For 16,526 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,699 out of 16526
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Mixed: 5,810 out of 16526
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Negative: 2,017 out of 16526
16526
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Robert Abele
The rest is an adrenaline ride, but one more wearying than eye-opening.- Los Angeles Times
- Posted Nov 17, 2011
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Reviewed by
Betsy Sharkey
It is the kind of film that leaves you limp, exhausted and feeling battered by the end. But its wrenching performances make the beating worth weathering.- Los Angeles Times
- Posted Nov 17, 2011
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Reviewed by
Betsy Sharkey
The film doesn't have nearly the bite - ferocious or delicious - that any self-respecting vampire movie really should. It's as if all the life has drained away.- Los Angeles Times
- Posted Nov 17, 2011
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Reviewed by
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Reviewed by
Gary Goldstein
These profiles are frank, absorbing and heartbreaking, if also a bit inconclusive.- Los Angeles Times
- Posted Nov 16, 2011
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Reviewed by
Kevin Thomas
Dzi Croquettes is both a tribute and a terrific entertainment.- Los Angeles Times
- Posted Nov 16, 2011
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Reviewed by
Kenneth Turan
Harrowing and unflinching, a savage nightmare so consuming and claustrophobic you will want to leave but fear to go, City of Life and Death is a cinematic experience unlike any you've had before. It's a film strong enough to change your life, if you can bear to watch it at all.- Los Angeles Times
- Posted Nov 16, 2011
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Reviewed by
Betsy Sharkey
It makes The Descendants a tragedy infused with comedy and calls for a balancing act from filmmaker and star alike, a tightrope they navigate with nary a wobble.- Los Angeles Times
- Posted Nov 15, 2011
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Reviewed by
Mark Olsen
If all you know about Peter Gatien going in to Limelight is that he is a nightclub owner with legal issues, that's about all you'll know coming out.- Los Angeles Times
- Posted Nov 12, 2011
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Reviewed by
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Reviewed by
Robert Abele
Killing Bono whips up a frenzied mix of musical jealousy, wishful stardom and farcical lucklessness into a movie too slippery to hold onto.- Los Angeles Times
- Posted Nov 12, 2011
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A youth culture backdropped by the crumbling edge of California is rendered with punk rock energy and grace.- Los Angeles Times
- Posted Nov 12, 2011
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Reviewed by
Betsy Sharkey
That the plot is the problem comes as something of a surprise given Monahan's pedigree. The well-regarded screenwriter ("Body of Lies," "Kingdom of Heaven") won an Oscar for the deliciously conflicted cops and crime twister of 2006's "The Departed."- Los Angeles Times
- Posted Nov 12, 2011
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Reviewed by
Robert Abele
If only 11-11-11 had arrived a little closer to Thanksgiving - the turkey connection would have been entirely appropriate.- Los Angeles Times
- Posted Nov 12, 2011
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Reviewed by
Kenneth Turan
A smart, involving and strikingly adult drama about Sarkozy's rise to power.- Los Angeles Times
- Posted Nov 10, 2011
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Reviewed by
Gary Goldstein
After a grating start, the movie, directed by Peter Odiorne from a script by Gail Gilchriest ("My Dog Skip"), finds its way into warmer, more likable territory. That is, until it flies off the rails in a third act so devoid of logic it could have been concocted on the moon.- Los Angeles Times
- Posted Nov 10, 2011
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Reviewed by
Robert Abele
In the wake of "Bridesmaids," Sandler's lipsticked tomfoolery - and inability to share the screen with genuinely funny women - feels particularly regressive and stale. Both movies have diarrhea gags, but only one feels defined by such humor.- Los Angeles Times
- Posted Nov 10, 2011
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Reviewed by
Betsy Sharkey
I realize that making Immortals immortal was way too much to ask, but frankly, just a shade more plausible, not to mention pleasurable, would have been nice.- Los Angeles Times
- Posted Nov 10, 2011
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Reviewed by
Betsy Sharkey
Firmly rooted in the filmmaker's esoteric, frustrating, provoking, demanding narrative style, the movie is also amazingly romantic - lush, ripe, rich, delicious.- Los Angeles Times
- Posted Nov 10, 2011
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Reviewed by
Betsy Sharkey
What is missing is something new - clarity, insight, outrage. Instead, its understatement is ultimately its undoing.- Los Angeles Times
- Posted Nov 10, 2011
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Reviewed by
Kenneth Turan
J. Edgar is a somber, enigmatic, darkly fascinating tale, and how could it be otherwise?- Los Angeles Times
- Posted Nov 8, 2011
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For how well this finely crafted work captures the pressures of inner-city poverty, single-parent families and abusive relationships, one of its strengths lies in its ability to also gracefully locate the drama in filling out a college application.- Los Angeles Times
- Posted Nov 6, 2011
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Reviewed by
Robert Abele
Janie Jones is ultimately its own uneven tune, a mixture of discordant notes and way-too-familiar chords.- Los Angeles Times
- Posted Nov 6, 2011
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Mark Olsen
Winds up feeling scattershot and unfocused. Rather than capturing punk brattiness maturing into wary adulthood, director Andrea Blaugrund Nevins might have been better off simply making a film solely about Lindberg.- Los Angeles Times
- Posted Nov 6, 2011
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Reviewed by
Kevin Thomas
Instead of underplaying the story's escalating tempestuousness it pushes it over the top; time and again the film begins to catch fire only to be doused in silliness.- Los Angeles Times
- Posted Nov 6, 2011
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Reviewed by
Gary Goldstein
It's all presented with equal parts humor and sensitivity, though Buford doesn't much delve into the potential landmines here - racism, classism, exploitation - allowing the power of assimilation and opportunity to carry the day.- Los Angeles Times
- Posted Nov 3, 2011
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Reviewed by
Gary Goldstein
A grating and witless would-be spoof of religion, male-bonding and, it seems, horror movies.- Los Angeles Times
- Posted Nov 3, 2011
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Reviewed by
Sheri Linden
A documentary as gentle as its subject: the story of a boy who realized his dream and, on the film's evidence, received a lot of encouragement and support along the way.- Los Angeles Times
- Posted Nov 3, 2011
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Reviewed by
Kenneth Turan
As Pianomania gradually reveals, Knüpfer is able to do this so well because he is as much of a crazed perfectionist as the pianists themselves, maybe even more so.- Los Angeles Times
- Posted Nov 3, 2011
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Reviewed by
Betsy Sharkey
Tower Heist might not be a classic (it's not), but at least for a little while it will make you laugh instead of cry about the current state of affairs, which is more than you can say about a lot of things.- Los Angeles Times
- Posted Nov 3, 2011
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Reviewed by
Robert Abele
Frankly, it's hard to imagine even George Clooney making such ill-used screen minutes interesting. But the movie around those moments is even worse.- Los Angeles Times
- Posted Nov 1, 2011
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Reviewed by
Kevin Thomas
Anubhav Sinha's exhilarating fantasy Ra.One is Bollywood at its best. It has energy, spectacle and humor, song and dance, but razzle-dazzle special effects and action stunts never overwhelm its story of enduring love that unfolds amid an intricate and inspired sci-fi odyssey.- Los Angeles Times
- Posted Oct 29, 2011
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