Los Angeles Times' Scores

Select another publication »
For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,698 out of 16524
  2. Mixed: 5,809 out of 16524
  3. Negative: 2,017 out of 16524
16524 movie reviews
view
per page
  1. Moomins on the Riviera
    "Riviera" suffers from a weak story with an obvious ending.
    • tbd Metascore
    • 30 Critic Score
    Cold Deck
    Although viewers have been dealt this sort of hand countless times before, director Zack Bernbaum lays it all down with little discernible style or dramatic heft, signaling the plot's obligatory turned tables and double crosses well ahead of their appearance.
  3. Night Owls
    Instead of sinking into crude, one-night-stand joke territory, Night Owls roots around for the spark of real chemistry and, in the winning turns of Pally and Salazar, finds it.
  4. The Summer of Sangaile
    Distractingly lovely to look at, the film can't make Sangaile's struggles or triumphs matter. Its soaring conclusion feels anticlimactic, the story drifting off into air.
  5. The Wannabe
    The mix of callous humor and romantic doom doesn't always hold up, but in its best moments, The Wannabe finds real spikiness in the pitfalls of anti-hero worship.
  6. The Boy and the Beast
    Hosoda brings emotional depth to what could easily have become a formulaic martial arts saga. Instead, Boy and Beast is a bracing tale of two flawed individuals who find the love and discipline they need to assume their rightful places in their respective worlds.
  7. The Letters
    A biopic about Mother Teresa could have easily been a self-important slog, yet William Riead's The Letters proves a stirring and absorbing if not quite definitive drama.
  8. Bikes vs Cars
    Although the film qualifies as an advocacy documentary, director Fredrik Gertten has put in the time to capture how these cities' unique scenarios unfold to mount a compelling case against the powerful automotive, oil and construction lobbies.
  9. Imba Means Sing
    Filled with humanitarian good cheer — and enough costume changes to rival a Diana Ross concert — Imba Means Sing delivers a heartwarming song of hope for the future.
  10. Every Thing Will Be Fine
    The visually stirring format proves unable to lift the story and performances out of a prevailing, airless stupor.
  11. Killing Them Safely
    With the intensified focus on use of force in police departments, the unsettling documentary Killing Them Safely couldn't be timelier.
  12. Youth
    Youth is a film that goes its own way. Quixotic, idiosyncratic, effortlessly moving, it's as much a cinematic essay as anything else, a meditation on the wonders and complications of life, an examination of what lasts, of what matters to people no matter their age.
  13. The Lady in the Van
    A delicately written, boisterously performed movie about the difficult people who dare us to care about them.
  14. Janis: Little Girl Blue
    From this pastiche Joplin emerges as we've never seen her before, articulate, ambitious, torn between her wild self and her desperate need for stability.
  15. Hitchcock/Truffaut
    Smart, thoughtful and elegantly done, Hitchcock/Truffaut is more than an authoritative look at the careers and interpersonal dynamics of directors Alfred Hitchcock and Francois Truffaut, a pair of unlikely soul mates; it's also, as director Kent Jones intended, a love letter to film itself, to the value and lure of the cinematic experience.
  16. Macbeth
    It's the gripping and verbally deft cast, led by a swaggering, formidably brooding Fassbender and a searing and poignant Cotillard, that may emerge most memorable here.
  17. Rock in the Red Zone
    Through a first-person narration, Bialis makes much of the film about herself. Her account certainly turns the daily travails of living in Sderot into something tangible for viewers. But at the same time, her life-experience narrative proves a distraction and a disservice to the promise of the film's title.
  18. Like You Mean It
    The last gasps of a romantic relationship between two very different men are intimately and delicately charted in the beautifully immersive, if decidedly somber, Like You Mean It.
    • 61 Metascore
    • 80 Critic Score
    Bolshoi Babylon
    These twin tracts of darkness and light, the sordid and the sublime, quite effectively submerge the viewer into a closed world.
  20. Censored Voices
    Censored Voices is a soul debriefing of sorts. The soldiers' tales of killing the captured and uprooting entire villages lead them to question whether the war was more about expansion than survival.
  21. Iraqi Odyssey
    With the mixing of the sprawling family tree with geopolitical imbroglios already proving daunting for viewers, the filmmaker exacerbates the confusion by eschewing a linear chronology.
  22. Sembene!
    A richly crafted documentary that serves as an enlightening tribute to the filmmaker who masterfully tapped into the medium's wide-reaching socio-political potential.
  23. Submerged
    Even the movie's brighter spots are undermined by ineptly staged action sequences, flatly functional dialogue and stock characters. Ultimately, Submerged is all wet.
  24. Theeb
    it's Nowar's ability to tell his tale so firmly from the viewpoint of his quickly growing-up protagonist, and to elicit so unforced a performance from Eid, that may be the most impressive achievement of this intimate, well-paced film.
  25. The Barkley Marathons: The Race That Eats Its Young
    At a certain point, though, the movie runs out of eccentricity capital and becomes just another contest documentary about determined participants — in this case, mostly obsessive young white men — and the well-worn narrative of defeat or accomplishment.
  26. The Wonders
    Letting questions remain unanswered and silences go unfilled, Rohrwacher offers lovingly crafted glimpses of an enterprise we all engage in, regardless of whether we've ever been near a beehive: extracting sweetness from the materials at hand.
  27. The Danish Girl
    Though much of the acting attention in Danish Girl will understandably go to Redmayne, Vikander's position as the audience surrogate plus her energy and passion as Gerda, a woman facing an exceptional challenge to her love of her husband, is more than essential.
  28. The Good Dinosaur
    The Good Dinosaur is antic and unexpected as well as homiletic, rife with subversive elements, wacky critters and some of the most beautiful landscapes ever seen in a computer animated film.
  29. Creed
    Coogler and company do fine work convincing us against our better judgment that nothing we see is preordained, that anything can happen within the four corners of the ring. You can't ask a "Rocky" film to do more than that.
  30. Victor Frankenstein
    For much of the movie's running time, I wished I were watching Mel Brooks' classic take on Shelley's yarn, "Young Frankenstein." At least that one was intentionally funny.
Page:

Top Trailers

See all »
See all trailers »