For 16,522 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,697 out of 16522
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Mixed: 5,808 out of 16522
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Negative: 2,017 out of 16522
16522
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Noel Murray
Creepy uses silence as a tool of terror, following its characters through long, tense scenes where everything’s a little too quiet, and where each creak sounds like a scream. The director has always excelled at making the ordinary seem unsettling.- Los Angeles Times
- Posted Oct 20, 2016
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Reviewed by
Kenneth Turan
Moonlight is magic. So intimate you feel like you're trespassing on its characters souls, so transcendent it's made visual and emotional poetry out of intensely painful experience, it's a film that manages to be both achingly familiar and unlike anything we've seen before.- Los Angeles Times
- Posted Oct 20, 2016
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Reviewed by
Kenneth Turan
A rambling, mildly entertaining performance film.- Los Angeles Times
- Posted Oct 19, 2016
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Reviewed by
Kimber Myers
Though its obvious message may not translate well outside its intended audience, the converted will likely be entertained by the well-produced package the moving themes are delivered in.- Los Angeles Times
- Posted Oct 19, 2016
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Reviewed by
Noel Murray
At its best, “Max Steel” shares elements with “Smallville” and “Teen Wolf,” using the supernatural as a metaphor for awkward adolescence. At its worst, it’s more like “Transformers” — an extended toy commercial, noisy and forgettable.- Los Angeles Times
- Posted Oct 14, 2016
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Reviewed by
Kenneth Turan
It's heartbreaking stuff, and Newtown handles it all with a gentle grace.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Kimber Myers
It’s a capably made documentary that argues its case with intelligence and compassion.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Katie Walsh
Jaye never gets to her original question about rape culture, and ultimately twists herself in knots to justify the movement’s misogynist rhetoric.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Gary Goldstein
Unfortunately, the climactic table-turning here feels more mechanical than cathartic and does little to elevate the film’s undistinguished narrative.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Gary Goldstein
When Morin ventures into more mundane territory, including several parent-child scenes, the film — and the performances — can feel forced and inauthentic. But as a zeitgeist-heavy memory piece, NY84 knows its stuff.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Robert Abele
There’s an appealingly sentimental destination in store for Ronnie and Myla’s parallel quests that keeps the movie from floating away entirely on its all-too-airy premise.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Michael Rechtshaffen
Chockful of hoary archetypes making hokey observations...leading to a truly laughable big-ending reveal, the film, with its wildly uneven performances, underscores the pitfalls inherent in shifting from the written page to the big screen.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Katie Walsh
Unfortunately, the cast and a few sweet tunes by Armstrong are the only things going for this delayed coming-of-age dramedy.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Michael Rechtshaffen
This overcooked Thanksgiving turkey succeeds only in managing to take all the fun out of dysfunctional.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Robert Abele
A documentary that begs to be seen in a theater, Sky Ladder: The Art of Cai Guo-Qiang offers an inviting glimpse into the life of a truly international artist, one whose colorful fireworks displays literally paint the air.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Katie Walsh
Desierto is a generic thriller that happens to be wrapped in political packaging. That packaging is sometimes more interesting than the thrills themselves, but the film is bare enough to project what you want onto it.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Michael Rechtshaffen
The parameters of homeland security are chillingly assessed in Do Not Resist, a troubling documentary examining the escalating militarization of the nation’s police forces.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Justin Chang
If the film has a governing principle, it’s that love doesn’t take root in a vacuum, and its path is never perfectly straight.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Noel Murray
While the movie’s artfully made and daringly disturbing, Dekker ultimately overestimates how many sick twists one motion picture needs.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Gary Goldstein
The largely improvisational approach as well as the limited settings and story arc also undercut the picture’s deeper dramatic potential — despite a powerful, beautifully performed finale.- Los Angeles Times
- Posted Oct 13, 2016
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Sheri Linden
If this adulatory “American Masters” production elides certain chapters of Angelou’s biography, it nonetheless offers ample evidence of her commanding intensity and of her importance as an unwavering voice of the black experience.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Kenneth Turan
The Accountant is a nifty piece of genre entertainment, its wacky edge and genial tone despite that body count coming as something of a pleasant surprise in a year rife with lumbering, over-amped blockbusters.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Kenneth Turan
Miss Hokusai surprises us with its different emotional tones, ranging from the sinister and supernatural to the unapologetically sexual and the sweetly sentimental.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Noel Murray
Maitland’s experimental approach to a tricky subject leaves viewers with a deeper understanding of a terrible moment in American history.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Justin Chang
Reichardt has never been one to reduce her characters to an easy emotional or dramatic equation, and here the everyday challenge of being female in a male-dominated profession is just one element on an extraordinarily fine-grained human canvas.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Justin Chang
Some might well accuse this stubbornly singular woman of living in the past, but to watch Aquarius is to see her surrendering again and again to the bliss of the present moment — never more so than in a final scene of thrilling, annihilating ferocity.- Los Angeles Times
- Posted Oct 13, 2016
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Reviewed by
Gary Goldstein
Unfortunately, this improvised film (Guest’s actors work off a detailed outline) contains the occasional titter but few guffaws.- Los Angeles Times
- Posted Oct 12, 2016
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Reviewed by
Noel Murray
Though the plot’s too convoluted, the relentless pace and pungent atmosphere elevate the film above the typical grim crime stories soaked in blood and despair.- Los Angeles Times
- Posted Oct 8, 2016
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Reviewed by
Katie Walsh
It's a fun, rebellious romp that celebrates creativity and outside-the-box thinking, though parents might hope that their children won't be too inspired to copy the elaborate pranks that these characters pull off.- Los Angeles Times
- Posted Oct 7, 2016
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Reviewed by
Sheri Linden
With the same clarity and fluency he brought to far sunnier material in “Casting By,” Donahue pinpoints the devastating intersection of personal trauma and institutional neglect in an age of perpetual war.- Los Angeles Times
- Posted Oct 6, 2016
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Reviewed by