Los Angeles Times' Scores

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For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,714 out of 16550
  2. Mixed: 5,819 out of 16550
  3. Negative: 2,017 out of 16550
16550 movie reviews
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  1. Solitary
    The penetrating Solitary is a sobering account of life (without parole) inside the Red Onion, a super-maximum security prison ensconced in Virginia’s Appalachians.
  2. Rooted in Peace
    While its own roots never go quite as deep as they might, there’s still something goofily endearing about seeing Reitman, armed with that trusty bonsai, traipsing around the country on a healing mission.
  3. 77 Minutes
    Like the prolific Minn’s other disturbing docs, “8 Murders a Day” and “A Nightmare in Las Cruces,” this is a gritty, no frills, at times sensationalistic immersion into grim criminal territory.
  4. Fools
    It’s an interesting concept and Fools executes it well enough, though too often it leans on ambiguity and odd interactions.
  5. Anonymous
    Director Akan Satayev’s hacker thriller looks gorgeous, featuring locations around the world shot with crisp cinematography by Pasha Patriki. However, the script from Sanzhar Sultan is poorly structured and silly, revealing the emptiness beneath the shiny facade.
  6. Evan's Crime
    It’s a bit of a structural and thematic hodgepodge, and a few key moments feel cursorily handled, but Evan’s Crime remains an effectively scrappy and involving us-against-them drama.
  7. Sky on Fire
    Keeping up with the betrayals and shifting allegiances is more tedious than fun, while the simplistic moralizing about callous corporate greed, and the detours into tragedy, fall flat.
  8. Finding Babel
    When it’s merely a guided tour marked by sites and talking historians, Finding Babel can feel a little color-by-numbers. (Which may explain the Schreiber-read interludes.) But there are excursions that feel invigorating.
  9. Behind 'The Cove'
    It’s too scattershot to be persuasive, even if occasionally it sparks thought about issues of cultural tradition, unfair international agreements, and nationalistic defensiveness.
  10. Always Shine
    While the foreshadowing proves more fascinating than the upshot, the two leads breathe jittery life into every sinister twist.
  11. Mifune: The Last Samurai
    As directed by Oscar-winning documentarian Steven Okazaki, "Mifune" is thorough and insightful enough to enlighten the man's numerous fans and serve as an introduction to those unfamiliar with his gifts and his influence, which were huge.
  12. Run the Tide
    In his first feature outing, director Soham Mehta overplays the significance of virtually every aspect of Rajiv Shah’s script, no matter how minor, with painfully slow pans and needlessly lingering establishing shots.
  13. SiREN
    For the most part this is a clever and confident expansion of a terrific short. It stings less but packs plenty of poison.
  14. The Comedian
    De Niro’s scenes with Mann glow with warmth and wit, but something in his performance clenches up whenever Jackie gets behind a microphone and starts railing about masturbation, incontinence and other below-the-waist targets.
  15. Pet
    Pet isn’t much more than a twist on an old conceit, and the character beats are painted with overly broad strokes, but it’s sharply shot with a crystalline sense of unease, and Monaghan and Solo lean into their creepy performances wholeheartedly.
  16. Pocket Listing
    Enjoy a marathon of Bravo’s real estate reality shows for more nuanced characters and compelling story lines instead.
  17. One More Time with Feeling
    The aesthetic that Dominik has crafted is a pitch-perfect expression of Cave’s grappling with matters of time and space. It’s gorgeous and ghostly.
  18. Things to Come
    Things to Come holds us completely. A life is unfolding here, under our eyes, and we never lose sight of how special that is.
  19. The Duelist
    The sumptuously shot, costumed, designed and scored Russian import The Duelist dazzles and provokes as it makes little real sense beyond the confines of its hermetic milieu.
  20. The Eyes of My Mother
    [Pesce’s] sense of horror craftsmanship is at once meticulous and oblique.
  21. Jackie
    Larraín told his producers he wouldn't do Jackie unless Natalie Portman agreed to take on the role, and her superb performance, utterly convincing without being anything like an impersonation, vindicates his determination.
  22. This Is Life (Sheng Men)
    What emerges is a portrait of doctors and staff who work hard to do the right thing for their patients and the babies, who have no voice. It is life, fought for and forged in the most difficult of circumstances.
  23. Trezoros: The Lost Jews of Kastoria
    As impactful as its rarely told story might be, “Trezoros” would have been better served by a shorter running time or a more focused approach to its central story.
  24. Adrift
    Lopez’s first feature comes across as fragmented and overwrought, with characters and performances that seem to have been egged on by the score’s achingly purposeful piano.
  25. On the Map
    Israeli director Dani Menkin has been especially thorough in telling this classic against-all-odds sports story.
  26. A Boy Called Po
    The film over-relies on blunt messaging, one-note villains (bullies, bosses, administrators, worst mall cop ever) and several stacked-deck situations to align us with David and Po, even if we’re inherently on their side from the start.
  27. Notes on Blindness
    The film’s quiet impact comes as it leads us along John’s journey to understanding this disability as an unexpected, but ultimately accepted, gift.
  28. Magnus
    The loneliness of the long-distance chess grandmaster is affectingly conveyed in Magnus.
  29. Best Worst Thing That Ever Could Have Happened
    How the then-newbie performers’ jackpot roles in the heady, heartbreaking show informed their lives and careers forms much of the movie’s stirring narrative spine.
  30. Tank 432
    A few memorable shots don’t offer enough justification to watch a film that’s not scary, rarely exciting and never as engrossing a puzzle as it means to be.
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