Los Angeles Times' Scores

For 16,536 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16536 movie reviews
  1. The result of Zhang's experimental theater will be a rich brew for some, weak tea for others - a divide that will largely depend on your taste for a blend that is lighter on the subtext and heavier on the slapstick.
  2. It's an undeniably small yet almost indefinable film, warmhearted and bittersweet, laced with both humor and tough emotions. Plus it has a kind of bicoastal appeal.
  3. The warm and charming White Wedding is like "The Hangover" off steroids. It's another get-me-to-the-church-on-time obstacle course but filled with smart social commentary, romantic wisdom, credible complications and memorable characters.
  4. While many of its elements whet our appetite and make the film well worth seeing, The American doesn't manage to deliver a fully satisfying meal. It's against the film's religion to have us believe too deeply in its characters, and that agnosticism, combined with the plot's sense of predestination, put a noticeable crimp in its grand ambitions.
  5. Did I mention the dialogue? Well, really the armored car driver put it best when he said, "We're in trouble here…" No joke.
  6. This is much more conventional cops and robbers stuff, leavened with a bit of sex and sequences of brutal, at times sadistic, violence. What elevates it above the norm is bravura acting by Vincent Cassel in the title role.
  7. As with many well-intentioned scare flicks, the wrapping-up feels dissipated and obvious, but for a good while The Last Exorcism makes for an atmospheric, character-rich stab at movie fright.
  8. Fast-moving, epic-on-a-shoestring tale of one Roman soldier's fight that is by turns heroic, fearsome, funny, fateful and, oh, so brutal, with swords hacking off heads at every turn.
  9. Solier delivers a performance of ferocious but frustrating reserve.
  10. There are no great emotional revelations about the fearless, free-spirited athletes profiled in the film, but these tanned-and-toned folks' deep love of surfing and mostly cheerful demeanors prove enjoyably infectious.
  11. Piranha 3D is trying so hard for the laughs and the allusions amid all the gore, and endless bloodbath of bare naked ladies, that it completely forgets to frighten anyone.
  12. Director Bruce Beresford ("Driving Miss Daisy") knows how to tug heartstrings but as he moves the inspirational material toward its tear-jerker finale, it's often hampered by awkward melodrama.
  13. The animals are impossibly adorable, but never threaten to upset the film's delicate balance between magic and a more sobering reality. It's a fairy tale in the best tradition.
  14. Aniston and Bateman keep things both light and dark when they should, and Robinson's Sebastian steals everyone's heart.
  15. A story that won't go away, won't leave you alone, won't let you feel at ease. Intensely dramatic, filled with elevated heroism, crass self-interest and blatant stupidity, it's a paradigmatic narrative of our tendentious, turbulent times.
  16. There's no denying that Soul Kitchen is a film that delights in contrivance and improbability, but it does so with such a big-hearted sense of fun that it is hard not to be swept away.
  17. If there is one constant in Eat Pray Love, the imperfect yet beautifully rendered adaptation of Elizabeth Gilbert's memoir on a year of heartbreak and healing starring Julia Roberts - it is this: There will be tears.
  18. If you want to see old-fashioned nonstop mayhem with stars so venerable that "The Leathernecks" (and I don't mean Marines) might be an alternative title, reviews are going to be superfluous. If you don't want to go, no review can change your mind.
  19. Though the fun is not so much in who wins or loses the girl - it's the playing that matters, and Scott Pilgrim vs. the World definitely has game.
  20. Faultlessly acted by top Australian talent, including Guy Pearce, Ben Mendelsohn and Jacki Weaver, Animal Kingdom marries heightened emotionality with cool contemporary style.
  21. The ambitious Peepli Live manages to mine substantial dark humor from this tragic situation while offering pointed - and sometimes poignant - social commentary in the process.
  22. It also features deaths by strangulation and immolation as well as a nasty bit with a flying severed limb.Kids may be less put off by all that, though, than by the film's uninspired hand-drawn animation, visual flatness and elongated running time.
  23. Lee's young actors shine with talent and personality, but the film's gravitas lies in the wisdom and insight of Angela's loving father, so beautifully played by the distinguished veteran James Shigeta.
  24. The result is a rich and detailed picture of the particular culture of this particular part of the South.
  25. An exhilarating summer treat for all ages.
  26. Here the filmmakers are in fine fettle, which goes a long way to make much of the low-brow silliness and slapstick infectious.
  27. Flipped is the kind of small, special movie that wraps you up in so much warmth, humor and humanity that it will leave you wishing that stories like this weren't so rare.
  28. A glum British kidnap movie in which writer-director J Blakeson manages to generate tension and some suspense, never rises above the mechanical and contrived, finally lapsing into the improbable.
  29. What happened to these men on that ascent is fascinating, though factors like differences in gear between 1924 and today means that definitively answering the question of how far Mallory climbed is not possible. Which seems, somehow, just as it ought to be.
  30. Consider Twelve its own memory-retarding narcotic.

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