Los Angeles Times' Scores

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For 16,536 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,706 out of 16536
  2. Mixed: 5,813 out of 16536
  3. Negative: 2,017 out of 16536
16536 movie reviews
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  1. Kiss the Bride
    A poignant, ambitious romantic comedy that overreaches its premise with a hopelessly convoluted denouement; it plays like a last-minute attempt to pad out Tori Spelling's part to justify her star billing.
  2. The Life Before Her Eyes
    Though atmospheric and occasionally suspenseful, its gimmickry keeps it from being transcendent.
  3. Pathology
    A nasty, naughty little film, a delightfully disagreeable horror-thriller.
  4. Where in the World Is Osama Bin Laden?
    Filmmaker-gadfly Morgan Spurlock is back with the warm, amusing -- and decidedly mistitled -- "Where in the World Is Osama bin Laden?"
  5. Zombie Strippers!
    Zombie Strippers is a B-movie whose ideas and wit set it well above the great unwashed of the genre.
  6. Expelled: No Intelligence Allowed
    As a work of nonfiction filmmaking it is a sham and as agitprop it is too flimsy to strike any serious blows.
  7. Anamorph
    Director H.S. Miller thinks he's made something broodingly visionary when you're more likely to be aesthetically shaken up by one of Mad magazine's Fold-Ins.
  8. The First Saturday in May
    Filmmakers Brad and John Hennegan follow six horses and their trainers through the arduous 2006 race season, building up to the Derby, but they are never able to find the balance between insider wonkery and genuine human (or animal) drama.
  9. Dark Matter
    It is easy to see the film as two movies crammed together, neither of them being very good.
  10. Prom Night
    This is as listless, mindless and utterly useless a piece of corporate brain-clog as one is likely to come across for quite some time.
  11. The Visitor
    An unassuming but quietly heartbreaking drama.
  12. Chaos Theory
    Not exactly bad, but it disappointingly never really discovers the movie that it wants to be.
    • 67 Metascore
    • 70 Critic Score
    The Take
    If you were going to show what happens to a man who loses the best part of himself, you'd want to cast John Leguizamo, who has spent his career leaping from one extreme characterization to another.
    • 55 Metascore
    • 70 Critic Score
    Bra Boys
    The contrast between grainy videos of street fights and gorgeous scenes of the same boys conquering enormous waves is simultaneously inspiring and sad. Imagine a world in which gang members looked forward to singing in the Sunday choir.
  15. Jack and Jill vs. the World
    Bubbly to the point of indigestion and mechanical about ticking off the romantic trajectory.
  16. Smart People
    It's the kind of observational comedy, that'll be hard to find come summertime and should be enjoyed while there's still a chance.
    • 36 Metascore
    • 30 Critic Score
    Remember the Daze
    If you swiped the most insipid dialogue of the teenage-angst movies of John Hughes and Kevin Smith and Amy Heckerling, you would still have a script -- and a movie -- far superior to the newest of the genre, Remember the Daze.
  18. Body of War
    Politics recede in the face of the realities of Young's life, and Spiro and Donahue would have succeeded in making the same point had they omitted all but his day-to-day existence. Together, however, they comprise a powerful indictment of the tactical politics that led to the invasion and a heartbreaking account of one man's living with the aftermath.
  19. Young@Heart
    This may sound like a suspect enterprise, a musical gimmick impossible to embrace, but the reality is otherwise. For what the members of this uncanny chorus lack in pure ability they make up for in irrepressible spirits and a desire to simply have fun.
  20. Flight of the Red Balloon
    The camera is so unobtrusive and the acting so naturalistic that it takes a while for a narrative to emerge. When it finally does, you're surprised to find you're deeply invested in the characters.
  21. Meduzot
    Yes, Jellyfish says, it's a wonderful life, not in that old-fashioned style we've perhaps tired of but in a surprising new and magical way all its own.
  22. Leatherheads
    Leatherheads proceeds agreeably, hitting occasional high notes when it isn't getting bogged down in forced slapstick hi-jinks.
  23. Meet Bill
    It isn't any good.
  24. My Blueberry Nights
    The use of recognizable movie stars doesn't help, r serve Wong's style. My Blueberry Nights" should have played like a memory, but its hard-living, luckless losers are too beautiful to be believed.
    • 55 Metascore
    • 50 Critic Score
    Nim's Island
    The premise, from the book by Wendy Orr, is terrific, but the execution seems designed to make all but the youngest viewers fling copies of the book at the screen in frustration.
  26. The Ruins
    The characters never evolve past mere functionality, and the adherence to certain tried-and-true horror tropes -- the good girl who doesn't want to go but does, the generic naughty kids who get it first -- feels workmanlike, robbing the story of any real suspense or surprise.
  27. Shine a Light
    Shine a Light may not be the last Rolling Stones movie, but it's likely to be the last one with a touch of the poet about it.
  28. Water Lilies
    The elegant Water Lilies is not about answers but about discovery of self and of others in all its pain and pleasure.
  29. Tuya's Marriage
    Thoroughly gratifying in its consistent inventiveness and has a grasp of human nature so universal that there's no feeling of the exotic about the film and its people.
  30. Run, Fatboy, Run
    Snarkiness and sentiment are in constant battle for supremacy throughout Run, Fat Boy, Run with no chance of a comfortable draw.
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