For 16,526 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,699 out of 16526
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Mixed: 5,810 out of 16526
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Negative: 2,017 out of 16526
16526
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Sheri Linden
Though the drama has its heartfelt moments, it unrolls as flat as the Texas terrain, cast in an idyllic summer glow.- Los Angeles Times
- Posted Sep 1, 2011
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Reviewed by
Betsy Sharkey
McLaughlin, who has a good eye for the minimal, manages to bring out the haunting beauty of empty places littered with the discards of forgotten lives.- Los Angeles Times
- Posted Sep 1, 2011
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Reviewed by
Kenneth Turan
Unconventional, imaginative, nothing if not audacious, Gainsbourg: A Heroic Life is a portrait of creativity from the inside, a serious yet playful attempt to find an artistic way to tell an emotional truth.- Los Angeles Times
- Posted Sep 1, 2011
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Reviewed by
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- Los Angeles Times
- Posted Sep 1, 2011
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Reviewed by
Betsy Sharkey
Bristling with dangers both corporeal and cerebral, The Debt is a superbly crafted espionage thriller packed with Israeli-Nazi score settling.- Los Angeles Times
- Posted Aug 30, 2011
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Reviewed by
Robert Abele
A unique glimpse into the recovery mechanism of damaged hearts and bewildered minds, how a visage of hollowed-out sorrow after one year becomes a look of more peaceful acceptance down the road.- Los Angeles Times
- Posted Aug 29, 2011
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Reviewed by
Gary Goldstein
Kazemy and Boosheri are excellent, and Soheil Parsa and Nasrin Pakkho are also fine as Atefeh's doting, liberal parents. And if Keshavarz is less successful managing the film's sometimes choppy narrative, she is clearly willing to take risks on all fronts. More power to her.- Los Angeles Times
- Posted Aug 29, 2011
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Reviewed by
Robert Abele
The unintended take-away is that you can grasp why the Securities and Exchange Commission - terribly negligent though it was in investigating Madoff - might dismiss the claims of someone so theatrically odd.- Los Angeles Times
- Posted Aug 25, 2011
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Reviewed by
Gary Goldstein
Director Vivi Friedman's inability to successfully reconcile the film's duality undercuts an eclectic cast gamely committed to Mark Lisson's thematically ambitious, if scattered, script.- Los Angeles Times
- Posted Aug 25, 2011
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Reviewed by
Kenneth Turan
No concept in the critical lexicon has been more devalued and debased than "inspirational." The term has been so misused, it's just about lost all meaning. A film that makes that word real and vital has to be special. The Interrupters is such a film.- Los Angeles Times
- Posted Aug 25, 2011
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Reviewed by
Betsy Sharkey
All of that combines to make Colombiana into a scandalous blend of action, sex and violence. My apologies in advance for having so much fun.- Los Angeles Times
- Posted Aug 25, 2011
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Reviewed by
Betsy Sharkey
Really, truly, very scary … At least until about 30 minutes in, when you start to be distracted by the lack of logic in the storytelling and the fact that the nasty little gremlins responsible for all the bumps in the night can be offed pretty easily.- Los Angeles Times
- Posted Aug 25, 2011
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Reviewed by
Betsy Sharkey
The comedy isn't always as crisp as it should be, but Peretz has the perfect partner in crime in Rudd.- Los Angeles Times
- Posted Aug 25, 2011
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Robert Abele
The same intelligence, wit and mature spirit that actress Vera Farmiga brings to her performances is richly apparent in her directorial debut as well, the inquisitive spiritual drama Higher Ground.- Los Angeles Times
- Posted Aug 25, 2011
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Reviewed by
Gary Goldstein
Weakly developed characters, a lack of substantive tension and an ending that's more startling than sound round out the minuses of this earnestly motivated but undercooked morality tale.- Los Angeles Times
- Posted Aug 23, 2011
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Reviewed by
Mark Olsen
This fourth "Spy Kids" picture isn't so much bad as it is just boring, lacking the buzz and brio of even some of the earlier entries in the series. It feels like someone is now just marking time.- Los Angeles Times
- Posted Aug 22, 2011
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Reviewed by
Mark Olsen
For all its sophomoric humor and prim prurience, in the end 3D Sex and Zen: Extreme Ecstasy finds it is love, not sex, that rules the human heart, a sweet and conventional idea regardless of the technology of the film's projection.- Los Angeles Times
- Posted Aug 22, 2011
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Gary Goldstein
Although not exactly even-handed, the movie proves a deft look at a reluctant crusader and how financial sway and political override can so effectively trump the power of the average citizen.- Los Angeles Times
- Posted Aug 19, 2011
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Robert Abele
The darkly funny Australian charmer Griff the Invisible introduces its titular hero to us as nighttime caped crusader first, mild-mannered daytime office drone second.- Los Angeles Times
- Posted Aug 19, 2011
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- Los Angeles Times
- Posted Aug 19, 2011
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Reviewed by
Robert Abele
The object isn't to stir you into what-if feminist outrage so much as to let a culturally magnificent era's societal inequalities act as a dissonant countermelody to a famous artist's biography.- Los Angeles Times
- Posted Aug 19, 2011
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Reviewed by
Sheri Linden
The history lesson is often framed in stagy exchanges of dialogue, diluting the strong sense of place.- Los Angeles Times
- Posted Aug 18, 2011
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Reviewed by
Betsy Sharkey
As so often happens with love, what you hope for is not even close to what you get, and in this case we are left with a heartbreaking disappointment of a film.- Los Angeles Times
- Posted Aug 18, 2011
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Reviewed by
Betsy Sharkey
Brutal, bloody beyond belief, and has no socially redeeming value. So it is with a certain amount of guilt that I say it's kind of a wicked blast to watch, especially if you're in the mood for some righteous revenge.- Los Angeles Times
- Posted Aug 18, 2011
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Reviewed by
Mark Olsen
Gibney and Ellwood struggle to create context for or make much sense of the vibrant hodge-podge of material that they excavated from the archives of Kesey, who died in 2001.- Los Angeles Times
- Posted Aug 13, 2011
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Reviewed by
Robert Abele
Rapt fuses strands of dramatic tension in a shrewd enough way that it even saves its sharpest cuts for the kidnapping's aftermath, when a well-heeled life laid bare must reconcile with a much different form of enforced solitude.- Los Angeles Times
- Posted Aug 13, 2011
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Robert Abele
The quietly commanding turn by newcomer Santana - whose outward embrace of an already well-internalized transformation leaps off the screen with equal parts joy, melancholia and bravery - is a standout.- Los Angeles Times
- Posted Aug 13, 2011
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Reviewed by
Robert Abele
For the show's rabid viewership, these testimonials are probably integral to a celebratory experience like the "Glee" live show. To everyone else, it's all gonna be Gleek to you.- Los Angeles Times
- Posted Aug 12, 2011
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Reviewed by
Kenneth Turan
A documentary with the pace of a thriller, a story of motors and machines that is beyond compelling because of the intensely human story it tells.- Los Angeles Times
- Posted Aug 11, 2011
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Reviewed by
Sheri Linden
The storytelling is straightforward, with a classical sheen, even as mischief and hallucination puncture the serene surface.- Los Angeles Times
- Posted Aug 11, 2011
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