For 16,526 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,699 out of 16526
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Mixed: 5,810 out of 16526
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Negative: 2,017 out of 16526
16526
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Robert Abele
Mr. Jones has the bones of something freaky but succumbs to a penchant for alienating chaos over sustained, abiding creep.- Los Angeles Times
- Posted May 1, 2014
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Martin Tsai
Ngoc and Faunce certainly make fascinating subjects, and the film persuasively argues to give them the benefit of the doubt. But one can't help but think that in the hands of a shrewder filmmaker like Errol Morris, this stranger-than-fiction account would have been absolutely riveting.- Los Angeles Times
- Posted May 1, 2014
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Reviewed by
Betsy Sharkey
Belle is greatly buoyed by Mbatha-Raw's performance. She infuses Dido with a confident and intelligent grace that keeps you engaged long after the tangled story has let both the actress and audience down.- Los Angeles Times
- Posted May 1, 2014
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Reviewed by
Betsy Sharkey
The division between the personal and scientific stories is not a clean one. It gives the film an uneven rhythm as it at times lurches between the two women's very separate lives.- Los Angeles Times
- Posted May 1, 2014
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Reviewed by
Kenneth Turan
Spare, haunting, uncompromising, Ida is a film of exceptional artistry whose emotions are as potent and persuasive as its images are indelibly beautiful.- Los Angeles Times
- Posted May 1, 2014
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Reviewed by
Betsy Sharkey
The Occasionally Amazing Spider-Man 2 might be a better way to think of the not-always-spectacular but sometimes satisfying Spider-Man sequel.- Los Angeles Times
- Posted May 1, 2014
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Reviewed by
Robert Abele
Jaglom is too spiritually and cinematically lazy to do anything but evoke glib, artless solidarity, and let us know he's heard of Twitter and Facebook.- Los Angeles Times
- Posted Apr 30, 2014
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Gary Goldstein
The well-observed script touches on a number of everyday issues about the aging process — whether you're pushing 40 or passing 60 — that add a tender and enlightening layer to this engaging, leisurely paced film.- Los Angeles Times
- Posted Apr 26, 2014
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Kenneth Turan
Alphaville is more than quintessential Godard. Despite its age it's that rare science fiction film that doesn't seem to have dated at all.- Los Angeles Times
- Posted Apr 24, 2014
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Sheri Linden
With its grasp of suspense and character, it hits the mark as a portrait of openhearted determination that's devoid of desperation.- Los Angeles Times
- Posted Apr 24, 2014
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Robert Abele
This film from writer Kenny Golde and director Mark Schmidt slaps a clichéd war-movie dressing over everything so that what should have felt heart-poundingly incredible comes off as heavy-handed, ludicrous and unintentionally queasy.- Los Angeles Times
- Posted Apr 24, 2014
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Reviewed by
Robert Abele
Even with a cut-and-dried approach to characterization and the issue of man-made consciousness, The Machine percolates with an elegantly palpable sense of wonder and danger.- Los Angeles Times
- Posted Apr 24, 2014
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Reviewed by
Sheri Linden
The setting abounds in beauty, and the storytelling abounds in obvious cues that mute the intended suspense, if not the horror.- Los Angeles Times
- Posted Apr 24, 2014
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Betsy Sharkey
Blue Ruin is an uneven film, and there are slip-ups along the way, but the tension that settles in slowly like a low-grade fever keeps you with it.- Los Angeles Times
- Posted Apr 24, 2014
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Reviewed by
Kenneth Turan
Locke stands out both for the way filmmaker Knight conceived and executed it and for the kind of hypnotic acting Hardy can be counted on to bring to the table.- Los Angeles Times
- Posted Apr 24, 2014
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Betsy Sharkey
Slyness, slapstick and sex can often be mixed to amusing effect whatever the specifics — the original "Hangover," for example, did a credible job of it — but The Other Woman is ultimately undone by its indecision.- Los Angeles Times
- Posted Apr 24, 2014
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Sheri Linden
Richard Ray Perez's documentary concerns the myth more than the man.- Los Angeles Times
- Posted Apr 24, 2014
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Gary Goldstein
Smartly, the filmmakers minimize their topic's punchline potential. But even though the running time is short, the movie feels stretched out.- Los Angeles Times
- Posted Apr 24, 2014
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Gary Goldstein
This handsomely made suspense yarn proves an engrossing, pulse-quickening journey.- Los Angeles Times
- Posted Apr 24, 2014
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Robert Abele
It's a junky, unscary genre piece with a misleading title, because director and co-writer John Pogue jacks up the decibels so often to manufacture frights that you fear a punctured eardrum more than anything else.- Los Angeles Times
- Posted Apr 24, 2014
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Gary Goldstein
Brick Mansions, Paul Walker's penultimate film (prior to "Fast & Furious 7"), is a dumb and ugly action picture that works strictly as a reminder of the late actor's head-turning good looks and modest charisma.- Los Angeles Times
- Posted Apr 24, 2014
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Sheri Linden
Part of the unpredictable pleasure of Bible Quiz is its unanswered questions.- Los Angeles Times
- Posted Apr 24, 2014
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- Los Angeles Times
- Posted Apr 22, 2014
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Reviewed by
Charles Solomon
Although it ends on a weak note, Short Peace remains an imaginative, visually striking collection that will delight animation fans seeking something new and different.- Los Angeles Times
- Posted Apr 17, 2014
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Kenneth Turan
If Watermark does nothing else, it will make you question society's contradictory view of water use.- Los Angeles Times
- Posted Apr 17, 2014
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Reviewed by
Betsy Sharkey
While Fading Gigolo periodically threatens to come apart at the seams, it is Turturro's most disciplined and delightful work yet.- Los Angeles Times
- Posted Apr 17, 2014
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Sheri Linden
Director Roger Gual presents little in the way of tantalizing culinary visuals, and that leaves the paper-thin characters as the main course.- Los Angeles Times
- Posted Apr 17, 2014
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Reviewed by
Betsy Sharkey
Don't let the title of this indie gem fool you, Small Time has humor and heart big time.- Los Angeles Times
- Posted Apr 17, 2014
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Martin Tsai
The filmmakers forget the fundamentals of B-movie 101: Skin-baring spring breakers make for the most qualified carnage.- Los Angeles Times
- Posted Apr 17, 2014
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Kenneth Turan
Directors Goldfine and Geller tell their story with such engaged confidence that we are swept along to its wild end.- Los Angeles Times
- Posted Apr 17, 2014
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