Los Angeles Times' Scores

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For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,699 out of 16526
  2. Mixed: 5,810 out of 16526
  3. Negative: 2,017 out of 16526
16526 movie reviews
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  1. I Am Legend
    Slick, adrenaline-fueled fun.
  2. The Kite Runner
    The Kite Runner is a house divided against itself. The Marc Forster-directed version of the Khaled Hosseini novel does one part of the story so well that its success underlines what's lacking in what remains.
  3. Look
    With its emphasis on its interweaving stories, the movie offers no commentary on the phenomenon of increasingly pried-apart privacy, positive or negative. Not that Look needs to be political, or even particularly deep, but that nonexamination, coupled with lack of real insight into the characters, leaves one sensing an opportunity missed.
  4. Youth Without Youth
    Ultimately, Youth Without Youth is more intriguing than it is satisfying. It hooks you, then lets you flounder.
  5. Half Moon
    An eloquent and audacious lament.
  6. Atonement
    This is one of the few adaptations that gives a splendid novel the film it deserves.
    • 45 Metascore
    • 30 Critic Score
    The Amateurs
    There are no laughs to be found in writer-director Michael Traeger's would-be comedy The Amateurs, but there is one big mystery: how actors of this caliber could have been convinced to take part.
  8. Dirty Laundry
    Overwritten and under-directed by Maurice Jamal, the movie contains several honest moments but remains too awash in clichés and stereotypes to take seriously.
  9. The Golden Compass
    Ultimately satisfying and successful version of the opening volume of the celebrated "His Dark Materials" trilogy.
  10. Looking for Cheyenne
    The film, adeptly directed by Valerie Minetto (from a script she wrote with Cecile Vargaftig), suffers from some awkward subtitling and a few ineffective fantasy bits but is otherwise provocative and well-acted. This one's worth looking for.
  11. Grace Is Gone
    An emotionally rich and satisfying drama featuring a terrifically understated performance from John Cusack.
  12. Revolver
    The result is a film that's main crime is inducing stupefying boredom with little payoff in the end.
  13. The Walker
    The whole thing feels fusty and forced.
    • 44 Metascore
    • 50 Critic Score
    Man in the Chair
    Though they can't transcend writer-director Michael Schroeder's pointed contrivances, the actors tap into something achingly true in this valentine to Hollywood's below-the-line crafts people and society's castoffs.
  15. Juno
    Deceptively superficial at the outset, the movie deepens into something poignant and unexpected.
  16. Billy the Kid
    a movie about adolescence unlike any other; An intimate portrait of a singular personality in the making and a stark look at our culture of suspicion and conformity.
  17. The Diving Bell and the Butterfly
    Simultaneously uplifting and melancholy, suffused with an unexpected sense of possibility as much as the inevitable sense of loss.
  18. Awake
    Trashily in-your-face thriller, which leans heavily for its effects on intense sympathy pain, improbable reversals and the mystifying star appeal of Jessica Alba.
  19. Oswald's Ghost
    Stone covers territory all too familiar to most Americans old enough to remember the JFK assassination.
  20. Protagonist
    Yu's film may be challenging to synopsize, but it's thoroughly engrossing and wildly surprising.
  21. Badland
    It unflinchingly illuminates the toll exacted by the Iraq War in a raw, deeply personal and completely compelling manner.
  22. The Savages
    A brutal encounter with mortality told with uncommon humanity, wit and humor.
  23. Starting Out in the Evening
    Intelligent, involving and conspicuously adult, Starting Out in the Evening is almost shocking in its distinctiveness, its ability to create high drama from an unlikely source.
  24. Midnight Eagle
    A stupor-inducing, would-be thriller from Japan whose sporadic action and inept storytelling is as generic as its title.
  25. August Rush
    Feels like the cinematic equivalent of being stuffed with fruitcake and doused with a gallon of egg nog, so if that's the sort of thing you go in for around the holidays . . .
  26. Enchanted
    Enchanted is as good as its name.
  27. I'm Not There.
    A challenging film, one that I suspect can only benefit from multiple viewings. The success of its approaches varies, but its intent is unfailingly interesting.
  28. Nina's Heavenly Delights
    There are a few surprising flavors in Nina's Heavenly Delights, but it's more of a samosa than a meal. The ceiling is set pretty low when characters start exhorting each other to "follow your heart." Which they do, early and often.
  29. Beowulf
    Beowulf appears so cartoony, in fact, that the academy just put it on the short list of films to be considered for the Oscar in feature animation.
  30. Love in the Time of Cholera
    That, after all these years of playing hard-to-get, the novel has made it to the screen in the form of a plodding, tone-deaf, overripe, overheated Oscar-baiting telenovela smacks of just the kind of deliciously ironic prank an 80-year-old Colombian Nobel laureate could really get behind.
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