Los Angeles Times' Scores

For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16526 movie reviews
  1. For all its sad moments, Romulus, My Father is a love story between father and son kept aloft by unalloyed admiration.
  2. Harrelson and Maura Tierney, who plays Monix's love interest, seem to be inhabiting a different, more interesting, movie, one that follows the familiar path of a has-been athlete seeking redemption at what looks like his last stop. The strange thing is that the subplot is so tangential to the rest of the movie that the scenes could be omitted with no one the wiser.
  3. Though The Unforeseen has a few too many clips of Robert Redford, its environmentalist executive producer, its strength is its realization that these unforeseen developments are making few people happy.
  4. Chop Shop"exudes a sense of joyousness amid harshness. Bahrani celebrates those who never give up, no matter how badly their dreams are shattered.
  5. For the most part, it's an uneven if amiable and occasionally inspired comedy about getting through adolescence that hits some false notes along the way.
  6. Sweet-natured and likable as the movie is, it never really delivers on the promise of its ingenious premise, which hints at a subversive retelling of mainstream Hollywood movies but stops short at goofy homage.
  7. The Counterfeiters demonstrates that no matter how many Holocaust stories the movies tell, there are always new and unexpected ones waiting to be revealed.
  8. The truth is that two other films with Greengrass' name on them, "The Bourne Supremacy" and "The Bourne Ultimatum," have spoiled us for this kind of thriller filmmaking, and stacked against that, Vantage Point doesn't have a chance.
  9. Jacques Rivette has brought the Balzac short story to screen as a superb chamber drama. His is a graceful work of austerity and formality that perfectly captures the chaos of repressed emotions that see beneath the rigid conventions of aristocratic society.
  10. The story possesses a true depth of character; there is every reason to hope that Anno’s multiple meanings become increasingly clear in the subsequent installments.
  11. The movie suffers from the same malaise Romero diagnoses in society. It's just too mediated to be scary, despite its zeal for gore. You can't feel the characters' fear, and they don't seem to feel it either.
  12. A sweet and somber film that works hard to overcome its limitations.
  13. This is a film bound and determined to do whatever it takes to be your Valentine. If it had trusted itself more, it might even have succeeded.
  14. Jumper is all high concept with little invested in characters or story.
  15. Suffers slightly from that not-so-fresh feeling.
  16. Both sweet-natured and sharply pointed, a film whose poignant, emotional effects and subtle acting sneak up on you.
  17. It's a big, cheesy, familiar bore. With its garland of set pieces featuring Matthew McConaughey in mortal danger strung together by beach-groovy musical hooks, Fool's Gold feels at times like a third-rate Bond movie set to a Jimmy Buffett album.
    • 7 Metascore
    • 0 Critic Score
    It's not like Paris Hilton to rise above her material, but The Hottie and the Nottie sinks so low that all she has to do is stand upright.
  18. A dark comedy with a melancholy streak and punchy sense of humor.
  19. Surprisingly endearing and chock-full of a genuine appreciation of the moment.
  20. A near continuous assault of clichés, Welcome Home Roscoe Jenkins doesn't become truly bothersome until its denouement, when it attempts to wring unearned sentiment from the inevitable, awkwardly staged family rapprochement.
  21. A Walk to Beautiful will leave you speechless two times over -- first with despair, then with joy. Neither unmentionable subject matter nor nonexistent commercial prospects can keep this documentary from having a power over your heart that is unparalleled.
    • 40 Metascore
    • 40 Critic Score
    A middling, if stylish, psychological thriller making a perfunctory big-screen pit stop before its DVD release next week.
  22. It is sweet but not saccharine, an intimate film that doesn't stint on the desperation and anxiety that go along with the search for love.
  23. The Irish-pretty Cyrus exudes a goofball vitality and sunny work ethic that ultimately wins you over, despite the slickness of her vehicle. The 3-D camera throws drumsticks and confetti in our faces, but the technical effects seem superfluous to the star's bona-fide energy.
  24. For what is essentially a screwball comedy, Over Her Dead Body is surprisingly uninspired, a frothy concept that offers little satisfaction in the way of execution.
  25. Despite the presence of funny guys such as Zahn, Garlin, Justin Long and Jonah Hill, along with veteran character actors Ernest Borgnine, Joe Don Baker and Robert Patrick, the movie fails to be even passably funny.
  26. The tone of The Witnesses is one of randomness. This makes for an ambling narrative, but an atmospheric one that feels authentic despite its unlikely character pairings.
  27. Moved to take charge by something like chivalry, Rambo hits his stride in the film's second half, meting out justice in an unjust world and ultimately the movie works best when warbling its out-of-tune greatest hits.
  28. If Dick Wolf is interested in doing a "Law & Order: Cyber Crimes," he could do worse than to follow the lead of Untraceable, a diverting police procedural about an FBI unit tasked with sleuthing the Internet for mouse-wielding bad guys.

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