For 16,536 reviews, this publication has graded:
-
56% higher than the average critic
-
6% same as the average critic
-
38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
-
Positive: 8,706 out of 16536
-
Mixed: 5,813 out of 16536
-
Negative: 2,017 out of 16536
16536
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Robert Abele
Price keeps the humor believably shallow and the movie from getting too far from the aim of chronicling an exclusivity junkie's fall.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Del Toro is almost alone in his ability to re-create on screen the wide-eyed exhilaration and disturbing grotesqueness that is the legacy of reading comics on the page.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Jan Stuart
Ultimately, Journey to the Center of the Earth's minor-league visual pleasures will be most enjoyed by those with the smallest number of celluloid reference points, preferably those who have started going to the movies after "Jurassic Park" or, better yet, the Harry Potter films.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Critic Score
Pays lip service to the joys of exploring new worlds, but it never steps off the tour bus.- Los Angeles Times
- Read full review
-
-
Reviewed by
Gary Goldstein
Though the film could've used more technical insight into Pearl's artistic process, it's hard not to be stirred by this hopeful portrait.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Olsen
Any film that uses the Stooges' drone-y song "We Will Fall" to underscore a drug-love scene can't be all bad, but they, as apparently does Uschi, deserve better than this.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Although competently acted and directed, lacks a fresh point of view and its people lack individuality.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
Far more diverting and well crafted than its promotion-free release campaign might suggest. Then again, for a film largely based on the notion that "nothing is what it seems," such lowered expectations may actually work in its favor.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
An intelligent adult drama that's especially relevant in these harsh economic times.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
Burstyn gets to use her full bag of tricks to bring this crabby, hard-knocks survivor to life. Though she's aged 15 unflattering years, forced into awful old lady clothes and her character teeters on unsympathetic, the actress manages a rich, vanity-free performance, perhaps her best since "Requiem for a Dream."- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Abele
Where "Superbad" found something raucously winning in hanging with adolescence's loser elite, Harold is a disingenuous, one-note underdog portrait.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Instead of pushing for tough answers to difficult questions, this film is content to mythologize Thompson's bad-boy behavior, celebrating things like his willingness to drink a bottle of bourbon a day and go hunting with a submachine gun.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
Director Rosser Goodman makes the crucial decisions facing Trevor suspenseful and involving -- and tinged with humor as well as pathos.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Abele
A dark piece of whimsy that enchants and befuddles in equal measure.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Jan Stuart
All of the actors convey the ebullience of old friends convening for an on-the-cheap reunion. The shared good spirits result in a diminutive comedy with a bounty of charm and shrewd humor.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Jan Stuart
Emulating its hero's recklessly independent spirit, The Wackness aspires to be something more than your average psychiatrist-bashing, dysfunctional-parents coming-of-age dramedy à la "Running With Scissors." It snows us with more visual flash than it knows what to do with.- Los Angeles Times
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Author Coben, who says he is a fan of "stories that move you, that grab hold of your heart and do not let it go," has gotten a film that does exactly that.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
It's a strange feeling to see the summer's most promising premise self-destruct into something bizarre and unsatisfying, but that is the Hancock experience.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Olsen
The problem comes largely in the conception of the hooker-niece character, Amanda, played by Brittany Snow. Tolan never quite figures out whether she is supposed to be a variation on the hooker-with-a-heart-of-gold or a genuinely troubled teen.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Daring and traditional, groundbreaking and familiar, apocalyptic and sentimental, Wall-E gains strength from embracing contradictions that would destroy other films.- Los Angeles Times
- Read full review
-
Reviewed by
-
- Critic Score
Wanted's hyperkinetic antics are sometimes weighed down by a surfeit of adolescent misanthropy. But the adrenaline-overdose strategy works for viewers as well as hit men. As long as Bekmambetov keeps the pedal to the metal, you don't notice the rotten scenery outside.- Los Angeles Times
- Read full review
-
-
Reviewed by
Gary Goldstein
It's sure to satisfy the film's target youth audience's appetite for zippy visuals and swift pacing.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
An unconventional film about an unconventional man. Part documentary, part expertly staged readings, it focuses on the unquiet life and unforgettable words of screenwriter Dalton Trumbo, someone who, as his son puts it, never had to go looking for trouble because it always came to him.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kevin Thomas
The film may be fearlessly sentimental, but it is sturdy enough to provide rewarding major roles for two veterans, who are of an age when such starring parts are rare.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Abele
The Catherine Breillat-directed period piece is an extreme cinematic pleasure, a well-told yarn of merciless desire.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Abele
This is the kind of movie in which characters revere poetry, yet hardly anything about the writing (it's based on a stage play by Joseph O'Connor) or directing (by Tamar Simon Hoffs) qualifies as poetic.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Get Smart neglects the laughs and amps up the action, resulting in a not very funny comedy joined at the hip to a not very exciting spy movie. Talk about killing two birds with one stone.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Jan Stuart
The film's sunniest moments occur whenever song preempts all the fighting and smirking. Myers leads the cast in sitar-accompanied covers of such Bollywood favorites as "9 to 5" and Steve Miller's "The Joker," revealing a glimmer of the cross-cultural romp that could have been.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Jan Stuart
Brick Lane has been whittled down from Monica Ali's expansive 2003 novel into a glossy but overly efficient drama that, like Nazneen's husband, is ultimately too ineffectual to make much of a dent.- Los Angeles Times
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Ordoña
This can be strong stuff for kids, but the film's humanistic approach preaches tolerance and hope.- Los Angeles Times
- Read full review
-
Reviewed by