Los Angeles Times' Scores

For 16,520 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16520 movie reviews
  1. The issues they confront are not new, yet the stories of their radicalization are engaging, and Miller’s deft editing and objective approach result in a surprisingly intimate and life-affirming film.
  2. Both a stirring sports doc and a rich nonfiction drama, populated by characters who could have stepped out of a Damon Runyon story.
  3. Despite esoteric subject matter, writer-director Kim Nguyen (War Witch) has crafted a smartly entertaining and unexpectedly human film with his financial thriller The Hummingbird Project.
  4. Elba brings care to the film’s performances, period look and musical elements. But the freeze frames, needless voice-over bits and stalled narrative momentum undercut the picture’s potential power and uniqueness.
  5. Imbuing a story like this with issues of grief and trauma can be a good lesson for kids, but it just makes the whole affair that much less splendiferous and that much more solemn.
  6. It’s light on the science and heavy on the action.
  7. As played by It standout Lillis, Nancy is smart, independent and loyal, and it’s easy to see how she’ll charm a new generation of viewers — and hopefully readers.
  8. An enthralling and imperative ode to forgotten heroines for whom monuments haven’t been erected, ¡Las Sandinistas! is simultaneously a wake-up call for Americans to confront their country’s responsibility in the instability across Latin America and the world at large.
  9. Due to the movie’s deliberate lack of narrative arc, thematic stance and clear characterizations (the soldiers feel interchangeable and Logaze’s interview style is weak), we’re never always sure what we’re watching — or why.
  10. It’s a humane, compassionate film, simultaneously full of beauty, sadness and struggle.
  11. The film has the eerie atmosphere and outstanding makeup effects of a good fantasy thriller. But it’s way too choppy to build any tension.
  12. That diffuse focus — and a whimsical tone, bordering on the silly — work against the film. Perhaps the government intervened in this case yet again, making sure Finding Steve McQueen would be too muddled and goofy to be entertaining.
  13. Never Grow Old isn’t a top-shelf western, but it’s thoughtfully made, with something to say about how even in a country that encourages rugged individualism, community matters.
  14. The cystic fibrosis-themed romantic drama Five Feet Apart feels like a real evolution in the sick teen movie genre, because it’s actually a great movie that just happens to be about sick teens, and it doesn’t condescend or try to cheer up anyone.
  15. Fascinating and frequently compelling, The Mustang is a hybrid, the unlikely combination of genres you wouldn’t think go together but are able to coexist thanks to an exceptional leading performance.
  16. Us
    Once again, the director draws upon the sketch-comedy gifts he honed on “Key & Peele” to achieve an artful, ruthless balance of horror and hilarity. Us is a tour de force of comic tension and visceral release, a movie that weaponizes our chuckles against us and reminds us that laughing, screaming and thinking are not mutually exclusive pleasures.
  17. While the European locations are picturesque, the cast lacks the chops and charisma to make this collection of killers and thieves imposing. Weight-room-sculpted muscles aside, everyone here comes across like too much of a lightweight — as if they’re just playing pretend.
  18. Anyone who loves Dangerous Liaisons — in any of its iterations — should rush to cue up Lady J, a period romance with a similarly wicked sense of comic melodrama.
  19. The movie welds subtly pointed social commentary onto a straightforward but satisfying narrative of self-discovery.
  20. It almost seems that Moore discovered the film and character and decided she had to play Gloria, the way stage actors take on classic roles. Moore's take brings a new dimension not only to the story but also to her career.
  21. Behrman has crafted a classic high school tale of outsiders finding themselves while looking in, bullied and beaten for daring to “experiment,” to be different. The images are sumptuously saturated and gorgeously crafted, and the soundtrack thrums and whines with anxiety and racing pulse.
  22. Woodsrider is often needlessly opaque about what it’s showing and why. But the sense of calm about the film is oddly relaxing, even when Sadie’s anxious about the melting snow. This is a contemplative portrait of a different way to live.
  23. This film deserves attention for tackling an aspect of the transgender experience that is not often seen on screen, and though it laudably casts a transgender actress, the story is framed through the perspective of a straight cis-woman, Alyssa. Something tells me it would have been much more interesting, and less narratively tortured, as seen through the eyes of Eve.
  24. A dour drama that lacks depth despite all its good intentions.
  25. There’s much to explore and dissect about the intriguing world that directors Michael Palmieri and Donal Mosher spotlight in their documentary The Gospel of Eureka, but the film, strangely flabby at just 73 minutes, leaves us wanting.
  26. A brisk, engaging-enough reminder of why the man’s name is synonymous with press freedom and prizes for the best in reporting.
  27. Absorbing, well-structured and superbly acted.
  28. Transit touchingly illuminates the close bonds that can form within migrant communities, even as it refuses to harbor any illusions about how easily those bonds can be broken.
  29. Triple Frontier is a solid, engrossing genre item with designs on being something more. It doesn’t quite get there but it does well enough along the way to make the journey worth taking.
  30. Watching Danvers’ story play out, complete with boggling plot twists and a scene-stealing friendly feline, is hugely entertaining, and it can’t be over-emphasized how central Larson, about to become the most recognized woman on the planet, is to the enterprise.

Top Trailers