Los Angeles Times' Scores

For 16,522 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16522 movie reviews
  1. Creepy uses silence as a tool of terror, following its characters through long, tense scenes where everything’s a little too quiet, and where each creak sounds like a scream. The director has always excelled at making the ordinary seem unsettling.
  2. Moonlight is magic. So intimate you feel like you're trespassing on its characters souls, so transcendent it's made visual and emotional poetry out of intensely painful experience, it's a film that manages to be both achingly familiar and unlike anything we've seen before.
  3. A rambling, mildly entertaining performance film.
  4. Though its obvious message may not translate well outside its intended audience, the converted will likely be entertained by the well-produced package the moving themes are delivered in.
  5. At its best, “Max Steel” shares elements with “Smallville” and “Teen Wolf,” using the supernatural as a metaphor for awkward adolescence. At its worst, it’s more like “Transformers” — an extended toy commercial, noisy and forgettable.
  6. It's heartbreaking stuff, and Newtown handles it all with a gentle grace.
  7. It’s a capably made documentary that argues its case with intelligence and compassion.
  8. Jaye never gets to her original question about rape culture, and ultimately twists herself in knots to justify the movement’s misogynist rhetoric.
  9. Unfortunately, the climactic table-turning here feels more mechanical than cathartic and does little to elevate the film’s undistinguished narrative.
  10. When Morin ventures into more mundane territory, including several parent-child scenes, the film — and the performances — can feel forced and inauthentic. But as a zeitgeist-heavy memory piece, NY84 knows its stuff.
  11. There’s an appealingly sentimental destination in store for Ronnie and Myla’s parallel quests that keeps the movie from floating away entirely on its all-too-airy premise.
  12. Chockful of hoary archetypes making hokey observations...leading to a truly laughable big-ending reveal, the film, with its wildly uneven performances, underscores the pitfalls inherent in shifting from the written page to the big screen.
  13. Unfortunately, the cast and a few sweet tunes by Armstrong are the only things going for this delayed coming-of-age dramedy.
  14. This overcooked Thanksgiving turkey succeeds only in managing to take all the fun out of dysfunctional.
  15. A documentary that begs to be seen in a theater, Sky Ladder: The Art of Cai Guo-Qiang offers an inviting glimpse into the life of a truly international artist, one whose colorful fireworks displays literally paint the air.
  16. Desierto is a generic thriller that happens to be wrapped in political packaging. That packaging is sometimes more interesting than the thrills themselves, but the film is bare enough to project what you want onto it.
  17. The parameters of homeland security are chillingly assessed in Do Not Resist, a troubling documentary examining the escalating militarization of the nation’s police forces.
  18. If the film has a governing principle, it’s that love doesn’t take root in a vacuum, and its path is never perfectly straight.
  19. While the movie’s artfully made and daringly disturbing, Dekker ultimately overestimates how many sick twists one motion picture needs.
  20. The largely improvisational approach as well as the limited settings and story arc also undercut the picture’s deeper dramatic potential — despite a powerful, beautifully performed finale.
  21. If this adulatory “American Masters” production elides certain chapters of Angelou’s biography, it nonetheless offers ample evidence of her commanding intensity and of her importance as an unwavering voice of the black experience.
  22. The Accountant is a nifty piece of genre entertainment, its wacky edge and genial tone despite that body count coming as something of a pleasant surprise in a year rife with lumbering, over-amped blockbusters.
  23. Miss Hokusai surprises us with its different emotional tones, ranging from the sinister and supernatural to the unapologetically sexual and the sweetly sentimental.
  24. Maitland’s experimental approach to a tricky subject leaves viewers with a deeper understanding of a terrible moment in American history.
  25. Reichardt has never been one to reduce her characters to an easy emotional or dramatic equation, and here the everyday challenge of being female in a male-dominated profession is just one element on an extraordinarily fine-grained human canvas.
  26. Some might well accuse this stubbornly singular woman of living in the past, but to watch Aquarius is to see her surrendering again and again to the bliss of the present moment — never more so than in a final scene of thrilling, annihilating ferocity.
  27. Unfortunately, this improvised film (Guest’s actors work off a detailed outline) contains the occasional titter but few guffaws.
  28. Though the plot’s too convoluted, the relentless pace and pungent atmosphere elevate the film above the typical grim crime stories soaked in blood and despair.
  29. It's a fun, rebellious romp that celebrates creativity and outside-the-box thinking, though parents might hope that their children won't be too inspired to copy the elaborate pranks that these characters pull off.
  30. With the same clarity and fluency he brought to far sunnier material in “Casting By,” Donahue pinpoints the devastating intersection of personal trauma and institutional neglect in an age of perpetual war.

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