Los Angeles Times' Scores

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For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,698 out of 16524
  2. Mixed: 5,809 out of 16524
  3. Negative: 2,017 out of 16524
16524 movie reviews
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  1. Dragon Ball Z: Resurrection 'F'
    A slam-bang action-adventure that will have Dragon Ball fans cheering.
  2. Famous Nathan
    Filmmaker Lloyd Handwerker treats the project as genealogy rather than corporate image-making. And with home movies and private interviews at his disposal, no one is better equipped to tell this story.
  3. Phoenix
    Phoenix is an intoxicating witches' brew, equal parts melodrama and moral parable, that audaciously mixes diverse elements to compelling, disturbing effect.
  4. Five Star
    The loose structure of Five Star lends to the realism and documentary feel of the film but can often make it a bit hard to hook into the narrative. However, it's eye-opening to see an indie approach to this genre.
  5. Northmen: A Viking Saga
    Northmen: A Viking Saga uses a relatively smaller scale to its advantage.
  6. Jenny's Wedding
    Heartstring-tugging if a bit humorless.
  7. Best of Enemies
    In giving historical context to the poisonous nature of our oft-bemoaned political discourse, "Best of Enemies" showcases brainy bloodsport with humor, nostalgia and, appropriately, a lacing of melancholy.
  8. I Am Chris Farley
    Perhaps fearful of venturing into downer territory, I Am Chris Farley sticks to slickly edited, bite-sized anecdotes about an attention-starved Midwestern goofball unprepared for stardom, accompanied by storybook music that accentuates Farley's childlike nature over his darker impulses.
  9. Extinction
    More filmmakers should treat the zombie subgenre as allegorical, the way George A. Romero intended. But Extinction and "Maggie" both arrive at the same conclusion about fatherhood, thereby confirming it as a cliché rather than a coincidence.
  10. The Seventh Dwarf
    The film fails to generate even a shred of suspense or humor as the characters stumble from one forgettable song to the next.
  11. Paulo Coelho's Best Story
    At the expense of emotional depth, Augusto emphasizes the story's sensory aspects. Sometimes this works, sometimes it's overkill.
  12. Wild City
    Fans will be thrilled that the auteur hasn't missed a beat with Wild City, although he appears to be making the same concessions to the Chinese market as his contemporaries.
  13. A LEGO Brickumentary
    Even with an energetic approach by co-directors Kief Davidson and Daniel Junge and fittingly playful narration by Jason Bateman, you can't help but hear a little "ka-ching!" every time images of a shiny new creation fill the screen.
  14. Listen to Me Marlon
    A revelatory, strikingly emotional look at a complex, troubled, enormously gifted man.
  15. The End of the Tour
    James Ponsoldt's magnificent The End of the Tour gives us two guys talking, and the effect is breathtaking.
  16. That Sugar Film
    Many of Gameau's findings won't come as earth-shattering revelations, but he takes a resourceful approach to presenting the material, coating all the inconvenient truths in kid-friendly, brightly colored graphics and zippy animations.
  17. Mission: Impossible - Rogue Nation
    McQuarrie is adept at keeping things moving and has overseen two areas where "Rogue Nation" stands out from the crowd.
  18. Vacation
    The new Vacation turns out to be a mostly bumpy, unpleasant trip.
  19. Jack Strong
    With its solid performances, nice attention to period detail and a foreboding rumble of a symphonic score by Jan Duszynski, Jack Strong adds a unique Eastern Bloc POV to the enduring Cold War movie arsenal.
  20. Mad Women
    Mad Women is punishingly dull and apparently aimless, without any real conflict driving the story, just confounding and ridiculous interactions among the characters.
  21. Twinsters
    Twinsters is a lively — and quite lovely — take on contemporary notions of family and identity.
  22. The Vatican Tapes
    Writers Christopher Borrelli and Michael C. Martin commit quite a handful of sins of contrivance that are difficult to absolve.
  23. The Young Kieslowski
    The film taps into some genuine, relatable truths lurking beneath all that try-too-hard quirkiness.
  24. The Outrageous Sophie Tucker
    Though placing the cheerleading Eckers front and center as key interview subjects gives their film a self-congratulatory, gee-whiz quality, "Outrageous" compensates by giving you a good sense of who Tucker was and how she got where she did.
  25. Unexpected
    A modestly scaled feature whose plainspoken sincerity is a hindrance as well as a strength.
  26. Capital C
    Touted as a documentary "about the crowd revolution," Capital C devotes its entire running time to just one aspect of crowd-funding: small entrepreneurs raising capital.
  27. Stray Dog
    Expertly playing with our preconceived notions, Granik's multidimensional portrait also serves as a telling state-of-the-union address, as seen through the caring eyes of her philosophical main subject.
  28. Runoff
    The low energy pace and performances strive for naturalism but just don't achieve compelling tension or suspense.
  29. Dark Was the Night
    The script, the special effects and Jack Heller's direction simply don't add up in the profile of the mythical creature. It's quite obvious the filmmakers didn't put a lot of thought into it and went straight for the cheapest thrills.
  30. 10 Cent Pistol
    Rather than sticking with that entirely workable setup, writer-director Martin keeps distractedly flip-flopping back and forth in time leading up to the big heist, preventing the plotting from building any tangible tension.
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