Los Angeles Times' Scores

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For 16,523 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,698 out of 16523
  2. Mixed: 5,808 out of 16523
  3. Negative: 2,017 out of 16523
16523 movie reviews
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  1. Copperhead
    Painfully lugubrious, any sting Copperhead might contain for its contrarian's view of history is undone by its wayward sense of storytelling.
  2. Three Days (of Hamlet)
    The result is high school English crossed with "Waiting for Guffman," though the humor is largely accidental.
  3. The Colony
    The film strands its archetypal characters in a featureless danger zone and gives them overly familiar dialogue borrowed from a dozen other B-movies.
  4. Assault on Wall Street
    It's not the worst idea for a revenge fantasy, but Jim's payback is so lacking in logic and reality, not to mention tension, that it proves more laughable than cathartic.
  5. White Frog
    Like getting a half-dozen undercooked after-school specials at once, Quentin Lee's White Frog serves up a medley of messages and themes while generating no discernible dramatic heft.
  6. Lost and Found in Armenia
    The lowbrow comedy Lost and Found in Armenia so shamelessly wallows in its broad humor, silly contrivances and retrograde stereotypes it almost dares you to be annoyed. Mission accomplished.
  7. The Stroller Strategy
    It's a goofy, episodic trifle designed to induce swoons among the saccharine who coo every time they see a cute guy, or a baby, or a cute guy holding a baby while watching YouTube videos about how to change a diaper.
  8. Killing Season
    The pretentious, preposterous, dueling-dialect flameout called Killing Season has to stand as one of the biggest missed opportunities in iconic matchups.
  9. Rushlights
    If ever a movie signaled that the Quentin Tarantino copycat age of empty-headed wink-wink genre rehashing is still with us, Rushlights is that movie.
  10. Dealin' with Idiots
    The heavily improvised flick ambles as slowly as a toddler rounding first base. Hopefully, Garlin's next movie bothers to include a plot and jokes, i.e. the essential building blocks of a comedy.
  11. Problem Child
    They've jacked this loud, lame shrieker of a movie up to the highest decibels, both aural and visual, and rammed it in our faces with almost numbing aplomb.
  12. Implanted
    In the regrettably amateurish hands of writer-director Thomas Verrette, Ethan's journey toward the truth feels more like watching someone wandering through one of those pharmaceutical commercials with a laundry list of side effects.
  13. Chappie
    Chappie is a movie about the evolution of artificial intelligence that's as dumb as a post. It also marks the continuing devolution of the work of director and co-writer Neill Blomkamp.
  14. Vikingdom
    Once you look past the carnage, special effects and colossal locales, all you're left with is the supper show at Medieval Times Dinner & Tournament.
  15. Dead Before Dawn 3D
    There are zero thrills — 3-D or otherwise — and, for all the nutty mayhem, the pacing drags.
  16. Two: The Story of Roman & Nyro
    The fact that Child and Shaw share writing and producing credits here almost assures it will be a self-aggrandizing puff piece.
  17. Walter: Lessons from the World's Oldest People
    There's certainly a profound and valuable documentary to be made about our eldest living senior citizens. Sadly, Walter: Lessons From the World's Oldest People isn't it.
  18. Charlie Countryman
    Pulpy dross of surpassing dumbness, Charlie Countryman takes the blender approach to mixing dark adventure, doofus comedy and pie-eyed romance, but forgets to put the lid on when pulsed.
  19. DSKNECTD
    It is a series of free-associating non sequiturs underscored by nonillustrative graphics and an intrusive soundtrack.
  20. The Impaler
    Director Derek Hockenbrough's vision is bigger than his budget, and it shows.
  21. Nurse 3D
    Co-writer and director David Aarniokoski's clunky, crude blotch of prurience and bloodletting is too self-satisfied with its wink-wink naughtiness to be either fun-dumb or scary-sexy.
  22. A Journey to Planet Sanity
    It mostly plays like a slapdash mockumentary crossed with a bad reality TV show.
  23. Tyler Perry's The Single Moms Club
    Tyler Perry's The Single Moms Club is a sitcom masquerading as a feature film... Too bad he didn't just spare us the awfulness of this flat and phony slices-of-life dramedy and go right to series, where half-hour bites might have helped mitigate the pain.
  24. Barefoot
    It's dispiriting enough that we're still getting movies about the cute side of mental illness, but to turn someone rendered childlike by abusive trauma into desirable girlfriend material — and sporting cast-off stripper attire to boot — is more than a little creepy.
  25. A Fantastic Fear of Everything
    The dreary, loud, amateurish horror-comedy A Fantastic Fear of Everything...isn’t terribly interested in logic. Or continuity. Or filmmaking acumen. Or, most glaringly, laughs.
  26. Dancing on a Dry Salt Lake
    The film's lack of momentum makes the pace stultifyingly slow, but it's the script's reliance on the musty Wise Indian trope that makes "Dancing" dead on arrival.
  27. Ice Age: Collision Course
    "Collision Course” is simply a perfunctory, watered-down entry in the series that feels like it should have been released on home video.
  28. Cavemen
    Cavemen writer-director Herschel Faber has sketched such a thin and unfunny look at L.A. singles, it should mark the death knell for movies about child-men on the make.
  29. Repentance
    The ludicrous and bloody New Orleans melodrama Repentance offers the despairing sight of talented actors in full flounder.
  30. Shirin in Love
    An abject filmmaking lesson in the many ways to irk moviegoers: cardboard characters, dippy plotting, sentimental overkill and tortuous logic.
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