Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. Dark Star might have been more fascinating had Sallin delved deeper into his place as an artist.
  2. Despite the pedestrian screenplay (by Jimenez and Audrey Diwan), Dujardin and Lellouche are magnetic performers who slip easily into their antagonistic roles.
  3. Director Bradley King and his co-writer, B.P. Cooper, manage to overcome their shoddy premise as the plot progresses assuredly and persuasively.
  4. Sjöberg is so enamored with the dancing and overall positivity that moves and platitudes fairly dominate, when the movie could have used more narrative cohesion and engagement with his subjects.
  5. [An] enjoyable, relatable documentary.
  6. Groundswell Rising is an undeniably passionate but frustratingly one-sided examination of the controversial method of gas extraction.
  7. Director Brett Haley, who co-wrote the film with Marc Basch, has managed to create a film about those final years that gets to the heart of things like loss and love without patronizing or parody. No small thing to create a movie whose cast is mostly in their 70s yet whose story is so relatable whatever your age.
  8. It would be hard to imagine a more entertaining corrupt-cop documentary than The Seven Five, a slick and fascinating portrait of disgraced New York policeman Michael Dowd.
  9. From the beginning, the filmmakers promise an affectionate look at the man, and in that they deliver.
  10. That cost can be seen in the tight strain on Hawke's face. An actor with the gift of gab (most notably in his collaborations with Richard Linklater), Hawke here delivers a nuanced turn as a man on the threshold of emotional ruin.
  11. The comedy choir wars are more intense, more absurd and more lowbrow fun than ever in Pitch Perfect 2. It is almost impossible not to be amused by the cutthroat world of competitive a cappella.
  12. Mad Max: Fury Road will leave you speechless, which couldn't be more appropriate. Words are not really the point when it comes to dealing with this barn-burner of a post-apocalyptic extravaganza in which sizzling, unsettling images are the order of the day.
  13. This energetic film satisfyingly brings viewers up to speed on Newman's remarkably enduring career detour.
  14. When it plays to its strengths, the film, like the band, mines pure '80s gold.
  15. Though the story is drawn in broad strokes and overloaded with melodrama, director Mat Whitecross' exuberant feature understands the communal joy and personal necessity of rock 'n' roll.
  16. This treatise on what to expect when you're not expecting offers up biting cultural satire with a hearty dose of humanity and humor to boot.
  17. Unless you're on this spiritually noodling movie's wavelength — an easier proposition when the great McKee is singing (she wrote the music with Akin) — this is narratively thin, tone-poem stuff
  18. If bare-knuckle fights are what you seek, director Ekachai Uekrongtham certainly delivers. But the film scarcely scratches the surface of the horrors of human trafficking.
  19. First-time director Daniel Duran, working from a screenplay by Oscar Torres that abounds in the maudlin and risible, isn't able to lift the ham-handed material to a place where it might ring true.
  20. Where the story falters, though, the performers admirably hold one's attention.
  21. What a pleasure to see a simple, finely tuned dramedy about real adults with real emotions in a real-life situation.
  22. There's good cause to shake the biopic form out of its exhaustively linear, birth-to-death rut, and Bertrand Bonello's Saint Laurent — starring Gaspard Ulliel as the storied French designer — valiantly tries.
  23. Playing It Cool is a strained romantic comedy that seems to exist only to show how many talented, successful actors — first and foremost "Captain America" star Chris Evans — can be featured in one unworthy movie.
  24. Miles Away comes off like some low-budget take on "Trapped in the Closet" or a Tyler Perry movie, except it treats kitsch with all sincerity and seriousness.
  25. Emotional intensity is Farhadi's métier, and to see About Elly is to revel in his skill.
  26. This is an equal-opportunity fiasco.
  27. The plot is lean, the dialogue is spare and there are some intriguing stabs at intellectual and emotional terrain. But the pacing is deadly, so slow there might be time for a catnap or two without missing anything important.
  28. Uneven but nonetheless emotionally gratifying.
  29. There is a great deal of silliness about Allan's journey from start to finish and no real message other than to never stop taking life as it comes. But there is also a great deal of fun in watching a 100-year-old man climb out a window and disappear.
  30. Like a haute couture garment, Chic! is a finely crafted piece of work, a comedic romantic drama set within a frothy and sublimely funny caricature of the Parisian fashion world.
    • Los Angeles Times

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