Los Angeles Times' Scores

For 16,536 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16536 movie reviews
  1. It's a frustrating complication of a movie with a sprawling story and grand ambitions -- and some truly grand acting -- that stumbles almost as often as it soars. Bummer.
  2. Clocking in at 2 hours and 32 minutes, it is unforgivably leisurely, almost glacial, a film that loses its way in the thickets of alternative history and manages to be violent without the start-to-finish energy that violence on screen usually guarantees.
  3. For all of its cutting cynicism, "Dad" proves unexpectedly moving in its portrait of a middle-aged man leaving childish things behind.
  4. A joyless fluffball about after-college job woes with a dispiriting message for smart young women.
  5. The problem with Shorts is in the execution. The blown-up plot line at times derails even the little ones, the many fine comedic grown-ups are mostly squandered, and the "message" part of the movie feels like it was thrown together during detention, resulting in a wrap-up that is rushed and cloyingly PC.
  6. A fascinating hybrid of a film. Even though its purpose couldn't be more serious, its style could hardly be more pulp.
  7. Terrific performances and an array of kinetic action scenes help distinguish Fifty Dead Men Walking from the seemingly endless stream of films about Northern Ireland's infamous era of sectarian violence known as the Troubles.
  8. Ultimately, Five Minutes of Heaven is stronger as a whole than its individual parts. It's a well-performed piece that perhaps required a more calibrated hand than Hirschbiegel's proves here.
  9. An uneven thrill-circus display that too often feels like TV writ large and loud rather than the kind of cinematic reimagining that defined the surf-flick genre.
  10. One of the main treats of Art & Copy is that it allows us to revisit those classic ads, all of which are just as exciting now as they were when they first ran.
  11. The 1950s suit Zellweger, as does the film.
  12. Had it been crafted with a bit more depth and finesse, writer-director Piyush Jha's involving thriller Sikandar"might have had the potential to reach beyond the average Bollywood import's core audience. Still, the film boasts a significant story with several effective plot twists that make it worth a look.
  13. Van Peebles' persona and sensibility remain engaging, as do his way with his beguiling score and songs, but his film desperately needs tightening to eliminate tedious moments, especially in the African sequence.
  14. A comedy with just the right blend of satire, social comment, myriad complications, romance and heart-tugging to give it some deft shading and variety.
  15. This small gem of a movie always feels true and real as it gently reveals the quiet moments that define our lives.
  16. Not the supernatural horror picture its title suggests, but this subtle, elliptical film evokes its own kind of nightmarish situation.
  17. District 9 is very smart sci-fi, but that's just the beginning; it's also a scathing social satire hidden inside a terrific action thriller teeming with gross aliens and regrettable inter-species conflict. And it's a blast. . . .
  18. You'll be planning to see Ponyo twice before you've finished seeing it once. Five minutes into this magical film you'll be making lists of the individuals of every age you can expose to the very special mixture of fantasy and folklore, adventure and affection.
  19. When the film's fate rests on the alchemy of its stars, you really don't want to get that wrong. But here, chemistry is a problem, and it proves a significant one.
  20. The Goods motors along choking out enough lowbrow laughs to make for an agreeably nutty late summer ride.
  21. There is a sense of sadness around Earth Days, a sense that opportunities were not capitalized on, that not enough was done.
  22. Grace doesn't need a high body count to frighten, although its gore is stomach-turning. It's a horrifying meditation on the unbreakable union of mother and child.
  23. In nearly every moment, an incredibly rich mix of their music, groundbreaking, defining, which alone would almost be enough. That It Might Get Loud comes with a righteous story too is a lovely bonus.
  24. If only Spread were half as entertaining as a Van Halen video.
  25. A brilliant, often grotesquely bizarre allegory on life in Hungary from World War II to the present.
  26. To Twohy's credit, he does a decent job of keeping you guessing -- and interested -- until almost the very end.
  27. A consummate entertainment that echoes the rhythms and attitudes of classic Hollywood, it's a satisfying throwback to those old-fashioned movie fantasies where impossible dreams do come true. And, in this case, it really happened. Twice.
  28. Somewhere between the rabbit-hole absurdist comedy of Charlie Kaufman and a navel-gazing Woody Allen film is the somberly humorous indie Cold Souls.
  29. The action is mostly brisk and bracing and the battleground, particularly Cobra's headquarters -- a vast network of tunnels under the polar ice cap -- are wonderfully imagined, as are the futuristic machines at the Joes' disposal. Basically, the Joes are not bad, it's just that they could have been much better with a little less conversation, a little more action.
  30. Beeswax has a rhythmic quality, and it eschews conventional plotting for sharp observation of human strengths and foibles.

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