For 16,532 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,702 out of 16532
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Mixed: 5,813 out of 16532
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Negative: 2,017 out of 16532
16532
movie
reviews
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- By Critic Score
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Reviewed by
Kenneth Turan
Besides Montand's splendid performance, The Wide Blue Road's other treat is seeing a film that's both old-fashioned enough to believe that social concerns can lead to satisfying drama and well-made enough to deliver on that belief. A film infused with that kind of passion never goes out of style.- Los Angeles Times
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Reviewed by
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Reviewed by
Kevin Thomas
An accomplished heart-tugger, a serious romantic comedy that tackles two dilemmas with honesty and compassion.- Los Angeles Times
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Reviewed by
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Reviewed by
Kevin Thomas
As has happened before in less extreme circumstances, filmmakers with purportedly serious intentions punish their viewers for watching their envelope-pushing depiction of sex on the screen by presenting it in the most profoundly negative context imaginable.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Laborious in the unfolding of its plot, and under Sam Weisman's brash direction the unabashed amorality of the material is crass rather than sly in tone.- Los Angeles Times
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Reviewed by
Kevin Thomas
Complexity and personality among key figures keeps Himalaya involving throughout its grueling journey and lifts the film above the merely ethnographic.- Los Angeles Times
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Reviewed by
Kevin Thomas
An adroit, ambitious, richly detailed and keenly observant piece of filmmaking by the director of the haunting Rio drama "Via Appia" (1990).- Los Angeles Times
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Reviewed by
Jan Stuart
There is even less going on between Ricci and Depp here than there was in "The Legend of Sleepy Hollow," mostly because Potter gives them nothing to play.- Los Angeles Times
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Reviewed by
Kevin Thomas
A gorgeous film with a vision strong enough to sustain heart-tugging, heightened by San Bao's romantic score, that verges on the sentimental.- Los Angeles Times
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Reviewed by
Kevin Thomas
The film's immense cast and crew, headed by director Michael Bay, writer Randall Wallace and stars Ben Affleck, Josh Hartnett and Kate Beckinsale, blend artistry and technology to create a blockbuster entertainment that has passion, valor and tremendous action.- Los Angeles Times
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Reviewed by
Kenneth Turan
This modest film has virtues that come out of nowhere. It takes familiar material and develops it with such tact and skill that we find ourselves moved and sort of amazed at the same time.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Adds up to a carefully crafted romantic drama of considerable insight and emotional impact that provides Lopez an acting challenge she meets with ease.- Los Angeles Times
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Reviewed by
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Reviewed by
Kenneth Turan
You can go with it or resist it, be exhilarated or worn out. But forgetting the experience is not one of your options.- Los Angeles Times
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Reviewed by
Kenneth Turan
This fractured fairy tale not only knows there's no substitute for clever writing, it also has the confidence to take that information straight to the bank.- Los Angeles Times
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Reviewed by
Kevin Thomas
Has its moments here and there, but not nearly enough of them to add up to a satisfying movie.- Los Angeles Times
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Reviewed by
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- Critic Score
Nimbly documents the rise and fall of a Web company through its charismatic leaders.- Los Angeles Times
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Reviewed by
Kevin Thomas
Stylish and gritty, The King Is Alive lacks the impact of revelation that might have made the journey worth taking.- Los Angeles Times
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Reviewed by
Jan Stuart
Nothing quite works about The Trumpet of the Swan, one of those animated films that make you realize how hard it is to strike the right tone for a family film.- Los Angeles Times
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Reviewed by
Kevin Thomas
Bread and Roses" hits home when one of Maya's co-workers observes, "When we put on uniforms, we become invisible." It's a truth as uncomfortable as it is undeniable.- Los Angeles Times
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Reviewed by
Kenneth Turan
As advertised, A Knight's Tale does try to rock you. The problem is, it doesn't rock you nearly enough.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Can never rise above the melodrama of a past era, despite a splendid, impassioned portrayal by Willem Dafoe and an affecting one by Luo Yan.- Los Angeles Times
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Reviewed by
Kevin Thomas
Requires careful attention at its abrupt finish. Close concentration on the final shots yields a meaning not possible should a viewer's attention wander or turn away a few moments too soon.- Los Angeles Times
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Reviewed by
Kevin Thomas
The filmmakers' special triumph lies in the inspired way that in the nick of time it draws its story to a close, with Nora and Joyce struggling toward a new level of understanding.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Visually, the film is a stunner with its impossibly mobile camera work. It is also all but impossible to hold on to the story line.- Los Angeles Times
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Reviewed by
Kenneth Turan
Both pleasantly old-fashioned and packed with up-to-date computer-generated special effects, the film's constant plot turns, cheeky sensibility and omnipresent action sequences have no trouble attracting our attention and holding on.- Los Angeles Times
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Reviewed by
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Reviewed by
Kevin Thomas
At times awkward and under-inspired, creating a question as to whether so gloomy and repugnant a tale was worth telling simply for its own sake.- Los Angeles Times
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Reviewed by
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Reviewed by
Gene Seymour
Skip it. Just fill in the blanks and you too can brew the same bland, goopy mixture, right down to such clunker lines as "There is a Santa Claus, Ma. He just doesn't come to Brooklyn anymore."- Los Angeles Times
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