For 16,524 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16524
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Mixed: 5,809 out of 16524
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Negative: 2,017 out of 16524
16524
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Betsy Sharkey
The film is quite serious about pushing its players and its audiences through the mental, as well as emotional, meat grinder. Many times along the way, you fear you know where things are going. But Kent is clever in choosing unexpected spots to pull the rug out from under you.- Los Angeles Times
- Posted Nov 27, 2014
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Reviewed by
Kenneth Turan
The disturbing, involving, always-complex story of British mathematician Alan Turing is a tale crafted to resonate for our time, and the smartly entertaining The Imitation Game gives it the kind of crackerjack cinematic presentation that's pure pleasure to experience.- Los Angeles Times
- Posted Nov 27, 2014
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Reviewed by
Sheri Linden
Hong Kong director and co-writer Pang Ho-Cheung sends up gender stereotypes and reinforces them in his contemporary yet not quite fresh confection, zeroing in on certain women's girlie wiles.- Los Angeles Times
- Posted Nov 25, 2014
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Reviewed by
Betsy Sharkey
The pun is a gun for Penguins' writers. Not a sharpshooter rifle, but a machine gun that unloads a nonstop quip barrage, mowing down the real promise of this 3-D animation action comedy.- Los Angeles Times
- Posted Nov 25, 2014
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Reviewed by
Betsy Sharkey
Make no mistake, despite some well-earned laughs, "Horrible Bosses 2" is not what qualifies as a good movie or even a particularly good R-rated comedy. But there is more to laugh at in "2" than the first, so let's go with less horrible, shall we?- Los Angeles Times
- Posted Nov 25, 2014
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Michael Rechtshaffen
You're left wanting to have seen much more of the story from the Queen of the Mountains' singular vantage point.- Los Angeles Times
- Posted Nov 24, 2014
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Reviewed by
Sheri Linden
What Kaufman's blunt inquiry lacks in technical refinement, it makes up for in details — in interviewees' recollections and, most harrowing, in the box full of letters that sparked the project.- Los Angeles Times
- Posted Nov 21, 2014
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Martin Tsai
With a 21/2 -hour running time, Work Weather Wife does not lack ambition. But for a film deliberately channeling Bollywood, its scope seems rather Lilliputian.- Los Angeles Times
- Posted Nov 20, 2014
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Betsy Sharkey
We look to documentaries like The Invisible Front — dense with detail, straightforward in laying out the issues — to put history in perspective. And in this case to illuminate a little-known page from it.- Los Angeles Times
- Posted Nov 20, 2014
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Sheri Linden
In Ashok's reunion with the love of his life (Mary Steenburgen) — the chance to see her after many years is the true reason for his trip — the film taps into a tender wistfulness, Steenburgen making her character's every glance and hesitation resonate with emotion.- Los Angeles Times
- Posted Nov 20, 2014
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Reviewed by
Betsy Sharkey
It is the way in which the writer-director uses the specter of vampires and vices to take an off-center cut at Iranian gender politics and U.S.-Eurocentric pop culture that sets the film apart.- Los Angeles Times
- Posted Nov 20, 2014
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Reviewed by
Robert Abele
A kitchen-sink mess with no discernible narrative drive or thematic resonance beyond uninspired batches of bad behavior, gunplay, eccentricity and weak uplift.- Los Angeles Times
- Posted Nov 20, 2014
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Reviewed by
Robert Abele
Joyless and repetitive, Extraterrestrial is like getting cornered by a madman. You keep wondering, why is this movie shouting at me?- Los Angeles Times
- Posted Nov 20, 2014
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Michael Rechtshaffen
Although the resulting tonal shifts between funny and serious aren't always executed as seamlessly as they might be, Khoury deserves props for defying rom-com conventions more often than he succumbs to them.- Los Angeles Times
- Posted Nov 20, 2014
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Kenneth Turan
Happy Valley is especially good at revealing a mass desire to shift blame, showing how everyone the scandal touched wanted to focus on the aspect that made them the least responsible.- Los Angeles Times
- Posted Nov 20, 2014
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Martin Tsai
Director Sanjay Rawal also allows the likes of Eva Longoria (an executive producer of the film, as is "Fast Food Nation" author Eric Schlosser) and members of the Kennedy dynasty to hijack the farmworkers' story. It's a reductive strategy that ultimately insults viewers' intelligence.- Los Angeles Times
- Posted Nov 20, 2014
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Reviewed by
Betsy Sharkey
In a time when so many documentary filmmakers take on advocacy roles, National Gallery represents the heart of what Wiseman does best — step back and let the place and its people lead the story.- Los Angeles Times
- Posted Nov 20, 2014
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Kenneth Turan
Though everyone tries her or his hardest to make it otherwise, this is by definition a place-holder film that exists not so much for itself but to smooth the transition from its hugely successful predecessors to a presumably glorious finale one year hence.- Los Angeles Times
- Posted Nov 20, 2014
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Gary Goldstein
Night Will Fall proves a riveting, devastating, heartbreaking and deeply important film, one that you will likely never forget.- Los Angeles Times
- Posted Nov 19, 2014
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Michael Rechtshaffen
The film puts a brave, much-adored face on a disease that has touched so many families.- Los Angeles Times
- Posted Nov 17, 2014
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Michael Rechtshaffen
Darling's documentary is garden-variety filmmaking, but it does an effective job in illustrating how years of fiscal crises have forced academia and industry to forge alliances that once would have been considered unlikely.- Los Angeles Times
- Posted Nov 17, 2014
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Reviewed by
Kenneth Turan
This enthralling film, based on the book by Naomi Oreskes and Erik M. Conway, is as fascinating as it is horrifying.- Los Angeles Times
- Posted Nov 15, 2014
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Reviewed by
Sheri Linden
It's an affectionate and admiring collection of moments, but the director's wobbly choreography never locates a dramatic core for this corps' story.- Los Angeles Times
- Posted Nov 15, 2014
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Michael Rechtshaffen
A curious documentary by Oscar-nominated filmmaker Marshall Curry that makes interesting observations about contemporary thrill seekers.- Los Angeles Times
- Posted Nov 15, 2014
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Reviewed by
Gary Goldstein
Writer-director David Hayter revisits much-trod territory with wan results in Wolves, a werewolf tale that quickly loses its initial bite.- Los Angeles Times
- Posted Nov 15, 2014
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Reviewed by
Martin Tsai
Some of the black photographers' works here are breathtaking — and may prompt you to hunt down Willis' book for the coffee table. But there's so much more to take away from Harris' documentary.- Los Angeles Times
- Posted Nov 13, 2014
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Martin Tsai
Filmmaker Jesse Quinones challenges certain racial and ethnic stereotypes while reinforcing others. When the script falls short, though, Royo and Haggard act up a storm.- Los Angeles Times
- Posted Nov 13, 2014
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Martin Tsai
Through "Bhopal," the filmmaker argues that the promise of jobs and prosperity all too often trumps environmental and safety concerns, and it leads government to ignore corporate wrongdoing.- Los Angeles Times
- Posted Nov 13, 2014
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Reviewed by
Robert Abele
Besides never knowing where to stick a camera, or how long a given scene should last, Hopkins quickly ditches any potentially subversive joy in her cartoon vigilante by saddling her with a redemptive love story opposite James Badge Dale's kind-eyed sheriff.- Los Angeles Times
- Posted Nov 13, 2014
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Reviewed by
Michael Rechtshaffen
An unholy mess co-produced by Cameron's faith-based Camfam Studios.- Los Angeles Times
- Posted Nov 13, 2014
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