For 16,526 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,699 out of 16526
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Mixed: 5,810 out of 16526
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Negative: 2,017 out of 16526
16526
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Gary Goldstein
As for the so-called "food compositions" seen here, like the film itself, they're more impressionistic and artistic than enticing. For a far more satisfying cinematic meal, check out the similarly themed "Jiro Dreams of Sushi."- Los Angeles Times
- Posted Oct 12, 2012
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- Los Angeles Times
- Posted Oct 12, 2012
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Reviewed by
Robert Abele
Despite an awkwardly jokey title, Now, Forager has charm, intelligence and a cool passion for its principled characters - an appealing off-menu slice for hungry indie admirers.- Los Angeles Times
- Posted Oct 12, 2012
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Betsy Sharkey
It's just that there isn't enough story - the book shouldn't be required reading for the film to make sense.- Los Angeles Times
- Posted Oct 12, 2012
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Reviewed by
Robert Abele
Vaguely misogynistic and defiantly paternalistic, the movie fails at nearly everything.- Los Angeles Times
- Posted Oct 12, 2012
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Sheri Linden
Though it's handled with little subtlety, the way the atmosphere of suspicion in Vichy France filters down to the kids is a smart slant on the material.- Los Angeles Times
- Posted Oct 12, 2012
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Reviewed by
Gary Goldstein
While the movie's second half feels more consequential - and more impressively action-packed - than its first part, it also loses some of its initial charm and quirk via a protracted, often dizzying descent into a kind of booty-centric game of hot potato.- Los Angeles Times
- Posted Oct 12, 2012
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Reviewed by
Mark Olsen
Rather than another drearily workaday horror picture, Sinister uses the supernatural to underline its examination of the all-too-human foibles of insecurity and myopic self-centeredness. As the best horror stories so often do, Sinister makes clear that we are our own boogeymen, the worst monsters of all.- Los Angeles Times
- Posted Oct 11, 2012
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Mark Olsen
The film works hard at its inoffensiveness. Throughout, jokes are left on the table, setups never pay off in any significant way.- Los Angeles Times
- Posted Oct 11, 2012
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Kenneth Turan
Unlike "In Bruges," the outlandish parts of Seven Psychopaths, though often bleakly entertaining in their own right, remain a collection of weird riffs that not even engaging acting by Colin Farrell, Sam Rockwell, Woody Harrelson, Christopher Walken and Tom Waits can bring together.- Los Angeles Times
- Posted Oct 11, 2012
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Kenneth Turan
So though it echoes the films of Charles Burnett, the plays of August Wilson and "A Raisin in the Sun," at its heart Middle of Nowhere is old-school, character-driven narrative at its most quietly effective.- Los Angeles Times
- Posted Oct 11, 2012
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Reviewed by
Kenneth Turan
Affleck easily orchestrates this complex film with 120 speaking parts as it moves from inside-the-Beltway espionage thriller to inside Hollywood dark comedy to gripping international hostage drama, all without missing a step.- Los Angeles Times
- Posted Oct 11, 2012
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Robert Abele
An investment in theatrical self-indulgence with diminishing returns.- Los Angeles Times
- Posted Oct 10, 2012
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Sheri Linden
In the film based on her memoir Mulberry Child, Jian Ping speaks of her family's ordeal during the Cultural Revolution with searing detail and not an ounce of sentimentality. The same can't be said of director Susan Morgan Cooper's heavy-handed approach to the material.- Los Angeles Times
- Posted Oct 5, 2012
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Betsy Sharkey
It is a striking and moving study of "what was" versus "what it has become" as the filmmakers try to get at the whys.- Los Angeles Times
- Posted Oct 5, 2012
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Mark Olsen
Decoding Deepak does not feel, as it might, like an indictment of those messages but rather a straightforward portrait of someone working hard to present the product he is selling.- Los Angeles Times
- Posted Oct 4, 2012
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Robert Abele
Had V/H/S been a nasty jolt of three, it might have been memorable, but at nearly two hours, the gimmick punctures a hole in itself, causing ambience bleed-out. Recommended cure: a tripod- Los Angeles Times
- Posted Oct 4, 2012
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Reviewed by
Kenneth Turan
Cogent, convincing, determinedly non-ideological, Escape Fire: The Fight to Rescue American Healthcare tells us that everything we think we know about that incendiary topic might be wrong. And it offers us a way out of the morass.- Los Angeles Times
- Posted Oct 4, 2012
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Sheri Linden
The would-be satire is nothing more than a bunch of sketch characters and jokes welded to a sentimental subplot.- Los Angeles Times
- Posted Oct 4, 2012
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Betsy Sharkey
There is such unflinching passion in the piece that The Paperboy deserves to be seen even though it can feel almost as flawed as its characters.- Los Angeles Times
- Posted Oct 4, 2012
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Reviewed by
Kenneth Turan
At a beefy 6-foot-4, Neeson certainly looks physically imposing, but it was the notion of casting someone who can actually act in an action hero role that was the counter-intuitive concept that made both films - Taken 2 is more a remake than a sequel - so successful.- Los Angeles Times
- Posted Oct 4, 2012
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Betsy Sharkey
He (Burton) has used that tonality deftly here, it keeps Frankenweenie visually stunning and the sensibility light. It's too bad the tale, like Sparky's wagging appendage, keeps falling off.- Los Angeles Times
- Posted Oct 4, 2012
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Robert Abele
The trouble is that it's hard to care about poor Wayne when he seems so empty-headed and naïve - civic unrest in Peru on the eve of its first democratic elections in 1980 is the setting - and when the movie itself seems so unfocused.- Los Angeles Times
- Posted Sep 28, 2012
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Robert Abele
As predictable as these stories invariably are, Lee's wonderful turn reignites the potent fantasy of peasant wisdom - if given the power - melting politically cynical hearts and legislating through decency rather than fear.- Los Angeles Times
- Posted Sep 28, 2012
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Robert Abele
Although the sentiment threatens to flatten out an intriguingly nervy vibe, Brooklyn Brothers Beat the Best has plenty of rhythmic charm about its responsibility-challenged strivers.- Los Angeles Times
- Posted Sep 27, 2012
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Reviewed by
Gary Goldstein
Both well-timed and oddly late-on-arrival, the good-natured documentary Electoral Dysfunction attempts to lay bare the irregularities behind the American voting system but, for some, it may feel too lightweight and coy for genuine effect.- Los Angeles Times
- Posted Sep 27, 2012
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Mark Olsen
Even amid the naughty flourishes, with Vulgaria, Pang again shows himself to be a wise, playful chronicler of modern life.- Los Angeles Times
- Posted Sep 27, 2012
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Reviewed by
Gary Goldstein
Given the subjectively interpretive nature of scripture and ancient religious history, which informs most of the Christian-centric debate here, the result is an often dense, contradictory discourse.- Los Angeles Times
- Posted Sep 27, 2012
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Sheri Linden
Though its snapshot approach is uneven, Harvest is itself a valuable resource: a good starting point for a fuller perspective on this nation of immigrants.- Los Angeles Times
- Posted Sep 27, 2012
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Reviewed by
Robert Abele
Wherever you stand on healthcare and the fact that uninsured people nationwide use emergency rooms for basic services, the documentary The Waiting Room is a revealing portrait of the often tough transactions between patients and hospital staff at the urgency level.- Los Angeles Times
- Posted Sep 27, 2012
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