Los Angeles Times' Scores

For 16,532 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16532 movie reviews
  1. Smart, amiable and well-paced, and director Tony Goldwyn brings to it an all-too-rare buoyancy and breeziness.
  2. Lively, imaginative, with a playful sense of humor.
  3. Raucously energetic and replete with a barrage of graphic sexual humor.
  4. While all of the actors are excellent, we sat up whenever Gabrielle Union walked on screen. As the ever-sensible woman who disrupts Jackson's bachelorhood, she projects the pluck, gravitas and beauty of a younger Alfre Woodard.
  5. As Hollywood diversions go, this gleaming MGM release still leaves you wishing the filmmakers took as many risks as their grifters do.
  6. Ultimately a sweet movie, but one made by people who can't stoop to conquer without an almost audible strain on their own intelligence.
  7. Unfolds as a shaggy-dog story, full of hilarious and outrageous twists that suggest that weirdness lies just below the surface of daily life seemingly at its most ordinary.
  8. It's a pastiche of pulpy elements culled from all the "Dirty Harry" movies you can think of.
  9. Meanders, dawdles, doubles back on itself but finally gets us somewhere fascinating and worthwhile.
  10. A provocatively structured and thrillingly executed film noir, an intricate, inventive use of cinema's possibilities that pushes what can be done on screen in an unusual direction.
  11. Has little to occupy us once its battle scenes recede. One of those goofy movies where devil-may-care Russian soldiers unwind by playing the balalaika far into the night, it takes itself far more seriously than anyone else will be able to manage.
  12. It unfolds in a hearty, good-natured Australian comedy that affectionately depicts how the citizens of a small town become connected to the Apollo moon flight.
  13. For an American film it is a groundbreaker in exploring the realm of sexual fluidity, and it does so with wit, wisdom and in a completely entertaining fashion.
  14. Poetic and ambiguous, it manages to be magical in both the beautiful and terrifying senses of the word.
  15. The result is a film that is wise, fatalistic and romantic in just the right proportions--in the best noir tradition.
  16. A plucky comic valentine for those who love the movies more than their own mothers.
  17. Not merely affecting and illuminating; it concludes on a note of hope.
  18. Both audacious and unwieldy, exciting and excessive, this dark thriller is too long, too violent and not always convincing. But at the same time, there's no denying that it's onto something, that its savage indictment of the nexus involving media, crime and a voracious public is a cinematic statement difficult to ignore.
  19. A blithe-spirited comedy in which teenagers discover their romantic vicissitudes mirrored in their high school production of "A Midsummer Night's Dream." It's being directed by their nasty drama teacher (Martin Short, hilarious), who has written 12 original songs for the production.
  20. Despite its dollops of good-natured humor and sentiment, Blow Dry is likely to play better on the tube as a likable-enough diversion.
  21. Captivating new documentary, The Gleaners and I, is charged with the pleasure of discovery.
  22. An adroit, beautifully acted, sophisticated film with some drier-than-dust humor about unsophisticated people and is impressive as such. It's too bad that it's not more engaging much earlier on.
  23. A little gem, a sparkling comedy with serious undertones about friendship, self-discovery and artistic integrity.
  24. As impressive as Jackson is and as thought-provoking as director Kasi Lemmons' movie is, it's ultimately satisfying neither as a genre piece nor as an art film.
  25. The gags, almost all of which involve the passage of gases and liquids, move at a fast-enough clip to keep you awake throughout. For which this review expresses a sorrow as profound as the sympathy it feels for all the actors.
  26. If The Mexican proves anything, it's that eccentric features need a particularly delicate touch to be successful. With a film like this, how close you come doesn't matter: Off by a little is as debilitating as off by a lot.
  27. Getting progressively less involving as it goes along, the strongest feeling Series 7 creates is the passionate desire to change the channel and move on.
  28. Grand fantasy, in which Brendan Fraser and stylish design and energetic special effects play off one another for maximum fun.
  29. This is the best class of poetic realism, the kind you can believe in without a trace of hesitation.
  30. One of those movies that makes you want to throw up your hands in despair, disgust, or maybe both.

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