For 16,536 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,706 out of 16536
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Mixed: 5,813 out of 16536
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Negative: 2,017 out of 16536
16536
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael Ordoña
Despite its obsession with décolletage, Bitch Slap is surprisingly puritanical (much teasing, no pleasing), substituting plentiful violence and a howlingly predictable "shock" ending for the payoff it promises.- Los Angeles Times
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Betsy Sharkey
We don't go to Michael Haneke films for comfort, but to gaze through a glass darkly. That vision -- tense, provocative and unnerving -- is on full display in The White Ribbon, which could be considered a culmination of this difficult director's brilliant career.- Los Angeles Times
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Betsy Sharkey
Despite Teardrop Diamond's rough edges, the filmmaker, who has spent much of her career acting on stage and screen, succeeds in transporting us back to that other time; capturing the lyricism of the dialogue and the fetid South that Williams so brilliantly envisioned where nearly everything goes to rot.- Los Angeles Times
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Kenneth Turan
There's a mystery at the heart of Sherlock Holmes, and it's not the one the great master of detection has been called on to solve. It's how a film that has so many good things going for it has turned out to be solid but not spectacular.- Los Angeles Times
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Reviewed by
Kenneth Turan
As unusual and idiosyncratic as its one-of-a-kind title. You'd expect no less from Terry Gilliam, and admirers of this singular filmmaker will be pleased to know that "Imaginarium" is one of his most original and accessible works.- Los Angeles Times
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Betsy Sharkey
The problem with It's Complicated, a romantic comedy about the menopausal crowd starring Meryl Streep, Alec Baldwin and Steve Martin, is that it's not nearly complicated enough.- Los Angeles Times
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Betsy Sharkey
Perhaps not since "The Godfather: Part II" have we seen a sequel come along that more than matches the mastery of the film that came before it -- all the pathos, the brio, the epic sweep. . . . the cheese balls.- Los Angeles Times
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Reviewed by
Kenneth Turan
Police, Adjective may not be the film you're expecting, but it's one that will stay on your mind.- Los Angeles Times
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Betsy Sharkey
Grant has never been less charming and Parker never less fashionable or more grating than they are as Paul and Meryl Morgan.- Los Angeles Times
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Kenneth Turan
Avatar's shock and awe demand to be seen. You've never experienced anything like it, and neither has anyone else.- Los Angeles Times
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Betsy Sharkey
Because Nine is a musical, it would help if your leading man could sing, and I don't mean carry a tune, but actually flex some vocal muscle. Again, love Daniel Day-Lewis, excellent racing shirtless through the forest, but a song-and-dance man he is not. So what does that leave Nine with? Well not much.- Los Angeles Times
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Betsy Sharkey
This is a smartly told story, and as fresh as any contemporary romance.- Los Angeles Times
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Kenneth Turan
On a par with Bridges' acting, and a sine qua non for Crazy Heart's success, is the excellent music he sings.- Los Angeles Times
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Kenneth Turan
To really understand the zany and surreal comic madness of A Town Called Panic, you're going to have to see it for yourself.- Los Angeles Times
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Reviewed by
Kenneth Turan
Instead of a thriller, war movie or western, the director has turned out a stirring drama about South African leader Nelson Mandela, blending entertainment, social message and history lesson.- Los Angeles Times
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Kenneth Turan
By turns warmly sentimental, serial-killer sinister and science-fiction fantastical, The Lovely Bones was an unlikely book to achieve worldwide success. In the film version, those mismatched elements come back to haunt the story, so to speak, making the final product more hit-and-miss than unblemished triumph.- Los Angeles Times
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Betsy Sharkey
For the most part, Ford has done good by the film, infusing a sad story with warmth and humor to spare. While loss is what makes George's experience universal, heart is what gives him such life.- Los Angeles Times
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Gary Goldstein
Featuring a knockout performance by Adam Scott, The Vicious Kind upends the heavily tread dysfunctional family drama in ways that are unique, surprising and memorable.- Los Angeles Times
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Gary Goldstein
What is unexpected, however, is that the film manages to be flat and uninteresting, despite the juicy (or, at the very least, lurid) true story from 1979 that serves as this curio's inspiration.- Los Angeles Times
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Kenneth Turan
Up in the Air makes it look easy. Not just in its casual and apparently effortless excellence, but in its ability to blend entertainment and insight, comedy and poignancy, even drama and reality, things that are difficult by themselves but a whole lot harder in combination. This film does all that and never seems to break a sweat.- Los Angeles Times
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Kenneth Turan
For those who enjoy actors who can play it up without ever overplaying their hands, The Last Station is the destination of choice.- Los Angeles Times
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Robert Abele
Although the inept filmmaking and tiresome gags give the air of coming from one truly bored misogynist, it took two screenwriters (Patrick Casey, Worm Miller) and two directors (David & Scott Hillenbrand) to create this stake through the heart of film comedy.- Los Angeles Times
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Betsy Sharkey
Sheridan seems as conflicted as the Cahills about their virtues and failings. The underlying themes -- love, loyalty, decency, duty, honor, betrayal -- that screenwriter David Benioff will use to both bind and break this family seem to bedevil him more than inspire him this time out.- Los Angeles Times
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Glenn Whipp
A solid heist flick elevated by its ensemble cast and the visual eye of Hungarian-born director Nimrod Antal ("Kontroll").- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Gary Goldstein
As a diverting way to blow 90 minutes, you could do far worse than this gritty, sometimes nasty, mostly absorbing potboiler.- Los Angeles Times
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Betsy Sharkey
It's been a long time since Ryan has had a romantic comedy that gave her room to move and though the scale is smaller here, the humor blacker and Ryan well beyond the first blush phase, you'll be glad that Serious Moonlight came along.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Robert Abele
There's certainly no energy surge in writer-director Jameel Khan's effort, which is a collection of lazy, look-who's-stupid-or-pathetic vignettes so loosely assembled and laugh-deficient they play as if you're thumbing through a sketch reject pile.- Los Angeles Times
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Robert Abele
Perched uncomfortably between flat whimsy and Lifetime movie crescendos, the coming-of-middle-age comic drama The Private Lives of Pippa Lee is rough going.- Los Angeles Times
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