Los Angeles Times' Scores

For 16,536 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16536 movie reviews
  1. Despite its obsession with décolletage, Bitch Slap is surprisingly puritanical (much teasing, no pleasing), substituting plentiful violence and a howlingly predictable "shock" ending for the payoff it promises.
  2. We don't go to Michael Haneke films for comfort, but to gaze through a glass darkly. That vision -- tense, provocative and unnerving -- is on full display in The White Ribbon, which could be considered a culmination of this difficult director's brilliant career.
  3. Despite Teardrop Diamond's rough edges, the filmmaker, who has spent much of her career acting on stage and screen, succeeds in transporting us back to that other time; capturing the lyricism of the dialogue and the fetid South that Williams so brilliantly envisioned where nearly everything goes to rot.
  4. There's a mystery at the heart of Sherlock Holmes, and it's not the one the great master of detection has been called on to solve. It's how a film that has so many good things going for it has turned out to be solid but not spectacular.
  5. As unusual and idiosyncratic as its one-of-a-kind title. You'd expect no less from Terry Gilliam, and admirers of this singular filmmaker will be pleased to know that "Imaginarium" is one of his most original and accessible works.
  6. The problem with It's Complicated, a romantic comedy about the menopausal crowd starring Meryl Streep, Alec Baldwin and Steve Martin, is that it's not nearly complicated enough.
  7. Perhaps not since "The Godfather: Part II" have we seen a sequel come along that more than matches the mastery of the film that came before it -- all the pathos, the brio, the epic sweep. . . . the cheese balls.
  8. Police, Adjective may not be the film you're expecting, but it's one that will stay on your mind.
  9. Grant has never been less charming and Parker never less fashionable or more grating than they are as Paul and Meryl Morgan.
  10. Avatar's shock and awe demand to be seen. You've never experienced anything like it, and neither has anyone else.
  11. Because Nine is a musical, it would help if your leading man could sing, and I don't mean carry a tune, but actually flex some vocal muscle. Again, love Daniel Day-Lewis, excellent racing shirtless through the forest, but a song-and-dance man he is not. So what does that leave Nine with? Well not much.
  12. This is a smartly told story, and as fresh as any contemporary romance.
  13. On a par with Bridges' acting, and a sine qua non for Crazy Heart's success, is the excellent music he sings.
  14. To really understand the zany and surreal comic madness of A Town Called Panic, you're going to have to see it for yourself.
  15. Instead of a thriller, war movie or western, the director has turned out a stirring drama about South African leader Nelson Mandela, blending entertainment, social message and history lesson.
  16. By turns warmly sentimental, serial-killer sinister and science-fiction fantastical, The Lovely Bones was an unlikely book to achieve worldwide success. In the film version, those mismatched elements come back to haunt the story, so to speak, making the final product more hit-and-miss than unblemished triumph.
  17. For the most part, Ford has done good by the film, infusing a sad story with warmth and humor to spare. While loss is what makes George's experience universal, heart is what gives him such life.
  18. Featuring a knockout performance by Adam Scott, The Vicious Kind upends the heavily tread dysfunctional family drama in ways that are unique, surprising and memorable.
  19. What is unexpected, however, is that the film manages to be flat and uninteresting, despite the juicy (or, at the very least, lurid) true story from 1979 that serves as this curio's inspiration.
  20. Up in the Air makes it look easy. Not just in its casual and apparently effortless excellence, but in its ability to blend entertainment and insight, comedy and poignancy, even drama and reality, things that are difficult by themselves but a whole lot harder in combination. This film does all that and never seems to break a sweat.
  21. For those who enjoy actors who can play it up without ever overplaying their hands, The Last Station is the destination of choice.
  22. Although the inept filmmaking and tiresome gags give the air of coming from one truly bored misogynist, it took two screenwriters (Patrick Casey, Worm Miller) and two directors (David & Scott Hillenbrand) to create this stake through the heart of film comedy.
  23. Sheridan seems as conflicted as the Cahills about their virtues and failings. The underlying themes -- love, loyalty, decency, duty, honor, betrayal -- that screenwriter David Benioff will use to both bind and break this family seem to bedevil him more than inspire him this time out.
  24. A solid heist flick elevated by its ensemble cast and the visual eye of Hungarian-born director Nimrod Antal ("Kontroll").
  25. As unpretentious as it is perceptive, Gigante is a gem.
  26. As a diverting way to blow 90 minutes, you could do far worse than this gritty, sometimes nasty, mostly absorbing potboiler.
  27. It's been a long time since Ryan has had a romantic comedy that gave her room to move and though the scale is smaller here, the humor blacker and Ryan well beyond the first blush phase, you'll be glad that Serious Moonlight came along.
  28. Paa
    The film is no more than a tedious, over-long Bollywood soap opera.
  29. There's certainly no energy surge in writer-director Jameel Khan's effort, which is a collection of lazy, look-who's-stupid-or-pathetic vignettes so loosely assembled and laugh-deficient they play as if you're thumbing through a sketch reject pile.
  30. Perched uncomfortably between flat whimsy and Lifetime movie crescendos, the coming-of-middle-age comic drama The Private Lives of Pippa Lee is rough going.

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