Los Angeles Times' Scores

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For 16,533 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,703 out of 16533
  2. Mixed: 5,813 out of 16533
  3. Negative: 2,017 out of 16533
16533 movie reviews
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  1. Km. 0 - Kilometer Zero
    Made from a sophisticated European perspective, this is a light summer entertainment with an able, highly attractive cast.
  2. Northfork
    A thoroughly original accomplishment of a high artistic order, Northfork features flawless, spare production design by Ichelle Spitzig and the Polish brothers' father, Del, and cinematographer M. David Mullen's striking images slide effortlessly into Dalí-like Surrealism.
  3. The Cuckoo
    A rare bird indeed -- a disarming, appealingly modest discovery, beautifully shot, nicely performed. Perched on the knife's edge of absurdity, the story at once embraces the large questions (who is the enemy and why) and shrugs them off with a laugh.
  4. I Capture the Castle
    It's a rich, emotional story, a wonderfully appealing film made with humor and intelligence, but there is also something almost magical about how it takes the stuff of innumerable previous films -- love, romance and adolescent coming of age -- and turns them into something that feels one of a kind.
  5. The Holy Land
    It has the awkwardness that characterizes many first features and, as befits a culture that does not always prize refinement, some of its performances and situations are not as subtle as they should be.
  6. The League of Extraordinary Gentlemen
    These guys have dumbed down a comic book.
  7. Pirates of the Caribbean: The Curse of the Black Pearl
    This noisy retread, a secondhand facsimile of a movie, is, except for the headache its boisterous sound level leaves you with, as forgettable as a bad day in the Disneyland parking lot.
  8. Tattoo
    The film is an engrossing and original police procedural of bleak, steel-gray images and high style. But be warned: as part of its complex, ever-unfolding plot, it is punctuated with some grisly images.
  9. Confusion of Genders
    Certainly sexy, entertaining and provocative -- in several senses of the word -- but it's also tiresome as only a French film can be when everyone in it has only sex and amour on his or her mind and is deadly serious about both.
  10. Gasoline
    Finally too derivative and sensational for its own sake to work.
  11. Swimming Pool
    Ozon misses some chances with Sarah, but Rampling doesn't skip a beat. Freed from the burden of likability, the actress pushes the character from near-farce to near-tragedy, without once appealing to sentimentalism.
  12. Terminator 3: Rise of the Machines
    An expertly paced and efficient sci-fi thrill machine, "T3" effectively marries impressive action sequences with persuasive storytelling and its star's uniquely appealing style of "No" drama -- as in no reaction, no expression, no emotion of any kind.
  13. Sinbad: Legend of the Seven Seas
    A pleasure to look at. It's filled with fine, imaginative moves and an overarching sense of visual freedom, a feeling of play that entices us into enjoyment. But, when it comes to dialogue and story, this Sinbad apparently used up all its initiative changing its hero's ethnicity to generic Greco-Roman.
  14. Legally Blonde 2: Red, White & Blonde
    Elle dresses in shades of sorbet and dolls up her Chihuahua like a bantamweight drag queen, but by fighting the good fight she's also giving alpha girls and women their due, rescuing them from the magazine horror stories and the taint of Hillary.
  15. On_Line
    A fine example of digital filmmaking, and Weintrob and his co-writer, Andrew Osborne, manage to raise some serious issues regarding the Internet without taking themselves too seriously.
  16. Charlie's Angels: Full Throttle
    As insistent as it is skillful -- and it is very skillful -- it does all it can to pound you into enjoying yourself. The result is rather like being force-fed a meal of your favorite foods by the Terminator.
  17. 28 Days Later...
    At once an old-fashioned freakout and an environmental cautionary tale (mess with Mother Nature and she'll mess with you right back), the film combines two genre standbys -- lethal contagion and the undead -- and gives them a wicked, contemporary spin.
  18. Wash Dry and Spin Out
    For histrionic wretched excess this movie would be hard to surpass.
  19. Francis Ford Coppola Presents: The Legend of Suriyothai
    Not the place to go look for nuanced, deeply emotional performances. The acting is inevitably on the formal side, suitable for the pageant this film is. But don't let that dissuade you. They won't be making another film like this any time soon, and the chance to see all those elephants is not one you get every day.
  20. Alex & Emma
    A painfully contrived and artificial exercise in futility.
  21. Hulk
    However nifty, Lee's Cubist gambit fails to capture the graphic tension that makes great comic-book art jump off the page and great pop movies jump off the screen with pow, zap and wow!
    • 14 Metascore
    • 50 Critic Score
    From Justin to Kelly
    Relentlessly inoffensive, innocuous and vacuous, From Justin to Kelly is nowhere near as bad as its pre-release publicity would suggest.
  23. Manito
    As a dramatist Eason has a classicist's sense of structure and movement to complement his sense of the cinematic. Manito, which has a special grand jury prize from Sundance among its 10 awards, is a small film with a big impact.
  24. The Hard Word
    Interests us in ways we don't expect. It has a mordant sense of humor and a gift for character and incident that has attracted two of Australia's best actors -- Guy Pearce and Rachel Griffiths -- as well as an excellent supporting cast.
  25. Jet Lag
    Minor whimsy of a film.
  26. The Heart of Me
    Perhaps The Heart of Me's greatest success is the way it avoids turning any of its characters into villains. They all act badly at times, but we feel for them just the same; they never lose our sympathy. Weepy or not, that's an accomplishment any kind of film can feel proud of.
  27. No Turning Back
    More a 99-minute public service announcement about the plight of illegal immigrants than a fully formed drama, the film finds itself in a no-win situation not unlike that of its protagonist.
  28. Hollywood Homicide
    No one comes out of Hollywood Homicide looking good, but the film fades fast.
  29. Rugrats Go Wild
    The number of characters makes Rugrats Go Wild somewhat bulkier than its less complicated predecessors, but fans are not likely to mind.
  30. Tycoon: A New Russian
    In the end Tycoon above all evokes a melancholy awareness of the seemingly eternal exploitation and impoverishment of the Russian people.
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