For 16,524 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16524
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Mixed: 5,809 out of 16524
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Negative: 2,017 out of 16524
16524
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Martin Tsai
Dark Star might have been more fascinating had Sallin delved deeper into his place as an artist.- Los Angeles Times
- Posted May 14, 2015
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Robert Abele
Despite the pedestrian screenplay (by Jimenez and Audrey Diwan), Dujardin and Lellouche are magnetic performers who slip easily into their antagonistic roles.- Los Angeles Times
- Posted May 14, 2015
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Reviewed by
Martin Tsai
Director Bradley King and his co-writer, B.P. Cooper, manage to overcome their shoddy premise as the plot progresses assuredly and persuasively.- Los Angeles Times
- Posted May 14, 2015
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Robert Abele
Sjöberg is so enamored with the dancing and overall positivity that moves and platitudes fairly dominate, when the movie could have used more narrative cohesion and engagement with his subjects.- Los Angeles Times
- Posted May 14, 2015
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- Los Angeles Times
- Posted May 14, 2015
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Reviewed by
Michael Rechtshaffen
Groundswell Rising is an undeniably passionate but frustratingly one-sided examination of the controversial method of gas extraction.- Los Angeles Times
- Posted May 14, 2015
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Betsy Sharkey
Director Brett Haley, who co-wrote the film with Marc Basch, has managed to create a film about those final years that gets to the heart of things like loss and love without patronizing or parody. No small thing to create a movie whose cast is mostly in their 70s yet whose story is so relatable whatever your age.- Los Angeles Times
- Posted May 14, 2015
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Michael Rechtshaffen
It would be hard to imagine a more entertaining corrupt-cop documentary than The Seven Five, a slick and fascinating portrait of disgraced New York policeman Michael Dowd.- Los Angeles Times
- Posted May 14, 2015
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Betsy Sharkey
From the beginning, the filmmakers promise an affectionate look at the man, and in that they deliver.- Los Angeles Times
- Posted May 14, 2015
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Glenn Whipp
That cost can be seen in the tight strain on Hawke's face. An actor with the gift of gab (most notably in his collaborations with Richard Linklater), Hawke here delivers a nuanced turn as a man on the threshold of emotional ruin.- Los Angeles Times
- Posted May 14, 2015
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Betsy Sharkey
The comedy choir wars are more intense, more absurd and more lowbrow fun than ever in Pitch Perfect 2. It is almost impossible not to be amused by the cutthroat world of competitive a cappella.- Los Angeles Times
- Posted May 14, 2015
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Kenneth Turan
Mad Max: Fury Road will leave you speechless, which couldn't be more appropriate. Words are not really the point when it comes to dealing with this barn-burner of a post-apocalyptic extravaganza in which sizzling, unsettling images are the order of the day.- Los Angeles Times
- Posted May 14, 2015
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Michael Rechtshaffen
This energetic film satisfyingly brings viewers up to speed on Newman's remarkably enduring career detour.- Los Angeles Times
- Posted May 7, 2015
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Michael Rechtshaffen
When it plays to its strengths, the film, like the band, mines pure '80s gold.- Los Angeles Times
- Posted May 7, 2015
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Sheri Linden
Though the story is drawn in broad strokes and overloaded with melodrama, director Mat Whitecross' exuberant feature understands the communal joy and personal necessity of rock 'n' roll.- Los Angeles Times
- Posted May 7, 2015
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Reviewed by
Katie Walsh
This treatise on what to expect when you're not expecting offers up biting cultural satire with a hearty dose of humanity and humor to boot.- Los Angeles Times
- Posted May 7, 2015
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Robert Abele
Unless you're on this spiritually noodling movie's wavelength — an easier proposition when the great McKee is singing (she wrote the music with Akin) — this is narratively thin, tone-poem stuff- Los Angeles Times
- Posted May 7, 2015
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Martin Tsai
If bare-knuckle fights are what you seek, director Ekachai Uekrongtham certainly delivers. But the film scarcely scratches the surface of the horrors of human trafficking.- Los Angeles Times
- Posted May 7, 2015
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Sheri Linden
First-time director Daniel Duran, working from a screenplay by Oscar Torres that abounds in the maudlin and risible, isn't able to lift the ham-handed material to a place where it might ring true.- Los Angeles Times
- Posted May 7, 2015
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Robert Abele
Where the story falters, though, the performers admirably hold one's attention.- Los Angeles Times
- Posted May 7, 2015
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Gary Goldstein
What a pleasure to see a simple, finely tuned dramedy about real adults with real emotions in a real-life situation.- Los Angeles Times
- Posted May 7, 2015
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Robert Abele
There's good cause to shake the biopic form out of its exhaustively linear, birth-to-death rut, and Bertrand Bonello's Saint Laurent — starring Gaspard Ulliel as the storied French designer — valiantly tries.- Los Angeles Times
- Posted May 7, 2015
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Gary Goldstein
Playing It Cool is a strained romantic comedy that seems to exist only to show how many talented, successful actors — first and foremost "Captain America" star Chris Evans — can be featured in one unworthy movie.- Los Angeles Times
- Posted May 7, 2015
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Martin Tsai
Miles Away comes off like some low-budget take on "Trapped in the Closet" or a Tyler Perry movie, except it treats kitsch with all sincerity and seriousness.- Los Angeles Times
- Posted May 7, 2015
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Kenneth Turan
Emotional intensity is Farhadi's métier, and to see About Elly is to revel in his skill.- Los Angeles Times
- Posted May 7, 2015
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Reviewed by
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- Los Angeles Times
- Posted May 7, 2015
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Reviewed by
Betsy Sharkey
The plot is lean, the dialogue is spare and there are some intriguing stabs at intellectual and emotional terrain. But the pacing is deadly, so slow there might be time for a catnap or two without missing anything important.- Los Angeles Times
- Posted May 7, 2015
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- Los Angeles Times
- Posted May 7, 2015
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Reviewed by
Betsy Sharkey
There is a great deal of silliness about Allan's journey from start to finish and no real message other than to never stop taking life as it comes. But there is also a great deal of fun in watching a 100-year-old man climb out a window and disappear.- Los Angeles Times
- Posted May 7, 2015
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Katie Walsh
Like a haute couture garment, Chic! is a finely crafted piece of work, a comedic romantic drama set within a frothy and sublimely funny caricature of the Parisian fashion world.- Los Angeles Times
Posted Apr 30, 2015 -
Reviewed by