For 16,550 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,714 out of 16550
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Mixed: 5,819 out of 16550
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Negative: 2,017 out of 16550
16550
movie
reviews
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- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Betsy Sharkey
There is a lot of hope in the air in I Wish, but the film never feels sappy. The very appealing score by the Japanese indie-rock group Quruli brings a kind of upbeat energy that matches the clean, open style of director of photography Yutaka Yamazaki, a frequent Kore-eda collaborator.- Los Angeles Times
- Posted May 10, 2012
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Reviewed by
Robert Abele
The archival footage, the impassioned interviews, and the inspiring story of how warriors for solutions can overcome entrenched views on poverty and health, make for something genuinely stirring.- Los Angeles Times
- Posted Oct 12, 2017
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Reviewed by
Gary Goldstein
It’s a stirring and delicately reflective piece of work.- Los Angeles Times
- Posted Sep 19, 2019
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Reviewed by
Katie Walsh
Within "Housekeeping’s” restless, naturalistic aesthetic, Stolevski crafts complex and poignant images, contrasting the playacting the couple is forced to do with their searing gazes.- Los Angeles Times
- Posted Apr 4, 2024
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Reviewed by
Kenneth Turan
Maysles' portrait of Iris Apfel, a 93-year-old self-described "geriatric starlet," is surprisingly memorable, graced with an unforced but unmistakable charm.- Los Angeles Times
- Posted Apr 30, 2015
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Reviewed by
Kenneth Turan
Though a definite improvement on the last three abortive Star Wars prequels directed by series creator George Lucas, The Force Awakens is only at its best in fits and starts, its success dependent on who of its mix of franchise veterans and first-timers is on the screen.- Los Angeles Times
- Posted Dec 16, 2015
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Reviewed by
Lorraine Ali
It’s raw, powerful, moving and candid. This is what it is like to be on the ground in Aleppo.- Los Angeles Times
- Posted May 18, 2017
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Reviewed by
Sheila Benson
Henry: Portrait of a Serial Killer is as fine a film as it is a brutally disturbing one.- Los Angeles Times
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Reviewed by
Manohla Dargis
An old-fashioned weepie tucked inside a fiercely indicting political thriller.- Los Angeles Times
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Reviewed by
Kenneth Turan
At a time when so many in this country are at odds about what represents America at its best, it's refreshing and then some to see a film that everyone can agree is an example of exactly that.- Los Angeles Times
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Reviewed by
Kenneth Turan
Though she’s a first-time director, Costin has put together a film that’s a savvy cinematic education as well as pure fun. If you care about the movies, don’t even think of staying away.- Los Angeles Times
- Posted Oct 24, 2019
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Reviewed by
Robert Abele
Sober and heartfelt, Union lets us see what Amazon and the world would soon discover about the power workers have when they invest in their dignity first.- Los Angeles Times
- Posted Oct 25, 2024
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Reviewed by
Kenneth Turan
My Dog Tulip is as disconcerting and unusual a piece of animation as the 1956 memoir that inspired it, and that is saying a lot.- Los Angeles Times
- Posted Jan 15, 2011
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Reviewed by
Robert Abele
By turns Dickensian, Marxist and dystopian, it's a movie as deliriously unclassifiable as it is expertly focused in its desire to provoke and entertain.- Los Angeles Times
- Posted Apr 2, 2015
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Reviewed by
Mark Chalon Smith
Freaks is a wild ride, but it's not the monster-trip some say it is. It is macabre and disturbing, but Browning chose to humanize the deformed characters at the movie's shadowy center, not to demonize them.- Los Angeles Times
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Reviewed by
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- Critic Score
If there are to be gangster pictures, let them be like The Public Enemy, hard-boiled and vindictive almost to the point of burlesque.- Los Angeles Times
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Reviewed by
Kenneth Turan
A substantial film of unexpected emotional force. And when at a certain point it seems to slip the bonds of this world and take a leap of faith into an almost mythological dimension, it breathlessly takes us along for that memorable ride.- Los Angeles Times
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Reviewed by
Kenneth Turan
What happens to Charley, the film posits, the bad and the good, is not so much the fault of specific individuals but of the indifferent dead ends built into America's despairing culture of the underclass. Your heart goes out to this striving, yearning young man, and that's a tribute to the fine filmmaking on display.- Los Angeles Times
- Posted Apr 5, 2018
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Reviewed by
Kevin Crust
The result is a wonderfully humorous take on a seldom-broached subject.- Los Angeles Times
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Reviewed by
Justin Chang
For Huppert, most celebrated for her uncompromising severity in films like "Elle" and "The Piano Teacher," the movie is an opportunity to cut gloriously loose; no less than Claire herself, she seems to be enjoying her holiday.- Los Angeles Times
- Posted Mar 29, 2018
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Reviewed by
Justin Chang
Even Hansen-Løve’s characteristically light, unassuming touch feels like a playful rejoinder to the weight of the Bergman mystique, a refusal to let him dictate the terms of the argument.- Los Angeles Times
- Posted Jul 19, 2021
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Reviewed by
Robert Abele
In its gently atmospheric camerawork and nicely underplayed moments between Mike and Chris, Resolution manages to keep its eerier moments surprising and its emotional life arresting.- Los Angeles Times
- Posted Jan 24, 2013
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Reviewed by
Sheri Linden
Aida’s Secrets movingly embodies the traumas that, at war’s end and long after, are inseparable from liberation.- Los Angeles Times
- Posted Oct 26, 2017
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Reviewed by
Justin Chang
Whatever you think of “Barbie,” the mere existence of this smart, funny, conceptually playful, sartorially dazzling comic fantasy speaks to the irreverent wit and meta-critical sensibility of its director.- Los Angeles Times
- Posted Jul 18, 2023
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Reviewed by
Kenneth Turan
It's not the kind of work that wins awards, but without Cruise's intensity almost willing our interest in Spielberg's unrelentingly dark world, Minority Report wouldn't have nearly as much life as it does.- Los Angeles Times
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Reviewed by
Glenn Whipp
Zagar, judiciously adapting the book with Daniel Kitrosser, submerges the audience into their world from the outset, presenting a fluid stream of bittersweet and vivid episodes from the family’s life that gradually build into something profound.- Los Angeles Times
- Posted Aug 16, 2018
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Reviewed by
Justin Chang
The screenwriter, Nicole Taylor, and the director, Tom Harper, compose their story in clean, stirring melodic lines that they return to again and again, treating Rose-Lynn’s many setbacks — as well as her small, crucial steps toward growth and self-discovery — like subtle variations on a refrain.- Los Angeles Times
- Posted Jun 20, 2019
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Reviewed by
Carina Chocano
In some ways, it reminded me of the final "Seinfeld" episode. As much as I laughed throughout, I kept wondering what was with all the emotional lessons.- Los Angeles Times
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