Los Angeles Times' Scores

For 16,536 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16536 movie reviews
  1. The Twilight Saga: Eclipse is back with all of the lethal and loving bite it was meant to have: The kiss of the vampire is cooler, the werewolf is hotter, the battles are bigger and the choices are, as everyone with a pulse (and a few without) knows by now, life-changing.
  2. With his wide, hollow eyes, nervous fingers and celebrated big hair, Spector is a haunted-looking figure whose words are always compelling no matter what unexpected dissatisfactions they may reveal.
  3. The grand Mirren is, truth be told, miscast and Pesci is misdirected as Grace and Charlie Bontempo.
  4. The new Adam Sandler comedy has all the charm of a home movie that does not star your own family, which means it's overly sentimental, filled with you-had-to-be-there moments, bad jokes and even worse camera angles.
  5. What Restrepo does so dramatically, so convincingly, is make the abstract concrete, giving the soldiers on the front lines faces and voices.
  6. It's hardly a perfect film, not even close, but it is the most entertaining made-for-adults studio movie of the summer, and one of the reasons it works at all is the great skill and commitment Cruise brings to the starring role.
  7. Brolin's intermittent voice-over narration proves to be the most powerful stuff, with the rest curiously sputtering.
  8. Amuses and unnerves in equal measure. A comedy of discomfort that walks a wonderful line between reality-based emotional honesty and engaging humor, it demonstrates the good things that happen when quirky independent style combines with top-of-the-line acting skill.
  9. As an exposé, there could hardly be a stronger case for ensuring and strengthening the separation of church and state -- or a stronger message to gay people as to the magnitude of the challenge to win equal rights.
  10. Swinton is one of the finest actresses working in contemporary cinema, but Guadagnino, who developed the project with her in mind, has created a film that literally luxuriates in her talents.
  11. This film becomes the kind of love note to movies we want and need.
  12. A graceful, affectionate yet clear-eyed portrait of daily Middle America small-town life in which no individuals are interviewed but instead are observed with detachment as they go about their lives.
  13. A moment had come that had to be seized, which in turn gave birth to the gay rights movement. On June 28, 1970, New York held its first gay parade, and as one of its participants remarks, "Stonewall lives on" in all the gay parades ever since.
  14. A kung fu kick of a film that hits more than it misses.
  15. An underwhelming experience. I pity the fool, as TV star Mr. T might say, who mistakes this for genuine entertainment.
  16. She is by turns blue, bitter, hilarious, unbroken; a Hollywood-style portrait in infinite ambition. In that role, Rivers is unforgettable.
  17. The flesh-and-blood protagonists are powerful, driven people caught in a riptide.
  18. Intense, immersive and in control, Winter's Bone has an art house soul inside a B picture body, and that proves to be a potent combination indeed.
  19. As Madeleine Sackler's absorbing, often tender documentary The Lottery shows, when it comes to the world of charter education, no seemingly good deed may go unpunished -- or at least undercut.
  20. The road is rocky when the story speeds up to take care of business, with the end a mad dash to tie up loose ends. Still, there is enough saving grace on these craggy shores to let the mists and the legends roll in and envelop you for a while.
  21. In its mix are ethical quandaries in biotechnology, nature versus nurture and an adorable-sexy-disturbing monster. So there's that. But it wins best in show by focusing on one of the weirder relationship triangles in recent memory.
  22. The seriously out-of-control hard R dude is writer-director Nicholas Stoller, who apparently has major trust issues with his odd-couple stars, women and the audience. Did I forget anybody?
    • 21 Metascore
    • 10 Critic Score
    Is it some monstrosity of awfulness, as its lack of advance screening suggested? No, that would imply at least a spark of some kind. This is just an empty summer hodgepodge of stale romantic comedy exchanges, witlessness and lackluster action.
  23. Wilson's amiable vocal work keeps the predictability from becoming too grating.
  24. The story of the unsolved abductions and the man who might have become the scapegoat for a community is troubling enough. No big-screen trickery is required.
  25. Dynamic, informal and observant yet, while never grueling, it offers a constant provocative contrast between backgrounds of spectacular and beautiful natural scenery and primitive living conditions.
  26. Modestly entertaining film.
  27. Aims for something trenchant about thwarted destiny and ugly ambition in modern Indian democracy but mostly winds up with a convoluted and tonally awkward "Godfather" rehash, with nary a character worth rooting for.
  28. Starts off feeling clever and original but turns silly and diffused as its convoluted story spins out.
  29. It's the candid moments of joy and accomplishment -- Welcker finding out she's an Intel contest finalist, Khan learning he's been accepted to Yale, high school valedictorian Cisneros thanking her devoted parents in her graduation speech -- that really make this one soar.

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