For 16,536 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,706 out of 16536
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Mixed: 5,813 out of 16536
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Negative: 2,017 out of 16536
16536
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kenneth Turan
Walker was the best choice to document this journey. For one thing, her first film, "Devil's Playground," and its examination of how Amish teenagers react when confronted with the outside world, showed her to be both curious and fearless. Plus, it turns out she is herself blind in one eye.- Los Angeles Times
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Reviewed by
Kevin Crust
Morelli uses plentiful flashbacks drawn from the earlier movie and television series that are at times intrusive to the narrative but eventually serve to deepen the relationship of Ace and Laranjinha.- Los Angeles Times
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Reviewed by
Carina Chocano
The wave-like "Rashomon" structure of the story, combined with the steady pace and moody look of Vivere are lulling, but in the end the situation is neither believable nor fantastic enough to be very compelling.- Los Angeles Times
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Reviewed by
Kevin Thomas
Scarcely original and in no way earthshaking, but its notable cast is a pleasure to behold.- Los Angeles Times
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Reviewed by
Carina Chocano
Morgen's decision to avoid talking heads recounting events and find a way to dramatize them instead is consistent with his intention for the film. The director wants to bring recent history to life for people who weren't around to witness it, and in that he succeeds pretty admirably.- Los Angeles Times
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Reviewed by
Kenneth Turan
Not content to be a mildly diverting royal bodice-ripper, it spirals out of control into the kind of overwrought dramaturgy that's out of its league.- Los Angeles Times
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Reviewed by
Gene Seymour
There's no real rigor or craft applied to this story -- just mood, tone, neo-gothic imagery and frantic attitude. If only Penelope knew what it truly wished to be and how to go about it. Which is probably what this overly coy fantasy's modestly appealing title character wishes as well.- Los Angeles Times
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Reviewed by
Carina Chocano
For all its sad moments, Romulus, My Father is a love story between father and son kept aloft by unalloyed admiration.- Los Angeles Times
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Reviewed by
Kevin Crust
Harrelson and Maura Tierney, who plays Monix's love interest, seem to be inhabiting a different, more interesting, movie, one that follows the familiar path of a has-been athlete seeking redemption at what looks like his last stop. The strange thing is that the subplot is so tangential to the rest of the movie that the scenes could be omitted with no one the wiser.- Los Angeles Times
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Reviewed by
Kenneth Turan
Though The Unforeseen has a few too many clips of Robert Redford, its environmentalist executive producer, its strength is its realization that these unforeseen developments are making few people happy.- Los Angeles Times
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Reviewed by
Kevin Thomas
Chop Shop"exudes a sense of joyousness amid harshness. Bahrani celebrates those who never give up, no matter how badly their dreams are shattered.- Los Angeles Times
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Reviewed by
Carina Chocano
For the most part, it's an uneven if amiable and occasionally inspired comedy about getting through adolescence that hits some false notes along the way.- Los Angeles Times
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Reviewed by
Carina Chocano
Sweet-natured and likable as the movie is, it never really delivers on the promise of its ingenious premise, which hints at a subversive retelling of mainstream Hollywood movies but stops short at goofy homage.- Los Angeles Times
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Reviewed by
Kenneth Turan
The Counterfeiters demonstrates that no matter how many Holocaust stories the movies tell, there are always new and unexpected ones waiting to be revealed.- Los Angeles Times
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Reviewed by
Kenneth Turan
The truth is that two other films with Greengrass' name on them, "The Bourne Supremacy" and "The Bourne Ultimatum," have spoiled us for this kind of thriller filmmaking, and stacked against that, Vantage Point doesn't have a chance.- Los Angeles Times
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Reviewed by
Kevin Thomas
Jacques Rivette has brought the Balzac short story to screen as a superb chamber drama. His is a graceful work of austerity and formality that perfectly captures the chaos of repressed emotions that see beneath the rigid conventions of aristocratic society.- Los Angeles Times
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Reviewed by
Kevin Thomas
The story possesses a true depth of character; there is every reason to hope that Anno’s multiple meanings become increasingly clear in the subsequent installments.- Los Angeles Times
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Reviewed by
Carina Chocano
The movie suffers from the same malaise Romero diagnoses in society. It's just too mediated to be scary, despite its zeal for gore. You can't feel the characters' fear, and they don't seem to feel it either.- Los Angeles Times
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Reviewed by
Kenneth Turan
A sweet and somber film that works hard to overcome its limitations.- Los Angeles Times
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Reviewed by
Kenneth Turan
This is a film bound and determined to do whatever it takes to be your Valentine. If it had trusted itself more, it might even have succeeded.- Los Angeles Times
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Reviewed by
Kevin Crust
Jumper is all high concept with little invested in characters or story.- Los Angeles Times
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Carina Chocano
Suffers slightly from that not-so-fresh feeling.- Los Angeles Times
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Reviewed by
Kenneth Turan
Both sweet-natured and sharply pointed, a film whose poignant, emotional effects and subtle acting sneak up on you.- Los Angeles Times
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Reviewed by
Carina Chocano
It's a big, cheesy, familiar bore. With its garland of set pieces featuring Matthew McConaughey in mortal danger strung together by beach-groovy musical hooks, Fool's Gold feels at times like a third-rate Bond movie set to a Jimmy Buffett album.- Los Angeles Times
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It's not like Paris Hilton to rise above her material, but The Hottie and the Nottie sinks so low that all she has to do is stand upright.- Los Angeles Times
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Reviewed by
Carina Chocano
A dark comedy with a melancholy streak and punchy sense of humor.- Los Angeles Times
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Reviewed by
Kevin Crust
Surprisingly endearing and chock-full of a genuine appreciation of the moment.- Los Angeles Times
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Reviewed by
Kevin Crust
A near continuous assault of clichés, Welcome Home Roscoe Jenkins doesn't become truly bothersome until its denouement, when it attempts to wring unearned sentiment from the inevitable, awkwardly staged family rapprochement.- Los Angeles Times
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Reviewed by
Kenneth Turan
A Walk to Beautiful will leave you speechless two times over -- first with despair, then with joy. Neither unmentionable subject matter nor nonexistent commercial prospects can keep this documentary from having a power over your heart that is unparalleled.- Los Angeles Times
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A middling, if stylish, psychological thriller making a perfunctory big-screen pit stop before its DVD release next week.- Los Angeles Times
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