For 16,550 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,714 out of 16550
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Mixed: 5,819 out of 16550
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Negative: 2,017 out of 16550
16550
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Robert Abele
Like getting a half-dozen undercooked after-school specials at once, Quentin Lee's White Frog serves up a medley of messages and themes while generating no discernible dramatic heft.- Los Angeles Times
- Posted May 9, 2013
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Reviewed by
Gary Goldstein
The lowbrow comedy Lost and Found in Armenia so shamelessly wallows in its broad humor, silly contrivances and retrograde stereotypes it almost dares you to be annoyed. Mission accomplished.- Los Angeles Times
- Posted Jun 6, 2013
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Reviewed by
Amy Nicholson
It's a goofy, episodic trifle designed to induce swoons among the saccharine who coo every time they see a cute guy, or a baby, or a cute guy holding a baby while watching YouTube videos about how to change a diaper.- Los Angeles Times
- Posted Jun 26, 2013
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Reviewed by
Robert Abele
The pretentious, preposterous, dueling-dialect flameout called Killing Season has to stand as one of the biggest missed opportunities in iconic matchups.- Los Angeles Times
- Posted Jul 11, 2013
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Reviewed by
Robert Abele
If ever a movie signaled that the Quentin Tarantino copycat age of empty-headed wink-wink genre rehashing is still with us, Rushlights is that movie.- Los Angeles Times
- Posted Jun 19, 2013
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Reviewed by
Amy Nicholson
The heavily improvised flick ambles as slowly as a toddler rounding first base. Hopefully, Garlin's next movie bothers to include a plot and jokes, i.e. the essential building blocks of a comedy.- Los Angeles Times
- Posted Jul 18, 2013
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Reviewed by
Michael Wilmington
They've jacked this loud, lame shrieker of a movie up to the highest decibels, both aural and visual, and rammed it in our faces with almost numbing aplomb.- Los Angeles Times
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Reviewed by
Robert Abele
In the regrettably amateurish hands of writer-director Thomas Verrette, Ethan's journey toward the truth feels more like watching someone wandering through one of those pharmaceutical commercials with a laundry list of side effects.- Los Angeles Times
- Posted Aug 7, 2013
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Reviewed by
Kenneth Turan
Chappie is a movie about the evolution of artificial intelligence that's as dumb as a post. It also marks the continuing devolution of the work of director and co-writer Neill Blomkamp.- Los Angeles Times
- Posted Mar 5, 2015
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Martin Tsai
Once you look past the carnage, special effects and colossal locales, all you're left with is the supper show at Medieval Times Dinner & Tournament.- Los Angeles Times
- Posted Oct 3, 2013
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Reviewed by
Gary Goldstein
There are zero thrills — 3-D or otherwise — and, for all the nutty mayhem, the pacing drags.- Los Angeles Times
- Posted Sep 5, 2013
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Reviewed by
Martin Tsai
The fact that Child and Shaw share writing and producing credits here almost assures it will be a self-aggrandizing puff piece.- Los Angeles Times
- Posted Oct 17, 2013
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Reviewed by
Gary Goldstein
There's certainly a profound and valuable documentary to be made about our eldest living senior citizens. Sadly, Walter: Lessons From the World's Oldest People isn't it.- Los Angeles Times
- Posted Oct 10, 2013
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Reviewed by
Robert Abele
Pulpy dross of surpassing dumbness, Charlie Countryman takes the blender approach to mixing dark adventure, doofus comedy and pie-eyed romance, but forgets to put the lid on when pulsed.- Los Angeles Times
- Posted Nov 14, 2013
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Reviewed by
Martin Tsai
It is a series of free-associating non sequiturs underscored by nonillustrative graphics and an intrusive soundtrack.- Los Angeles Times
- Posted Oct 10, 2013
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Reviewed by
Annlee Ellingson
Director Derek Hockenbrough's vision is bigger than his budget, and it shows.- Los Angeles Times
- Posted Oct 30, 2013
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Reviewed by
Robert Abele
Co-writer and director David Aarniokoski's clunky, crude blotch of prurience and bloodletting is too self-satisfied with its wink-wink naughtiness to be either fun-dumb or scary-sexy.- Los Angeles Times
- Posted Feb 6, 2014
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Reviewed by
Gary Goldstein
It mostly plays like a slapdash mockumentary crossed with a bad reality TV show.- Los Angeles Times
- Posted Dec 31, 2013
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Reviewed by
Gary Goldstein
Tyler Perry's The Single Moms Club is a sitcom masquerading as a feature film... Too bad he didn't just spare us the awfulness of this flat and phony slices-of-life dramedy and go right to series, where half-hour bites might have helped mitigate the pain.- Los Angeles Times
- Posted Mar 15, 2014
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Reviewed by
Robert Abele
It's dispiriting enough that we're still getting movies about the cute side of mental illness, but to turn someone rendered childlike by abusive trauma into desirable girlfriend material — and sporting cast-off stripper attire to boot — is more than a little creepy.- Los Angeles Times
- Posted Feb 20, 2014
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Reviewed by
Robert Abele
The dreary, loud, amateurish horror-comedy A Fantastic Fear of Everything...isn’t terribly interested in logic. Or continuity. Or filmmaking acumen. Or, most glaringly, laughs.- Los Angeles Times
- Posted Feb 8, 2014
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Reviewed by
Inkoo Kang
The film's lack of momentum makes the pace stultifyingly slow, but it's the script's reliance on the musty Wise Indian trope that makes "Dancing" dead on arrival.- Los Angeles Times
- Posted Dec 18, 2013
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Reviewed by
Katie Walsh
"Collision Course” is simply a perfunctory, watered-down entry in the series that feels like it should have been released on home video.- Los Angeles Times
- Posted Jul 21, 2016
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Reviewed by
Gary Goldstein
Cavemen writer-director Herschel Faber has sketched such a thin and unfunny look at L.A. singles, it should mark the death knell for movies about child-men on the make.- Los Angeles Times
- Posted Feb 6, 2014
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Reviewed by
Robert Abele
The ludicrous and bloody New Orleans melodrama Repentance offers the despairing sight of talented actors in full flounder.- Los Angeles Times
- Posted Mar 2, 2014
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Reviewed by
Robert Abele
An abject filmmaking lesson in the many ways to irk moviegoers: cardboard characters, dippy plotting, sentimental overkill and tortuous logic.- Los Angeles Times
- Posted Mar 13, 2014
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Reviewed by
Inkoo Kang
The exhausted mockumentary genre provides yet another reason for its demise in Authors Anonymous, a tenaciously unfunny comedy.- Los Angeles Times
- Posted Apr 17, 2014
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Reviewed by
Robert Abele
Little more than an 88-minute "it has a mind of its own" gag, Bad Johnson should have kept its premise in its pants.- Los Angeles Times
- Posted May 1, 2014
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Reviewed by
Robert Abele
The stars' banter is insipid and unfunny, the wacky shocks short out and, most unforgivably, the car chases are a snooze, filmed as a series of stationary close-ups and diced in the editing room until they suggest anything but movement.- Los Angeles Times
- Posted Oct 9, 2014
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Reviewed by
Martin Tsai
If it only had a brain, a heart and the nerve.- Los Angeles Times
- Posted May 8, 2014
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Reviewed by