Los Angeles Times' Scores

For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16526 movie reviews
  1. The underwhelming, would-be political satire Knife Fight plays more like a failed network TV pilot than the savvy feature it clearly set out to be. Think: Aaron Sorkin-lite, uh, really, really lite.
  2. Writer-director Jay Bulger combines warts-heavy interview footage of Baker with vivid archival bits, concert clips, jaunty animation and chats with various musical greats to paint a lively portrait of yet another brilliant but wildly self-destructive artist.
  3. At first Tabu is intriguing. But the enigma gets wearing as the director's attention is divided between the homage to the silent film era and the film's underlying exploration of the regret of old age.
  4. Efficiently told and features solid performances, but without the juicy character detail, vise-grip suspense or black comic intensity of its memorable forerunners, it unwinds as a boilerplate genre item.
  5. It's really just an overstuffed story that comes off not as layered but rather as an unfocused jumble.
  6. LUV
    What begins as a promising peek into the tragic cycle of waylaid promise that's crippling broken inner-city families is itself dispiritingly pulled sideways in the Baltimore-set indie LUV.
  7. The road to the inevitable slapsticky Seder is paved with more sweetness than bite, a good deal of frantic foolishness and progressively thinner laughs, all wrapped in a message of acceptance and inclusiveness.
  8. It's a wild and vivid ride and a spirited reminder of the kinship between Jewish and Arab cultural traditions.
  9. Nothing clicks, nothing resonates, everything's broken.
  10. Johnny Knoxville offers comic relief as the goofball proprietor of a back-road gun museum, which conveniently allows for an odd assortment of weapons to be used in the climactic battle. It's that kind of movie.
  11. For the most part "Matru" is neatly energetic, a mix of screwball whimsy and softball seriousness.
  12. I found myself repeatedly on the edge of tears over its course. It is a relatively short but luxurious film.
  13. No-holds-barred comedy is one thing, hurtful thoughtlessness is something else entirely. An ostensible comedy shouldn't have so many moments that feel so ugly.
  14. I Am Not a Hipster is the kind of lovingly crafted, deeply affecting drama that gives small indie films a good name. It's also a terrific showcase for first-time feature writer-director Destin Daniel Cretton and his superb leading man, Dominic Bogart.
  15. Ultimately, more than 800 demonstrators died amid countless displays of bravery and commitment. Uprising is a vital and valuable tribute to these courageous men and women - and to love of country.
  16. It's an enjoyable snapshot that effectively explores the colliding - often complicit - worlds of fame, entertainment publicity, the public's infatuation with gossip and the dogged paparazzi at the epicenter of it all.
  17. A one-sided attack piece like FrackNation doesn't add much to the conversation.
  18. Genial and heartfelt but essentially toothless, lacking in either snark or spark.
  19. For all the attempted intrigue and mayhem, the film is dullsville, mired by a poky script, unremarkable action and, the hard-working Garcia aside, uninspired performances.
  20. The soul of the era is missing, and with it any reason to care. In Fleischer's hands, the high-stakes shootouts are as stylish as a GQ spread, but it's nearly impossible to figure out who's zoomin' who.
  21. The original "Texas Chainsaw Massacre" leaves audiences feeling hollowed out, dispirited and dissolute. Texas Chainsaw 3D is simply a bummer for being a big nothing.
  22. Allegiance is an intermittently compelling but ultimately disappointing drama that loses track of its own point of view in favor of more generic storytelling.
  23. Only the Young rarely coalesces into anything more meaningful than a casual collection of moments. Maybe that's the point.
  24. It's got a strong cast and an intriguing premise that has the added bonus of real-world relevance. But, good intentions and good work aside, the film flounders before it reaches its conclusion.
  25. Lazy, smugly self-satisfied movie.
  26. In "Django," Tarantino is a man unchained, creating his most articulate, intriguing, provoking, appalling, hilarious, exhilarating, scathing and downright entertaining film yet.
  27. Despite its pitfalls, this movie musical is a clutch player that delivers an emotional wallop when it counts. You can walk into the theater as an agnostic, but you may just leave singing with the choir.
  28. It's one terrific film, as smart, thoughtful and emotionally involving as just about anything that's out there.
  29. Bayona achieves a rare sense of balance between the big and the powerful as well as the small and the intimate in the family's survival against impossible odds, no doubt the inspiration for the title.
  30. There will be many who won't be able to get past the language in This Is 40. There will be others who will worry that the king of callous has gone soft on them. I'm just happy to see one of this generation's most influential comic minds back on track - the laugh track.

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