For 16,526 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,699 out of 16526
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Mixed: 5,810 out of 16526
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Negative: 2,017 out of 16526
16526
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Betsy Sharkey
I'm going with the filmmakers as the folks most responsible for perpetrating this terribly unfunny and overwhelmingly raunchy film that stars the normally likable, or at least comically forgivable, Jonah Hill. He is neither here.- Los Angeles Times
- Posted Dec 9, 2011
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Robert Abele
I Melt With You assuredly marks itself as one of 2011's most ludicrous releases.- Los Angeles Times
- Posted Dec 8, 2011
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Kenneth Turan
It's a domestic horror story that literally gets to us where we live, a disturbing tale told with uncompromising emotionality and great skill by filmmaker Lynne Ramsay.- Los Angeles Times
- Posted Dec 8, 2011
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Reviewed by
Betsy Sharkey
W.E., Madonna's second go at directing a feature film, leaves one wishing she'd find other creative outlets for those times when she's bored with the pop-star life.- Los Angeles Times
- Posted Dec 8, 2011
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Reviewed by
Betsy Sharkey
The film is very much like a home movie in trying to tell its story of families and feuds complete with the bad lighting, bad camera angles and meandering observations. Though you will wish for more polish and insight, its unruly action is hard to resist.- Los Angeles Times
- Posted Dec 8, 2011
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Reviewed by
Kenneth Turan
In a world where everyone was looking for an angle, hoping to survive the nightmare and maybe even turn other people's misery into a tidy profit, the fact that a fragile humanity survived at all is little short of a miracle.- Los Angeles Times
- Posted Dec 8, 2011
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Betsy Sharkey
When it's done right, as it is in Young Adult, there is something absolutely mesmerizing about watching a train wreck unfold on screen. When the wreck in question is a narcissistic beauty played to scheming, sour, downward-spiraling perfection by Charlize Theron, cringing is definitely called for, but so is laughter.- Los Angeles Times
- Posted Dec 8, 2011
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Kenneth Turan
Tinker Tailor Soldier Spy is an enormously impressive piece of work.- Los Angeles Times
- Posted Dec 8, 2011
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Robert Abele
What unfolds instead is a deadly dull trial and boatloads of speechifying about religious dignity, hate crimes and prejudice.- Los Angeles Times
- Posted Dec 8, 2011
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Gary Goldstein
Blethyn brings tremendous empathy to the introspective, determined Elisabeth, while the tall, gaunt and dreadlocked Ousmane fleshes out his less-dimensional role with a haunting sadness that speaks volumes.- Los Angeles Times
- Posted Dec 5, 2011
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Mark Olsen
Though it may at times seem like just another Japanese gangster picture, in Outrage, Kitano's sense of pacing is so precise, at once restrained and relentless, that the film becomes a vortex, pulling audiences in deeper and deeper.- Los Angeles Times
- Posted Dec 1, 2011
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Mark Olsen
Na captures at once the fragility of the human body and the deep-rooted darkness of the human soul. The Yellow Sea is easily one of the films of the year for underserved action-heads.- Los Angeles Times
- Posted Dec 1, 2011
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Kenneth Turan
Director Johanna Demetrakas has decided to simply present the man in all his demanding complexities and let him and his encounters with associates speak for themselves. Her only rubric is the one visible in her title: "Crazy Wisdom."- Los Angeles Times
- Posted Dec 1, 2011
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Betsy Sharkey
We have a fumbling and fawning - if sincere - tribute to the living legend and a director who has never seemed more out of his element.- Los Angeles Times
- Posted Dec 1, 2011
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Reviewed by
Betsy Sharkey
If you give yourself over to that clash of style and sensibility, something magical happens as the power, the prescience and the precision of Shakespeare's words take hold of modern problems.- Los Angeles Times
- Posted Dec 1, 2011
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Reviewed by
Kenneth Turan
It is Mulligan and most especially Fassbender that give the film its power. The desperation, hostility and despair he conveys through the act of sex make Shame a film that is difficult to watch but even harder to turn away from.- Los Angeles Times
- Posted Dec 1, 2011
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Robert Abele
Tomboy stands out as an especially affecting delicacy about the thrills and pitfalls of exploring who one is.- Los Angeles Times
- Posted Dec 1, 2011
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Sheri Linden
Takes a fittingly inventive approach to the story of an operative whose MI5 code name reflected his supreme talents as an actor.- Los Angeles Times
- Posted Dec 1, 2011
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Kenneth Turan
What is finally most compelling about this film is the sense it gives of how passionately the citizens of Ghana believe in democracy, how much it means to them.- Los Angeles Times
- Posted Nov 29, 2011
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Reviewed by
Gary Goldstein
(A) stirring, if inconclusive documentary.- Los Angeles Times
- Posted Nov 29, 2011
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- Critic Score
The Big Fix presents a compelling array of damning testimony from EPA officials, journalists, scientists and politicians as well as emotional scenes of distraught residents.- Los Angeles Times
- Posted Nov 28, 2011
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Reviewed by
Betsy Sharkey
It's lush and vibrant when Williams is onscreen, mostly fussy British discontent when she's not.- Los Angeles Times
- Posted Nov 23, 2011
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Reviewed by
Kenneth Turan
The director's visually thrilling Hugo has real moments of 3-D magic. Sadly, they aren't quite enough to make this adaptation of Brian Selznick's celebrated novel, "The Invention of Hugo Cabret," a wholly satisfying experience.- Los Angeles Times
- Posted Nov 22, 2011
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Reviewed by
Kenneth Turan
It's fascinating to see the exceptionally charismatic Fassbender squeeze himself into the role of the aristocratic, restrained Jung, and it's just as enjoyable to see Mortensen bring an unexpected virility to his sybaritic, cigar-chomping Freud.- Los Angeles Times
- Posted Nov 22, 2011
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- Los Angeles Times
- Posted Nov 22, 2011
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Reviewed by
Betsy Sharkey
For all of its punishing pathos, the movie does not have the clean lines and elegance of another cut at crime in this city, "L.A. Confidential" (based on an Ellroy novel). As the day of reckoning approaches, the film spins out of control, careening between convoluted subplots, with the emotional pitch of the piece swinging too wildly.- Los Angeles Times
- Posted Nov 22, 2011
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Reviewed by
Betsy Sharkey
If this low-budget indie is any indication, the younger Levinson's creative sensibilities appear to be darker than his dad's, the voice clearly his own.- Los Angeles Times
- Posted Nov 18, 2011
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Reviewed by
Kenneth Turan
Dazzling panoramas, no matter how impressive, are no substitute for the involving story Happy Feet Two has had to do without.- Los Angeles Times
- Posted Nov 18, 2011
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Reviewed by
Kevin Thomas
It's handsome, large-scale escapist fare - and has as its costar the formidable, versatile Kristin Scott Thomas.- Los Angeles Times
- Posted Nov 17, 2011
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Sheri Linden
Whatever personal risks first-time director Hossein Keshavarz took to make the film, there's little sense of danger in the finished product, which offers snapshots of middle-class Iran but falls flat on the dramatic front.- Los Angeles Times
- Posted Nov 17, 2011
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