and moving portrait it paints.
  6. Your Thanksgiving turkey has arrived on schedule and it's called The Nutcracker in 3D.
  7. A warm and enthusiastic documentary.
  8. Hawkins' performance as "Dagenham's" unassuming heroine, an amalgam of several key figures who stepped up back in the day, is first-rate and already generating some Oscar talk.
  9. About 33 minutes in, I couldn't help but think, if they do another close-up of your watch as it tick, tick, ticks toward another three, I will scream. But honestly, any screaming should be directed at Paul Haggis, who both wrote and directed this mess.
  10. Block wears his neuroses so guilelessly on his sleeve and organizes his material with such skill, that what might have been insufferable navel-gazing attains poignancy.
  11. A Marine Story overcomes some flaws in continuity and superficial characterizations to drive home its underlying message about the injustice of "don't ask, don't tell" and the way the controversial policy deprives the military of born leaders. A worthy endeavor.
  12. As a misfit-centric slap at religious conformity, the story's premise couldn't be more primed for trenchant social comedy, but screenwriter Knight and director Eyad Zahra opt for maintaining a thin veneer of tiresome obnoxiousness over exploring the contours of an emotionally complicated subculture.
  13. Made with the on-camera cooperation of Spitzer (though not his wife), it is a sad, disturbing and in some ways tragic tale that in its lurid combination of sex and politics, banal hypocrisy and bare-knuckles power, seems very much an American story of our times.
  14. The filmmaker is at his best unspooling the politics of independence, which he does with such confident fervor that you always understand the fight.
  15. Rachel McAdams gives the kind of performance we go to the movies for. The rest of the film isn't always up to her level, but it does provide genial entertainment until it runs out of steam.
  16. In the end, 127 Hours is one man's incredible, unforgettable journey; it took the extraordinary alchemy of Boyle and Franco to also make it ours.
  17. Whatever stumbles there may be, they are offset by moments when For Colored Girls soars.
  18. It seems to be doing everything right but still doesn't manage to leave you with a completely satisfied feeling.
  19. Doesn't offer moviegoers one obvious message, but rather a complex and considered glimpse into a rarely seen world, one of utter absurdity and horror.
  20. More epic than it needs to be and less profound than it should be, Jolene remains a watchable excursion into human frailty and foibles.
  21. Commendably entertaining.
  22. By the time this lightly entertaining look at life's emotional crises ends, even the characters you didn't think were sympathetic will have won you over.
  23. Nighy is usually a treat to watch navigating life's bad turns, so it's especially frustrating that the filmmaker so often leaves him at loose ends.
  24. One of the best sports documentaries in recent memory.
  25. Eichmann, in all its solemnity, needs to be more dynamic; the film's portentous score further weighs it down.
  26. A quietly powerful, incisive portrait of Canadian Lt. Gen. Roméo Dallarme (Roy Dupuis), who was sent to Rwanda in 1993 on a peacekeeping mission as the ruling Hutu attacked the rebel Tutsi, yet he was hobbled by the U.N. leadership and faced with the indifference of the world's superpowers.
  27. Only 97 minutes but feels much longer. It suffers from a marked lack of energy, a condition not cured by its many, many pop-music-scored montages.
  28. Consistently outrageous and relentlessly surreal, the Belgian film is, intentionally or not, frequently funny; it's also compelling and distinctive.
  29. Fortunately Stewart seems to thrive in water over her head, and when she pulls Gandolfini in with her the movie gels. It makes you wish the filmmaker had left them in the deep end longer.
  30. An attempt to counter noisy, hyper effects-laden alien invasion flicks with something teasing, indie and good for you. Instead, it's like a pendulum swing too far in the other direction.

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