Los Angeles Times' Scores

For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16526 movie reviews
  1. At the film's heart is a fitful conversation that unfolds like a string of koans, epigrams, jokes and silences.
  2. It's to Coiro's credit that no one emerges as a villain — and that, however painful, on the other side lies hope.
  3. A strongly acted, character-driven melodrama, concerned with the dynamics of family in general and father-son issues in particular, it presents situations so emotionally supercharged that the whole story could have come straight out of Balzac.
  4. The less seriously the genial French comedy Populaire takes itself, the more amusing it is. Fortunately, with small exceptions, this film doesn't take itself very seriously at all.
  5. The real treasure in "TV Man" is Kosareff's impressive collection of old print and television ads, archival footage and big- and small-screen clips illustrating TV-set culture.
  6. Though writer-director Bryan Anthony Ramirez keeps things moving apace, he trots out so many familiar tropes that it's often like watching a highlights reel from a lifetime's worth of urban crime dramas.
  7. Ray Ray's belated journey into manhood never feels sentimental or precious. But it also never strikes an emotional tone that's more than blandly agreeable.
  8. Salerno, as if he's unsure of what he's got, goes to great lengths to heighten the drama with crisp editing, a strong score, frequent sound effects and snappy visuals.
  9. It's a challenging film, but maybe not as challenging as it should be.
  10. The script is short on details and insight, and when asked to comment on this condition — or the script's sketch of a culture on the cusp of the Internet revolution — the film, like its dirtbag protagonist, just shrugs.
  11. The earnest mash-up of spoken-word performance, domestic drama and soapy romance in Things Never Said is unwieldy, to be sure, and would have sunk a less charismatic cast.
  12. This is no sappy portrait of a saint: Mino is tenacious, critical and defensive, and in one memorable scene, a colleague tries to get her to face reality about what the real world holds for their students after graduation.
  13. Like many a biopic before it, Winnie Mandela shoehorns an exceptional life into the standard template of a highlights reel, lurching from one Important Moment to the next.
  14. In the end, despite the clunky mix of narrative formats, My Father and the Man in Black makes for an illuminating alternate history of sorts to the Hollywoodized version of Cash's ascendancy in "Walk the Line."
  15. The bloodletting is blandly demure and the identity of the malefactor telegraphed too early.
  16. An involving primer on the realities of homegrown versus global industrialization.
  17. This gripping, innovatively constructed flashback commands attention.
  18. White's film is a love letter not just to Kelly and the Beatles, but also to postwar working-class Liverpool.
  19. There are zero thrills — 3-D or otherwise — and, for all the nutty mayhem, the pacing drags.
  20. Flat jokes, uneven performances, and a predictable romance help make Bounty Killer a lot less fun than it should be — a killer shame, given its boldly gonzo premise.
  21. A flimsy episodic feature.
  22. Its modest (if occasionally gross-out) stabs at genre parody rarely insult our intelligence and even allow for the kind of retro deadpan silliness Mel Brooks used to underline his louder punch lines.
  23. There's a lot of movie here with unexpected developments, held together by the irresistible chemistry between Derbez and his adorable pint-sized co-star.
  24. Passion will only rekindle your love affair with De Palma to the extent that his luridly artisan chiller classics are readily available afterward for another viewing.
  25. Swanberg achieves an occasionally heady aura of improvisational flirtatiousness mixed with a churning will-they-or-won't-they suspense.
  26. The Lifeguard is a watchable, emotionally redolent trip down one woman's memory lane.
  27. Documentarian Amy Nicholson puts a human face on the deterioration of the iconic New York amusement park by focusing on the fate of her favorite ride.
  28. But unless you're a demolition-derby fetishist or a connoisseur of vehicular mayhem, none of that will buy you a thrill in this video game posing as a movie.
  29. An entertaining and insightful portrait of boyhood.
  30. Aiming to discomfort, the film ends up retreating.

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