For 16,520 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,697 out of 16520
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Mixed: 5,806 out of 16520
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Negative: 2,017 out of 16520
16520
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Maria Garcia
The issues they confront are not new, yet the stories of their radicalization are engaging, and Miller’s deft editing and objective approach result in a surprisingly intimate and life-affirming film.- Los Angeles Times
- Posted Mar 14, 2019
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Noel Murray
Both a stirring sports doc and a rich nonfiction drama, populated by characters who could have stepped out of a Damon Runyon story.- Los Angeles Times
- Posted Mar 14, 2019
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Reviewed by
Gary Goldstein
Despite esoteric subject matter, writer-director Kim Nguyen (War Witch) has crafted a smartly entertaining and unexpectedly human film with his financial thriller The Hummingbird Project.- Los Angeles Times
- Posted Mar 14, 2019
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Reviewed by
Gary Goldstein
Elba brings care to the film’s performances, period look and musical elements. But the freeze frames, needless voice-over bits and stalled narrative momentum undercut the picture’s potential power and uniqueness.- Los Angeles Times
- Posted Mar 14, 2019
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Katie Walsh
Imbuing a story like this with issues of grief and trauma can be a good lesson for kids, but it just makes the whole affair that much less splendiferous and that much more solemn.- Los Angeles Times
- Posted Mar 14, 2019
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- Los Angeles Times
- Posted Mar 14, 2019
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Reviewed by
Kimber Myers
As played by It standout Lillis, Nancy is smart, independent and loyal, and it’s easy to see how she’ll charm a new generation of viewers — and hopefully readers.- Los Angeles Times
- Posted Mar 14, 2019
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Reviewed by
Carlos Aguilar
An enthralling and imperative ode to forgotten heroines for whom monuments haven’t been erected, ¡Las Sandinistas! is simultaneously a wake-up call for Americans to confront their country’s responsibility in the instability across Latin America and the world at large.- Los Angeles Times
- Posted Mar 14, 2019
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Gary Goldstein
Due to the movie’s deliberate lack of narrative arc, thematic stance and clear characterizations (the soldiers feel interchangeable and Logaze’s interview style is weak), we’re never always sure what we’re watching — or why.- Los Angeles Times
- Posted Mar 14, 2019
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Kimber Myers
It’s a humane, compassionate film, simultaneously full of beauty, sadness and struggle.- Los Angeles Times
- Posted Mar 14, 2019
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Noel Murray
The film has the eerie atmosphere and outstanding makeup effects of a good fantasy thriller. But it’s way too choppy to build any tension.- Los Angeles Times
- Posted Mar 14, 2019
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Reviewed by
Noel Murray
That diffuse focus — and a whimsical tone, bordering on the silly — work against the film. Perhaps the government intervened in this case yet again, making sure Finding Steve McQueen would be too muddled and goofy to be entertaining.- Los Angeles Times
- Posted Mar 14, 2019
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Reviewed by
Noel Murray
Never Grow Old isn’t a top-shelf western, but it’s thoughtfully made, with something to say about how even in a country that encourages rugged individualism, community matters.- Los Angeles Times
- Posted Mar 14, 2019
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Katie Walsh
The cystic fibrosis-themed romantic drama Five Feet Apart feels like a real evolution in the sick teen movie genre, because it’s actually a great movie that just happens to be about sick teens, and it doesn’t condescend or try to cheer up anyone.- Los Angeles Times
- Posted Mar 14, 2019
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Reviewed by
Kenneth Turan
Fascinating and frequently compelling, The Mustang is a hybrid, the unlikely combination of genres you wouldn’t think go together but are able to coexist thanks to an exceptional leading performance.- Los Angeles Times
- Posted Mar 11, 2019
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Reviewed by
Justin Chang
Once again, the director draws upon the sketch-comedy gifts he honed on “Key & Peele” to achieve an artful, ruthless balance of horror and hilarity. Us is a tour de force of comic tension and visceral release, a movie that weaponizes our chuckles against us and reminds us that laughing, screaming and thinking are not mutually exclusive pleasures.- Los Angeles Times
- Posted Mar 9, 2019
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Reviewed by
Noel Murray
While the European locations are picturesque, the cast lacks the chops and charisma to make this collection of killers and thieves imposing. Weight-room-sculpted muscles aside, everyone here comes across like too much of a lightweight — as if they’re just playing pretend.- Los Angeles Times
- Posted Mar 7, 2019
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Reviewed by
Noel Murray
Anyone who loves Dangerous Liaisons — in any of its iterations — should rush to cue up Lady J, a period romance with a similarly wicked sense of comic melodrama.- Los Angeles Times
- Posted Mar 7, 2019
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Justin Chang
The movie welds subtly pointed social commentary onto a straightforward but satisfying narrative of self-discovery.- Los Angeles Times
- Posted Mar 7, 2019
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Katie Walsh
It almost seems that Moore discovered the film and character and decided she had to play Gloria, the way stage actors take on classic roles. Moore's take brings a new dimension not only to the story but also to her career.- Los Angeles Times
- Posted Mar 7, 2019
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Reviewed by
Katie Walsh
Behrman has crafted a classic high school tale of outsiders finding themselves while looking in, bullied and beaten for daring to “experiment,” to be different. The images are sumptuously saturated and gorgeously crafted, and the soundtrack thrums and whines with anxiety and racing pulse.- Los Angeles Times
- Posted Mar 7, 2019
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Reviewed by
Noel Murray
Woodsrider is often needlessly opaque about what it’s showing and why. But the sense of calm about the film is oddly relaxing, even when Sadie’s anxious about the melting snow. This is a contemplative portrait of a different way to live.- Los Angeles Times
- Posted Mar 7, 2019
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Reviewed by
Katie Walsh
This film deserves attention for tackling an aspect of the transgender experience that is not often seen on screen, and though it laudably casts a transgender actress, the story is framed through the perspective of a straight cis-woman, Alyssa. Something tells me it would have been much more interesting, and less narratively tortured, as seen through the eyes of Eve.- Los Angeles Times
- Posted Mar 7, 2019
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- Los Angeles Times
- Posted Mar 7, 2019
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Reviewed by
Gary Goldstein
There’s much to explore and dissect about the intriguing world that directors Michael Palmieri and Donal Mosher spotlight in their documentary The Gospel of Eureka, but the film, strangely flabby at just 73 minutes, leaves us wanting.- Los Angeles Times
- Posted Mar 7, 2019
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Reviewed by
Robert Abele
A brisk, engaging-enough reminder of why the man’s name is synonymous with press freedom and prizes for the best in reporting.- Los Angeles Times
- Posted Mar 7, 2019
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- Los Angeles Times
- Posted Mar 7, 2019
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Reviewed by
Justin Chang
Transit touchingly illuminates the close bonds that can form within migrant communities, even as it refuses to harbor any illusions about how easily those bonds can be broken.- Los Angeles Times
- Posted Mar 6, 2019
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Reviewed by
Kenneth Turan
Triple Frontier is a solid, engrossing genre item with designs on being something more. It doesn’t quite get there but it does well enough along the way to make the journey worth taking.- Los Angeles Times
- Posted Mar 6, 2019
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Reviewed by
Kenneth Turan
Watching Danvers’ story play out, complete with boggling plot twists and a scene-stealing friendly feline, is hugely entertaining, and it can’t be over-emphasized how central Larson, about to become the most recognized woman on the planet, is to the enterprise.- Los Angeles Times
- Posted Mar 5, 2019
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Reviewed by