Los Angeles Times' Scores

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For 16,533 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,703 out of 16533
  2. Mixed: 5,813 out of 16533
  3. Negative: 2,017 out of 16533
16533 movie reviews
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  1. I Vitelloni [re-release]
    It was this ineffably poignant semiautobiographical reverie that unleashed fully Fellini's shimmering, flowing poetic style, echoed perfectly in a plaintive score by Fellini's potently evocative collaborator, Nino Rota.
  2. Master and Commander: The Far Side of the World
    Few actors can be as convincing as leaders of men, and to see Crowe as Capt. Jack Aubrey in Master and Commander: The Far Side of the World is to see a consummate performer doing what he does best.
  3. Anything But Love
    Robert Cary's Anything but Love is that rarity, an hommage to the sweeping Technicolor Hollywood love story of the '40s and '50s that works.
  4. My Architect
    Nathaniel Kahn is very much a presence in this film, at times too much so. The title is properly read with the emphasis on the "my," and the work itself is a plea, understandable but disconcerting at times in its nakedness, to be linked irrevocably to his father.
  5. In My Skin
    Spectacularly grotesque and literally nauseating, even for this usually intrepid moviegoer, In My Skin is among the more disturbing films in this blood-drenched cinematic season.
  6. Gloomy Sunday
    A beautiful period piece, set against one of the world's glorious cities, adding poignancy. Twists and turns heighten a gradually accruing effect, building to a risky moment of truth, a coup de théâtre that is as daring as it is satisfying.
  7. Elf
    Directed by Jon Favreau from a script by David Berenbaum, Elf returns to the hip but warm-hearted spirit of "Swingers," which Favreau both wrote and starred in. It brings sophisticated glee and a sense of innocent fun to what could have been a moribund traditional family film.
  8. Love Actually
    Though it would be dishonest to call this an unqualified success, it would be churlish not to tip the hat to Love Actually's genuine charm.
  9. The Matrix Revolutions
    How did something that started out so cool get so dorky?
  10. The Revolution Will Not Be Televised
    Their (Kim Bartley and Donnacha Ó Briain ) remarkable true-life footage makes this 74-minute film as potent as behemoths twice its size.
  11. Suspended Animation
    A bold and unqualified triumph, nifty trick and treat for Halloween that is, arguably, Hancock's best film ever, surpassing even his potent heart-tugger, the 1973 baseball drama "Bang the Drum Slowly."
  12. Die, Mommie, Die!
    With his hilarious spoof Die Mommie Die! Charles Busch takes the melodramatic woman's picture of the '40s and '50s to delirious extremes.
  13. Shattered Glass
    What is a most pleasant surprise is how emotionally involving a story writer-director Billy Ray has fashioned, how he's turned Shattered Glass into a film for anyone who cares about strong drama.
  14. The Human Stain
    Etched in acid, stoked by wrath, it is one of those big-ideas novels that fits perfectly in human hands, where it can be savored over time or wrestled with page by page. But big ideas don't always size down for movie screens.
  15. Eyes Without a Face [re-release]
    Disturbing, disorienting, quietly terrifying, it's one of the least known of the world's great horror movies and, in its own dark way, a startlingly beautiful and artful piece of cinema as well.
  16. Girlhood
    The impulse to end on an "up" note, to turn complex and contradictory lives into palatable narratives, is one of the least-examined pitfalls in nonfiction filmmaking. But in her attempt to give their lives a shape that the girls themselves seem to resist, this talented filmmaker has done both herself and them a disservice.
  17. The Singing Detective
    Too flat and academic to come alive. The film's lack of dimension tends to render much of it banal, and Downey's lengthy harangues, as beautifully wrought as they are, are overly literary, which serves to make this intricate film seem all the more contrived.
  18. Radio
    A gentle film yet develops increasing dramatic tension beneath its easygoing, fair-minded surface.
  19. Brother Bear
    Does have a satisfying ending and it's nice to see a G-rated film without bathroom humor, but there is too much formula and not enough reason to pay attention here.
  20. Elephant
    Working with cinematographer Harris Savides and serving as the film's editor, he (Van Sant) has fashioned a visual style and a narrative shape that has the quality of a waking dream, then a nightmare. Rarely do form and content add up with such harmonious grace and power.
  21. Scary Movie 3
    It is consistently entertaining and frequently hilarious, the violence of the slapstick so cartoonish that it does not spoil the fun.
  22. Beyond Borders
    The hard truth is that the line between being deadly earnest and unintentionally silly is thinner than these people think, and Beyond Borders turns out to be an unreal film about a real situation, unavoidably cartoonish, as was the earlier "Tears of the Sun," in its attempt to join crucial issues to ridiculous melodrama.
  23. Last Party 2000
    Highly entertaining and thought-provoking, but also frustrating -- which, ultimately, might be the point.
  24. In the Cut
    Jane Campion's astonishingly beautiful new film may be the most maddening and imperfect great movie of the year.
  25. Sylvia
    Aside from Paltrow's performance, Sylvia is neither a film so spectacular it shouldn't be missed nor something so tepid you have to stay away.
  26. Veronica Guerin
    What's especially disheartening is the large gap between what's on the screen and the significant, meaningful work its creators sincerely believe they've made.
  27. Runaway Jury
    The spirit of the law will be upheld (this being Hollywood), but only after everyone has had plenty of nasty fun (this being Hollywood).
  28. The Texas Chainsaw Massacre
    There's nothing wrong with remakes, but as this movie amply proves, there's often nothing right about them, either
  29. Returner
    Like all good B-movies, Returner comes loaded with enough eccentric touches to give the recycling a whiff of freshness and, as is often the case with many above-par follies, it's the cast that takes the whole thing to another level.
  30. Pieces of April
    It turns out to be an especially warm comedy with a hidden heart. It's a film whose humor has feeling behind it because writer-director Peter Hedges doesn't let his comedy overpower an understanding of how emotionally weighted family situations are always going to be.
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