Los Angeles Times' Scores

For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16526 movie reviews
  1. Mr. Jones has the bones of something freaky but succumbs to a penchant for alienating chaos over sustained, abiding creep.
  2. Ngoc and Faunce certainly make fascinating subjects, and the film persuasively argues to give them the benefit of the doubt. But one can't help but think that in the hands of a shrewder filmmaker like Errol Morris, this stranger-than-fiction account would have been absolutely riveting.
  3. Belle is greatly buoyed by Mbatha-Raw's performance. She infuses Dido with a confident and intelligent grace that keeps you engaged long after the tangled story has let both the actress and audience down.
  4. The division between the personal and scientific stories is not a clean one. It gives the film an uneven rhythm as it at times lurches between the two women's very separate lives.
  5. Ida
    Spare, haunting, uncompromising, Ida is a film of exceptional artistry whose emotions are as potent and persuasive as its images are indelibly beautiful.
  6. The Occasionally Amazing Spider-Man 2 might be a better way to think of the not-always-spectacular but sometimes satisfying Spider-Man sequel.
  7. Jaglom is too spiritually and cinematically lazy to do anything but evoke glib, artless solidarity, and let us know he's heard of Twitter and Facebook.
  8. The well-observed script touches on a number of everyday issues about the aging process — whether you're pushing 40 or passing 60 — that add a tender and enlightening layer to this engaging, leisurely paced film.
  9. Alphaville is more than quintessential Godard. Despite its age it's that rare science fiction film that doesn't seem to have dated at all.
  10. With its grasp of suspense and character, it hits the mark as a portrait of openhearted determination that's devoid of desperation.
  11. This film from writer Kenny Golde and director Mark Schmidt slaps a clichéd war-movie dressing over everything so that what should have felt heart-poundingly incredible comes off as heavy-handed, ludicrous and unintentionally queasy.
  12. Even with a cut-and-dried approach to characterization and the issue of man-made consciousness, The Machine percolates with an elegantly palpable sense of wonder and danger.
  13. The setting abounds in beauty, and the storytelling abounds in obvious cues that mute the intended suspense, if not the horror.
  14. Blue Ruin is an uneven film, and there are slip-ups along the way, but the tension that settles in slowly like a low-grade fever keeps you with it.
  15. Locke stands out both for the way filmmaker Knight conceived and executed it and for the kind of hypnotic acting Hardy can be counted on to bring to the table.
  16. Slyness, slapstick and sex can often be mixed to amusing effect whatever the specifics — the original "Hangover," for example, did a credible job of it — but The Other Woman is ultimately undone by its indecision.
  17. Richard Ray Perez's documentary concerns the myth more than the man.
  18. Smartly, the filmmakers minimize their topic's punchline potential. But even though the running time is short, the movie feels stretched out.
  19. This handsomely made suspense yarn proves an engrossing, pulse-quickening journey.
  20. It's a junky, unscary genre piece with a misleading title, because director and co-writer John Pogue jacks up the decibels so often to manufacture frights that you fear a punctured eardrum more than anything else.
  21. Brick Mansions, Paul Walker's penultimate film (prior to "Fast & Furious 7"), is a dumb and ugly action picture that works strictly as a reminder of the late actor's head-turning good looks and modest charisma.
  22. Part of the unpredictable pleasure of Bible Quiz is its unanswered questions.
  23. Some instances of impiousness work better than others.
  24. Although it ends on a weak note, Short Peace remains an imaginative, visually striking collection that will delight animation fans seeking something new and different.
  25. If Watermark does nothing else, it will make you question society's contradictory view of water use.
  26. While Fading Gigolo periodically threatens to come apart at the seams, it is Turturro's most disciplined and delightful work yet.
  27. Director Roger Gual presents little in the way of tantalizing culinary visuals, and that leaves the paper-thin characters as the main course.
  28. Don't let the title of this indie gem fool you, Small Time has humor and heart big time.
  29. The filmmakers forget the fundamentals of B-movie 101: Skin-baring spring breakers make for the most qualified carnage.
  30. Directors Goldfine and Geller tell their story with such engaged confidence that we are swept along to its wild end.

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