Los Angeles Times' Scores

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For 16,536 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,706 out of 16536
  2. Mixed: 5,813 out of 16536
  3. Negative: 2,017 out of 16536
16536 movie reviews
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  1. Eating Out: All You Can Eat
    Just as silly and tedious as the first two unconnected tales of young gay love -- but lots worse.
  2. Adventures of Power
    Adventures of Power just may teach the world that, as hard as it is to catch the wind, it's harder still to drum the air.
  3. Peter and Vandy
    Peter and Vandy has the decided disadvantage of arriving a couple of months after the similarly structured "(500) Days of Summer," a movie sporting a sunnier sheen, more appealing cast and an actual reason to care about the outcome.
  4. The Yes Men Fix the World
    An odd combination of righteous, raucous and rueful.
  5. Araya
    The 1959 film's style is dated, but it is visually glorious and tells a fascinating story.
  6. A Serious Man
    Writer-directors Joel and Ethan have seized the opportunity afforded by the Oscar-winning success of "No Country for Old Men," to make their most personal, most intensely Jewish film, a pitch-perfect comedy of despair that, against some odds, turns out to be one of their most universal as well.
  7. Whip It
    What makes Whip It a blast is the action in the rink. What gives Whip It heart is the pathos, pain and mettle-testing elements that accompany any serious athletic competition. It doesn't hurt that its diminutive star is surprisingly athletic and agile on the track.
  8. Zombieland
    First-time feature director Ruben Fleischer brings impeccable timing and bloodthirsty wit to the proceedings. Cinematographer Michael Bonvillain captures some interesting images amid the post-apocalyptic carnival of carnage, as when he transforms the destruction of a souvenir shop into a rough ballet.
  9. The Invention of Lying
    Ultimately it's the characters who are the joke -- too thin, too vacuous, too unlikable for us to care what happens in the next 30 minutes, much less for the rest of their lives. Too bad, really, because the truth is Gervais is a very funny guy. The ugly truth is that The Invention of Lying isn't -- funny, that is.
  10. More Than a Game
    A knockout of a sports documentary. Destined against its will to be known as "the LeBron James movie," it is all that, and a good deal more.
  11. As Seen Through These Eyes
    Any remembrance of Holocaust victims is, of course, a worthy endeavor and a historical priority.
  12. A Beautiful Life
    The whole thing plays like a bad Equity-waiver one-act.
  13. The Horse Boy
    Tthe film, which also contains brief interviews with several autism experts, proves an extraordinary journey of the heart and spirit, and a stirring testament to parenthood.
  14. Surrogates
    An interesting idea, but unfortunately, the film's narrative and emotional engine operate as mechanically as the titular, dead-eyed glamazoids.
  15. Paranormal Activity
    Peli works at mining the unknown, the unknowable, like a minimalist, using small moments and virtually no special effects exceedingly well.
  16. Pandorum
    Keeps its audience in the dark -- literally and figuratively -- far too long to be of much use besides as a patience-trying exercise in reference spotting.
  17. I Hope They Serve Beer in Hell
    The idea is that the guys' adventure proves transformative, but Tucker's dramatic I've-seen-the-light speech is charged with just the right degree of glibness to leave one skeptical.
  18. Coco Before Chanel
    A superior filmed biography that brings intelligence, restraint and style to what could have been a more standard treatment.
  19. The Boys Are Back
    The Boys Are Back is a bit like the parenting it portrays -- at times there is pain, mistakes will be made, but if you can get beyond that, there is pleasure to be found.
  20. Fame
    Someone has driven a stake through the heart and ripped out the soul of the 1980 original. The responsible parties, make that irresponsible parties, should be found, thrown in movie jail and not allowed within 50 feet of a set again. Ever.
  21. The Blue Tooth Virgin
    Hilarious, acutely knowing.
  22. Brief Interviews with Hideous Men
    The film is intelligent, well crafted and often funny, but it may not sufficiently reward even the brief time it asks one to spend with such hideous men.
  23. The Providence Effect
    If anything is missing from this inspiring film, it is a deeper examination of why, given how common-sensical these approaches are, so few other schools have been able to accomplish what Providence St. Mel's has.
  24. Mary and Max
    Mary and Max’s jauntiness fades into a sadness that culminates on a note of self-acceptance -- and a great gratitude for the sustaining, redemptive power of friendship.
  25. Capitalism: A Love Story
    Moore's scattershot is a lot more interesting than some filmmakers' focus, and many of those individual parts are classic.
  26. Irene in Time
    Like its central character, Henry Jaglom's 16th feature is gangly and graceful, awkward and tender, a jumble of astute observation and clunkily heightened reality.
  27. In Search of Beethoven
    A splendid work that will be a revelation to the uninitiated and a joy to music lovers.
  28. The Informant!
    While this film fits squarely into Soderbergh's recurrent goal of ignoring audience interest when possible, that's the only area in which it can be considered a success.
  29. Cloudy with a Chance of Meatballs
    The movie's humor targets both kids and grown-ups with equal success, but, even with the presence of a mustache-fixated monkey, the main attraction here is the movie's vibrant 3-D animation and its perfect storm of foodie-friendly sight gags.
  30. Love Happens
    That this superficial romance between a successful self-help author and a nurturing florist is also a film about overcoming the tragedy of losing a loved one only makes its clichéd insipidity that much more irksome.
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