For 16,526 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,699 out of 16526
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Mixed: 5,810 out of 16526
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Negative: 2,017 out of 16526
16526
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Mark Olsen
Dramatically thin, formally uninspired and thematically weak, The Last Ride really goes nowhere.- Los Angeles Times
- Posted Jun 28, 2012
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Reviewed by
Kenneth Turan
Téchiné is a restless director, a fastidious storyteller who is not interested in what less adventurous movies have to say about human relationships. He wants to dig deeper, even if the results aren't always clear.- Los Angeles Times
- Posted Jun 28, 2012
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Reviewed by
Betsy Sharkey
The comic targets run the gamut - race, religion, relationships, reality, etc. While nothing is sacred, the sacrilege comes with just enough sweetness to offset the salt.- Los Angeles Times
- Posted Jun 28, 2012
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Reviewed by
Kenneth Turan
Life, however, cannot be lived entirely on stage, and once the characters have to take off their thongs and return to their real lives, the film goes nowhere that is either interesting, involving or surprising.- Los Angeles Times
- Posted Jun 28, 2012
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Reviewed by
Betsy Sharkey
Director Benh Zeitlin and his co-writer Lucy Alibar, a playwright whose "Juicy and Delicious" was the inspiration, have created characters that are wondrously indelible, distinctive of voice and set them inside a story that will unleash a devastating hurricane, and a flood of emotions, before it is done.- Los Angeles Times
- Posted Jun 27, 2012
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Reviewed by
Sheri Linden
Netanyahu's letters, read with sensitivity by actor Marton Csokas, help to fill in gaps with their vivid and thoughtful poetics, whether he's discussing the horrors of war, his nostalgia for Jerusalem in the '50s or his outsider's view of "empty, meaningless life" in the States.- Los Angeles Times
- Posted Jun 21, 2012
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Reviewed by
Sheri Linden
The film is driven by a we-are-the-world connectedness, but remains a travelogue in search of a defining center. The overall impression is as fleeting as much of the imagery that flashes across the screen.- Los Angeles Times
- Posted Jun 21, 2012
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Reviewed by
Kenneth Turan
Brave simply doesn't feel as much like the Pixar movies we've come to expect.- Los Angeles Times
- Posted Jun 21, 2012
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Betsy Sharkey
Starts imploding long before the massive asteroid hurtling toward Earth is due to deliver annihilation.- Los Angeles Times
- Posted Jun 21, 2012
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Reviewed by
Kenneth Turan
Given the subject matter, an exercise in delicacy and restraint was unlikely, but it's too bad that the film's concept is way more entertaining than what has ended up on-screen.- Los Angeles Times
- Posted Jun 21, 2012
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Reviewed by
Gary Goldstein
Campbell Scott's strong narration (well-written by Allentuck) and fun vintage musical selections effectively round out this provocative portrait.- Los Angeles Times
- Posted Jun 19, 2012
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Reviewed by
Mark Olsen
Much like the image of Wright presented by the movie itself, Wish Me Away is graceful, sincere and heartfelt.- Los Angeles Times
- Posted Jun 15, 2012
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Reviewed by
Kenneth Turan
It is the achievement of Gerhard Richter Painting to shine a light on that hidden, private act as few other films have done.- Los Angeles Times
- Posted Jun 15, 2012
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Reviewed by
Robert Abele
Even with a gripping subject like blues-singing convicts, the documentary Music from the Big House has a disconcerting emotional distance.- Los Angeles Times
- Posted Jun 15, 2012
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Reviewed by
Robert Abele
Early on, it's tempting to dismiss the noir pastiche The Girl From the Naked Eye as a warmed-over pulp wannabe, what with the overwrought camera work and clichéd dialogue. But in its moments of sometimes comically violent antagonism, the movie shows some flashes of genre pizazz.- Los Angeles Times
- Posted Jun 15, 2012
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Reviewed by
Kenneth Turan
"It is extremely difficult to be like a mountain, to create stillness in the middle of hell," is how Abramovic describes her task. The most resonant part of this surprisingly emotional film demonstrates how powerful this interaction is, how it expresses something that is no less moving for being, literally, beyond words.- Los Angeles Times
- Posted Jun 14, 2012
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Reviewed by
Kenneth Turan
Blessed with unstoppable energy, an undeniably bawdy sense of fun and Tom Cruise in backless leather pants, it takes songs you may never have loved and turns them into a musical that's easy to enjoy.- Los Angeles Times
- Posted Jun 14, 2012
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Reviewed by
Robert Abele
You might not "like" Perry's movie, but it's hard to deny the forensically assured sensibility at work.- Los Angeles Times
- Posted Jun 7, 2012
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Reviewed by
Robert Abele
Weaver's last ditch attempt to upend rom-com convention and rewrite the movie as a skeevy lout's comeuppance hardly makes up for the clichéd slog that comes before.- Los Angeles Times
- Posted Jun 7, 2012
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Reviewed by
Gary Goldstein
The film brings us vividly inside the life - and head - of its determined hero, Bud Clayman, as he depicts the process of what he calls "getting normal."- Los Angeles Times
- Posted Jun 7, 2012
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Reviewed by
Betsy Sharkey
It's not "On Golden Pond" by any stretch, but it is nice to have Fonda back in the fractious family way.- Los Angeles Times
- Posted Jun 7, 2012
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Reviewed by
Betsy Sharkey
Here that soul-baring, soul-searching is the centerpiece of the film. Unfortunately, not much else about Lola Versus matches that standard.- Los Angeles Times
- Posted Jun 7, 2012
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Reviewed by
Sheri Linden
Thurman, Meaney and Scott Thomas acquit themselves well, while Ricci's Clotilde is sweet yet posed. Pattinson, who has delivered some strong performances in non-"Twilight" fare, might be exploring the flip side of the Team Edward swoon factor but, finally, his Georges is merely vampiric.- Los Angeles Times
- Posted Jun 7, 2012
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Reviewed by
Betsy Sharkey
The animation artistry of Madagascar 3 is at its best under the big top, all cotton candy fluff and razzle dazzle. The character development of this edition is the best of the rest as well.- Los Angeles Times
- Posted Jun 7, 2012
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Reviewed by
Kenneth Turan
Prometheus, unlike its predecessors, does not wear its themes lightly. It pushes too hard for significance, which is dicey in and of itself for genre material and contrasts badly with the standard nature of some of the story's plotting.- Los Angeles Times
- Posted Jun 7, 2012
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Reviewed by
Kenneth Turan
Oslo is an example of strong, confident filmmaking in which nothing is miscalculated or out of place. Anchored by a devastating performance by Anders Danielsen Lie, this portrait of existential despair is beautifully made without being self-conscious about its art.- Los Angeles Times
- Posted Jun 1, 2012
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Reviewed by
Robert Abele
A near complete exercise in mirthlessness and atonal satire, Cellmates is a sentence, all right.- Los Angeles Times
- Posted May 31, 2012
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Reviewed by
Gary Goldstein
There's likely an audience for the cloying and dizzying hip-hop dance flick Battlefield America, but even the most forgiving viewers may feel like they've been underestimated - and underserved.- Los Angeles Times
- Posted May 31, 2012
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- Critic Score
You can't cure what you don't understand is one of the film's sobering messages.- Los Angeles Times
- Posted May 31, 2012
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- Los Angeles Times
- Posted May 31, 2012
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