Los Angeles Times' Scores

For 16,536 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16536 movie reviews
  1. While “32 Pills” is a devastating depiction of the effect suicide has on families, it’s more so a heartfelt tribute to her sister’s work and the connection that they shared.
  2. There’s no shortage of areas to explore in philosophy, science and religion, but The Man From Earth: Holocene would rather spend its time with unlikable characters than deal with complex concepts.
  3. A nearly three-hour talkfest that plays out in something close to real time may sound daunting on paper, but if you can make it past the opening shot, you will find yourself gripped for the duration.
  4. Scrape away the soggy one-liners, generic CGI and cheesy musical numbers and what remains has all the briny allure of reheated fry oil.
  5. Such is the intensity of Ceylan's vision that a perfectly natural, even casual, course of events, which is what the film consists of, makes Kasaba utterly compelling. [30 Sep 2004, p.E13]
    • Los Angeles Times
  6. RED
    Red can't stop itself from trying too hard to be hip. It's not that it doesn't have effective moments, it's that it doesn't have as many as it thinks it does. The film's inescapable air of glib self-satisfaction is not only largely unearned, it's downright irritating.
  7. Down Terrace is long on talk but generates its own internal rhythms and pace that makes it feel bracing and vibrantly alive.
  8. Hypnotic and sprawling five-hour-plus piece of cinematic genius.
  9. Despite much archival and news footage, along with ample face time from that initiative's most ebullient supporter, Gov. Arnold Schwarzenegger, the contest lacks the kind of inherent drama and tension that could have helped quicken the movie's measured pulse.
  10. Secretariat shows no fear of the sentimental, and that's putting it mildly. This is an old-fashioned, super-genteel family movie that opens with an equine quote from the Book of Job and makes ample use of the Edwin Hawkins Singers' gospel song "Oh Happy Day."
  11. For most, there will be no adrenaline rush from fear or thrill, or vicarious release from seeing tormentors tormented; one leaves feeling sad. Sad that this is what "entertainment" has come to. Come on, filmmakers. Can't you do better?
  12. It's Kind of a Funny Story is kind of a perfect coming-of-age comedy, with its bittersweet fun set loose in the adult psych ward of a Brooklyn hospital where this clever case of teenage depression, identity and self-esteem is examined.
  13. What you may not expect is quite how satisfying much of the film is, with Duhamel turning out to be a very good sparring partner for Heigl.
  14. There are so many ways in which Nowhere Boy, an emotionally raw and yet raucous, rockin' riff on John Lennon's turbulent teenage years, is such an entertaining piece of nostalgia.
  15. Sadly, there's not an ounce of tension or a single decent scare to be found amid any of this convoluted mayhem.
  16. While her latest, It's a Wonderful Afterlife, is affectionate and energetic, its comic premise seems too silly, and at times, too tedious, to hope for much cross-cultural appeal, despite a fine, committed cast.
  17. After watching Charles Ferguson's powerhouse documentary about the global economic crisis, you will more than understand what went down - you will be thunderstruck and boiling with rage.
  18. One can't help experiencing the same dread about the exhausting flood of lackluster horror films that swamp our screens and, as Case 39 unfolds, realizing we're enduring one more.
  19. Chain Letter is a nonsensical, bloody mess that, well, is missing a few links.
  20. Smartly written by Aaron Sorkin, directed to within an inch of its life by David Fincher and anchored by a perfectly pitched performance by Jesse Eisenberg, The Social Network is a barn-burner of a tale that unfolds at a splendid clip.
  21. Overall, these brief sections, which feature both authors on camera, come off more like self-congratulatory infomercials than they should.
  22. Greer's wallflower is bitter, and their respective families - played by Jean Smart, Malcolm McDowell, Cybill Shepherd and Chloë Sevigny - come off like a second-rate sitcom's castoffs.
  23. This underdeveloped, lackluster glance at brotherhood practically demands a response of "Is that all there is?" at its 70-minute fadeout.
  24. You don't go to this film for Sorkinesque repartee; you go for the world's longest chainsaw, or equal-opportunity genital mutilations, or very, very long bludgeonings. And here they are, in buckets.
  25. If Leaving is a romantic parable, it is a dark and depressing one, emphasizing not the sensuality of attraction but rather the obsessive side of romantic behavior. This is mad love for sure, and that is not usually a pretty picture.
  26. Unlike the similarly multi-strand "Valentine's Day," Hot Summer Days has heart, however overstated most of its action.
  27. If the bad guys didn't reappear with welcome regularity, "Money Never Sleeps" would be even more of a snooze than it already is.
  28. The girl world found in crass comedies such as You Again, movies that reduce women to sad clichés and a uniform level of bad behavior that would appall the cast members of "Jersey Shore."
  29. There's a confusion that you can sense as well, with the film pulled between its light and dark sides just as the owls struggle with forces of good and evil. That hesitation keeps "Guardians" from reaching the deep, emotionally rich center that confers greatness in the animation world.
  30. (A)beautifully shot, fascinating film.

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