Los Angeles Times' Scores

For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16550 movie reviews
  1. Like getting a half-dozen undercooked after-school specials at once, Quentin Lee's White Frog serves up a medley of messages and themes while generating no discernible dramatic heft.
  2. The lowbrow comedy Lost and Found in Armenia so shamelessly wallows in its broad humor, silly contrivances and retrograde stereotypes it almost dares you to be annoyed. Mission accomplished.
  3. It's a goofy, episodic trifle designed to induce swoons among the saccharine who coo every time they see a cute guy, or a baby, or a cute guy holding a baby while watching YouTube videos about how to change a diaper.
  4. The pretentious, preposterous, dueling-dialect flameout called Killing Season has to stand as one of the biggest missed opportunities in iconic matchups.
  5. If ever a movie signaled that the Quentin Tarantino copycat age of empty-headed wink-wink genre rehashing is still with us, Rushlights is that movie.
  6. The heavily improvised flick ambles as slowly as a toddler rounding first base. Hopefully, Garlin's next movie bothers to include a plot and jokes, i.e. the essential building blocks of a comedy.
  7. They've jacked this loud, lame shrieker of a movie up to the highest decibels, both aural and visual, and rammed it in our faces with almost numbing aplomb.
  8. In the regrettably amateurish hands of writer-director Thomas Verrette, Ethan's journey toward the truth feels more like watching someone wandering through one of those pharmaceutical commercials with a laundry list of side effects.
  9. Chappie is a movie about the evolution of artificial intelligence that's as dumb as a post. It also marks the continuing devolution of the work of director and co-writer Neill Blomkamp.
  10. Once you look past the carnage, special effects and colossal locales, all you're left with is the supper show at Medieval Times Dinner & Tournament.
  11. There are zero thrills — 3-D or otherwise — and, for all the nutty mayhem, the pacing drags.
  12. The fact that Child and Shaw share writing and producing credits here almost assures it will be a self-aggrandizing puff piece.
  13. There's certainly a profound and valuable documentary to be made about our eldest living senior citizens. Sadly, Walter: Lessons From the World's Oldest People isn't it.
  14. Pulpy dross of surpassing dumbness, Charlie Countryman takes the blender approach to mixing dark adventure, doofus comedy and pie-eyed romance, but forgets to put the lid on when pulsed.
  15. It is a series of free-associating non sequiturs underscored by nonillustrative graphics and an intrusive soundtrack.
  16. Director Derek Hockenbrough's vision is bigger than his budget, and it shows.
  17. Co-writer and director David Aarniokoski's clunky, crude blotch of prurience and bloodletting is too self-satisfied with its wink-wink naughtiness to be either fun-dumb or scary-sexy.
  18. It mostly plays like a slapdash mockumentary crossed with a bad reality TV show.
  19. Tyler Perry's The Single Moms Club is a sitcom masquerading as a feature film... Too bad he didn't just spare us the awfulness of this flat and phony slices-of-life dramedy and go right to series, where half-hour bites might have helped mitigate the pain.
  20. It's dispiriting enough that we're still getting movies about the cute side of mental illness, but to turn someone rendered childlike by abusive trauma into desirable girlfriend material — and sporting cast-off stripper attire to boot — is more than a little creepy.
  21. The dreary, loud, amateurish horror-comedy A Fantastic Fear of Everything...isn’t terribly interested in logic. Or continuity. Or filmmaking acumen. Or, most glaringly, laughs.
  22. The film's lack of momentum makes the pace stultifyingly slow, but it's the script's reliance on the musty Wise Indian trope that makes "Dancing" dead on arrival.
  23. "Collision Course” is simply a perfunctory, watered-down entry in the series that feels like it should have been released on home video.
  24. Cavemen writer-director Herschel Faber has sketched such a thin and unfunny look at L.A. singles, it should mark the death knell for movies about child-men on the make.
  25. The ludicrous and bloody New Orleans melodrama Repentance offers the despairing sight of talented actors in full flounder.
  26. An abject filmmaking lesson in the many ways to irk moviegoers: cardboard characters, dippy plotting, sentimental overkill and tortuous logic.
  27. The exhausted mockumentary genre provides yet another reason for its demise in Authors Anonymous, a tenaciously unfunny comedy.
  28. Little more than an 88-minute "it has a mind of its own" gag, Bad Johnson should have kept its premise in its pants.
  29. The stars' banter is insipid and unfunny, the wacky shocks short out and, most unforgivably, the car chases are a snooze, filmed as a series of stationary close-ups and diced in the editing room until they suggest anything but movement.
  30. If it only had a brain, a heart and the nerve.

Top Trailers