Los Angeles Times' Scores

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For 16,520 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,697 out of 16520
  2. Mixed: 5,806 out of 16520
  3. Negative: 2,017 out of 16520
16520 movie reviews
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  1. Blood Road
    The film is a moving experience for both its subjects and the audience.
  2. Transformers: The Last Knight
    If the film’s trio of new screenwriters (replacing series mainstay Ehren Kruger) have seamlessly upheld the crass and juvenile “Transformers” sensibility, then Bay’s visual sensibility has, if anything, matured, to the point of demanding and earning your exasperated surrender.
  3. 47 Meters Down
    47 Meters Down doesn't have the campy sparkle that made “The Shallows” a cult hit, but it's the kind of cheesy thriller that's good for a few jumps and a few chuckles at its own silliness.
  4. Marina Abramovic In Brazil: The Space In Between
    More specific sense of time and route (a map, anyone?) and a bit of even basic scientific scrutiny would have improved this otherwise compelling and provocative journey.
  5. Can Hitler Happen Here?
    It’s a gutsy, often off-putting piece whose eccentric little New York story and experimental vibe might have been better served by a short film.
  6. Pray for Rain
    The drought is ultimately presented as a man-made occurrence, wrapped up in regulations and red tape, rather than a troubling environmental reality. The reality is far more complicated than anything that can be neatly wrapped up within the conventions of genre filmmaking.
  7. Hearing Is Believing
    Hearing Is Believing could have offered more insight into Rachel’s experience, but instead it invests in the action of its title, including long stretches of witnessing Rachel at the piano and on various other instruments.
  8. Once Upon a Time in Venice
    A wincingly unfunny comedy caper.
  9. Moscow Never Sleeps
    Moscow Never Sleeps is well made but stilted, following too many characters to give any their due.
  10. Stefan Zweig: Farewell to Europe
    "Stefan Zweig" is only Schrader's second film as a director, but, armed with clear ideas of what she wanted to convey and how she wanted to convey it, she's made a movie that allows its actors to fully inhabit their characters in a potent but low-key way.
  11. Jasmine
    Even when the movie shades too far into the oblique or the obvious, its evocative scenes of urban life and Tobin’s powerful performance provide ample compensation. Plot twists or no, this is a vivid depiction of a lost soul.
  12. Maudie
    Unlike the thick directness in Maud’s work, the movie about her is almost pointillist in detailing the tiny steps that make up an enduring marriage.
  13. The Book of Henry
    At no point do the filmmakers seem to evince any real interest in the emotional misery they inflict on their characters; trauma here is just the quickest means to an uplifting end, or in this case, a montage’s worth of wretched epiphanies.
  14. Rough Night
    The title of this strenuously crude and crotch-obsessed movie may be lazy, but it’s also pretty apt.
  15. Cars 3
    This warmly sentimental G-rated film about facing new realities and recapturing lost dreams has, despite its relatively adult story line, a beguilingly effortless feeling to it, as if it had nothing to prove.
  16. Dawson City: Frozen Time
    The thrilling documentary Dawson City: Frozen Time is indescribable not because it's ambiguous (it's totally straightforward) but because it does so many things so beautifully it is hard to know where to begin.
  17. From Hollywood to Rose
    While it’s a cute love letter to a certain strip of L.A., and Annenberg brings a winsomeness to her role, the story is thin and clichéd, relying on tired gags and stereotypes for humor.
  18. Kill Switch
    It’s an illogical, simple-minded mess in which Stevens is primarily a disembodied voice in a first-person-shooter-style video game movie.
  19. The Farm (La Granja)
    Striking images of sex and violence combine with an often effective sense of dread as these grim story lines unfold. But without sufficient context and psychological underpinning, less proves decidedly less.
  20. Capps Crossing
    Unfortunately, the worst fault in this horror movie isn’t the amateur performances, beginner-level editing or the special effects; it’s the dreadfully dumb script.
  21. Middle Man
    It commits the worst comedy crime of all — there’s no punchline.
  22. Lucky
    An ethnically diverse cast and authentic New York locations help to effectively ground Lucky, a palpably gritty, if familiar, take on the immigrant experience.
  23. Awakening the Zodiac
    The costars have good chemistry and bring a sense of desperation to their roles that animates a thin plot.
  24. As Good As You
    At its strongest, the movie dissects such pat notions as “closure” and “moving on” with wit and intelligence.
  25. Radio Dreams
    Jalali peppers this darkly funny, often absurdist piece with enough socio-political messaging to add heft but not didacticism. It all makes for a singular, well-observed balancing act.
  26. Random Tropical Paradise
    This mess never knows whether it’s a mob movie or a raunchy comedy.
  27. 11:55
    The affecting work by Almanzar, Rodriguez and the rest of the ensemble in this immersive film tenderly speaks for itself.
  28. Abacus: Small Enough to Jail
    It's not every day that you end up rooting for a bank, but the story Abacus: Small Enough to Jail tells is no ordinary tale.
  29. The Hunter's Prayer
    Action movies don’t necessarily need logic, but in the absence of entertainment value, tracking what doesn’t make sense is often the only fun.
  30. I Love You Both
    Although I Love You Both never quite pays off on its provocative set-up, it proves to be a funny and endearingly quirky comedy about siblings, love and loyalty.
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