Los Angeles Times' Scores

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For 16,520 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,697 out of 16520
  2. Mixed: 5,806 out of 16520
  3. Negative: 2,017 out of 16520
16520 movie reviews
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  1. Lying and Stealing
    The jaunty, neo-noirish crime outing Lying and Stealing has its moments — chiefly the engaging performances of sexy leads Theo James and Emily Ratajkowski — but is too short on depth and logic to prove much more than a glossy, forgettable trifle.
  2. Armstrong
    The emphasis of Armstrong is to demonstrate that while its subject was not superhuman, he did have exactly the gifts and character the task demanded.
  3. Summer Night
    Meant to feel either lived-in or spontaneously passionate, these poorly written relationships don’t project the effervescence of living in the moment nor the fickleness of what’s to come.
  4. Sea of Shadows
    While success is not guaranteed, Sea of Shadows dramatically demonstrates how and why the battle continues to be fought.
  5. The Art of Self-Defense
    The more the shape of the story comes into focus in the final stretch, the less intriguing it becomes, although Eisenberg’s verbally and physically adroit performance never loses its unpredictable edge. Like any good martial artist, he knows just how to keep you off-balance.
  6. The Lion King
    But though the new ground it breaks is visual rather than dramatic or emotional, this is a polished, satisfying entertainment that just about dares you to look a gift lion in the mouth.
  7. Cities of Last Things
    A surprisingly effective slice of dystopian noir.
  8. Sound! Euphonium the Movie - Our Promise: A Brand New Day
    The film suffers from a surfeit of characters, many of whom remain underdeveloped.
  9. Three Peaks
    Three Peaks is a dark little family drama, a ticking time bomb of a movie that is well made but never totally satisfies.
  10. Stuber
    It’s not the clumsiness of the filmmaking that rankles so much as the hypocrisy.
  11. The Chambermaid
    It may feel as if these are loosely structured vignettes, but there’s an accumulation at work — the steady drip of dimensionality that the best movies about people at their jobs know how to turn into a complete picture.
  12. Phil
    It approaches everything from suicide to Socrates with a facile touch, dealing with serious issues with an almost startling lack of depth and intelligence.
  13. Skin in the Game
    Though Skin in the Game is earnest in its attempts to shed light on human trafficking, the good intentions are buried under a thick layer of grime from its trashy script.
  14. Silent Panic
    Schadt’s dialogue lacks punch, and his cast isn’t charismatic enough to compensate. But the bigger problem is that nothing especially tense or exciting happens after the corpse is found.
  15. Cold Blood
    Cold Blood is well-made but hard to warm to — although it might satisfy nostalgic Reno fans, eager to see him playing a silent, hulking assassin yet again.
  16. Marianne & Leonard: Words of Love
    Because Ihlen was never the public figure that the often idolized Cohen was, “Words of Love” eventually becomes as much a documentary on him as a record of a relationship. But that relationship does have pride of place, and as described by the participants in vintage audio and by people who knew him in contemporary interviews, it does fascinate.
  17. Midsommar
    The spell that it casts is bright, dreamy and absorbing, but it is also in no particular hurry to come into focus, which makes its aftereffects all the harder to shake.
  18. The Refuge
    A few minutes of this kind of moody existentialism here and there can add flavor to a stylish genre picture. But it’s much less satisfying when the seasoning becomes the main dish.
  19. Amplify Her
    The movie comes off as too much of a grab-bag, as though the filmmakers shot a bunch of footage with no clear purpose in mind, then retroactively tried to figure out how to fit as much of it as possible into something like a thesis.
  20. Euphoria
    Alicia Vikander, Eva Green and Charlotte Rampling pump some energy into writer-director Lisa Langseth’s overly static, chatty drama, but are let down by a movie that keeps promising — and failing — to blossom into something more.
  21. The 16th Episode
    In the end, the most disturbing thing about The 16th Episode is how good it might’ve been if Cohen-Olivar had figured out how to fill the whole picture with the personality at its center.
  22. Killers Anonymous
    In a way, Oldman’s presence is symptomatic of a larger failing: the decision to cram together a bunch of cool but incomplete ideas rather than spending the time and money to make proper use of just one.
  23. The Other Story
    More popular melodrama than the usual exercise in high art, it whipsaws us with so many unexpected passions and surprising events that holding on to your seat is strongly recommended.
  24. Blue Note Records: Beyond the Notes
    One of the charms of “Blue Note” is the stories the artists tell about each other.
  25. Our Time
    Granting Esther the same psychological weight he grants Juan would have helped, surely. That Reygadas refuses to do so might be interpreted as a boorish lack of curiosity — or, more charitably, as an honest self-indictment, a refusal to speak for a character he doesn’t know or understand.
  26. Maiden
    A heck of a story splendidly told, Maiden succeeds by combining the athleticism of “Free Solo” with the enriching, across-the-board emotional appeal of “RBG.”
  27. Spider-Man: Far from Home
    In its strangest, most arresting moments, Spider-Man: Far From Home doesn’t just pull the rug out from under you; it tumbles down its own rabbit hole, winding up somewhere in the vicinity of Pixar’s “The Incredibles” (whose composer, Michael Giacchino, also wrote this movie’s bustling score) and Chuck Jones’ classic animated short “Duck Amuck.”
  28. Back to the Fatherland
    Several engaging main characters and warm cross-generational relationships can’t quite offset patchy storytelling and uncertain aims in Back to the Fatherland.
  29. Diamantino
    Its madcap delirium can’t hide its insistent politics, its disdain for sham populism and its compassion for the disenfranchised. Diamantino is no less committed to these ideas than it is to its own uneven, unforgettable lunacy.
  30. Ask for Jane
    Despite its flaws, Ask for Jane is moving, especially in a time where reproductive rights are at risk in states across the United States. However, abortion rights advocates will wish the message came in a better-made movie.
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