Los Angeles Times' Scores

For 16,533 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16533 movie reviews
  1. It's a compelling and ambitious idea, but one that misfires because of its underwhelming characters and slack storytelling.
  2. A compelling, highly charged film that brings a contemporary perspective to classic prison picture elements.
  3. Consistently sleek but works best if no more is expected of it than a mild diversion.
  4. Where the first "Jeepers Creepers" came across like a dark, wacky dream, the inevitable Jeepers Creepers 2 seems more like a franchise under construction.
  5. Works its charms slowly but steadily.
  6. My Boss's Daughter is not awful. It is a genial youth comedy that serves Kutcher well as a vehicle. That's it. That's all it tries to be
  7. Dust is a bust, a big bad movie of the scope, ambition and bravura that could be made only by a talented filmmaker run amok.
  8. Chan defies time and gravity with remarkable energy, ease and resourcefulness, not to mention charm and humor. He even gets away with a nude scene, not bad for man who turns 50 in April.
  9. It's a classic rags-to-riches-to-rage tale about the fatal nexus of celebrity and market forces, a story that is unexpectedly poignant even though it's told to an insistent punk rock beat.
  10. The film effectively conveys the fears and frustrations of Palestinians struggling in a country that treats them as the enemy.
  11. While clunky in pacing -- and in periodic attempts at humor -- Green Card Fever has been well-photographed by Scott Spears and makes some provocative points.
  12. What ensues is so glum and disjointed that the film becomes an even bigger mess.
  13. It is clear that these individuals have exercised considerable courage and determination to sort out their sexual natures and to be true to them. They have the sturdy sense of human survivors, and in Venus Boyz Baur regards them with compassion and dignity.
  14. The best thing that can be said about this lethargic coming-of-age tale, noticeably undernourished at 78 minutes, is that it's better than the even more pathetic "Stolen Summer."
  15. Despite the occasional topical reference to President Bush and Sen. Clinton, this movie is, like, so eight years ago, it isn't funny.
  16. Strangely entertaining.
  17. Isn't in league with the Nicholas Ray classic ("Rebel Without a Cause"), but in its ferocious energy and lead performances it's many cuts above most big-screen soap operas.
  18. Uptown Girls is more downer than upper.
  19. Director Dan Ireland and the Jermanoks strive for and achieve a light romantic comedy with humorous, fanciful plotting yet shaded by genuine tenderness and passion.
  20. Might have been offensive with its stereotypical, one-dimensional characters and Spanglish-laden "jokes" if it wasn't so utterly bland. With about as much flavor as iceberg lettuce, the movie really doesn't offer enough to get worked up about.
  21. Tremendous energy, outrageous humor, dazzling technical finesse -- and a numbing amount of violence, brutality, bloodshed and all-out savagery. It is downright depressing to think about all that vigorous cinematic artistry and expertise aimed so low.
  22. Biographies of living people are tricky if for no other reason than a biographer can sometimes feel protective of his or her subject. Berman and Pulcini obviously adore Pekar, but by not getting out of his head more often and taking him on his own harsh terms, they blow the chance to dig as deep as the source.
  23. An infectious knockabout kung fu comedy with amusing special effects combined with breathtaking stunts.
  24. Say what you like, think what you will, scoff if you have to (and you will definitely have to), but in the final analysis Kevin Knows Westerns.
  25. Manages to capture enough honest moments to make it watchable, but it's never really funny enough to recommend to anyone who's outgrown short pants and kneepads.
  26. A whole world can be fit into 76 minutes, and that's what the splendid documentary OT: our town manages to do.
  27. Whatever the reason, his riff on Le Divorce follows the original only in broad strokes, hewing to a similar plot with many of the same characters but without the wit, the barbs and the politics.
  28. With its stylized, near-surreal comic-book look and roots, The Princess Blade has all the makings of a cult film.
  29. Brown has expertly captured the exhilarating and terrifying experience of watching surfers attack waves so preposterously large and ridiculously beautiful they defy description.
  30. Though the film's second half has some good action moments, it never fulfills the promise of its earliest scenes.

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