Los Angeles Times' Scores

For 16,526 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16526 movie reviews
  1. The Afghanistan war documentary The Hornet's Nest is a kinetic, immersive experience, particularly in its deeply felt human moments.
  2. The clichés alone doom the movie.
  3. Director-star Livia De Paolis sets out to reassure everybody that the Internet won't destroy all relationships in her agreeable but unnecessary family drama Emoticon ;).
  4. It's a strong story of lonely, even futile righteousness, which makes the plodding execution by director Arnaud des Pallierès somewhat mystifying.
  5. MacFarlane is a very funny dude, and there are times A Million Ways to Die is indeed funny. But too often the movie feels half-baked.
  6. The best you can say about the over-the-top Filth is that it's a brisk wallow, with enough elbow room to marvel at McAvoy's sinkhole aria of a performance.
  7. Self-conscious, tonally uncertain and thematically vague, The Big Ask is a premise in search of a movie, one that co-directors Thomas Beatty and Rebecca Fishman never quite find.
  8. It's a privilege getting to know these determined, inspiring seniors, to whatever extent Gaynes allows. But a more deeply revealing, fully candid approach would have made for a more satisfying cinematic excursion.
  9. Moodysson captures that moment — charged, goofy and transcendent — when personal style and wide-ranging outrage fuse in an all-encompassing manifesto.
  10. Dunne creates a full-blooded character. The film around him, unfortunately, takes low-key to the realm of tepid.
  11. Despite this notable cast, the remake never manages to drum up much excitement for its sleepy hamlet rousing or for its characters, finally filled with purpose.
  12. Sumptuous visuals, vivid emotional beats and memorable turns by Bichevin and Hoeks effectively compensate for the verbal sparseness.
  13. Biyi Bandele's adaptation of Adichie's novel of loyalty and betrayal set against the turbulence of the 1960s Biafran war, certainly makes for an honorably propulsive wartime soap. It's just not stirring enough as historical drama.
  14. Garriga aims for depth in the third act, contextualizing religious conservatism as a reaction against the social revolutions of the 1960s. But the reduction of Christianity into just another political group feels like a dilution, a conversion of wine into water.
  15. With their unforced magnetism, Brosnan and Thompson are persuasive as exes who still have chemistry... They have the verve and comic chops to ignite sparks, à la Cary Grant and Rosalind Russell, but this Punch never truly connects.
  16. Veteran television director Lee Jae-kyoo balances the most engrossing aspects of the South Korean telenovela with grandiloquent Hong Kong-influenced fight scenes.
  17. For the most part, the florid flourishes are so lightly played by Owen and Binoche, screenwriter Gerald Di Pego's melodrama can almost be forgiven.
  18. Tense and violent, it grabs you from the first moments and rarely loosens its hold until the last body drops.
  19. There is action galore, but Future Past is a deeper, richer, more thoughtful film, more existential in its contemplations than earlier Xs, all rather nicely embedded in the mayhem churned up by the mutants' altered states.
  20. Far too much of this plodding picture is spent on odd couple Chip and Alex's road trip transporting Mine That Bird to Kentucky. Forced atmospherics, clichéd action bits and some tone-deaf slapstick weigh things down as well.
  21. The movie doesn't even need five minutes to signal that it's already a goner.
  22. The ground-level view of New York — high-energy, semi-farcical — avoids clichés while finding its own romantic pulse with Duris' charmer the compelling center of the buoyant and bittersweet storm.
  23. At times exquisitely attuned to the commingling of the bitterly funny and tragic, and at other times an eye-roll-worthy collection of ready-made fetish videos (Flores is one brave avatar of outré sexuality), The Dance of Reality is nonetheless proof that the legendary provocateur is still a font of out-there invention.
  24. It could have been a bit smarter and a lot shorter, but Blended, the third big-screen pairing for Adam Sandler and Drew Barrymore (after "The Wedding Singer" and "50 First Dates"), is a fun, often funny, largely enjoyable romp.
  25. By performing narrative gymnastics, the film sacrifices any possibility for viewers to identify with the characters. Although the film does answer the myriad questions it raises along the way, it would have benefited from more straightforward storytelling.
  26. The Retrieval comes at you like a haunting slip of a memory, one that writer-director Chris Eska retrieves from a mostly forgotten era in unforgettable ways.
  27. Everything we can gather seems to nullify any virtues we saw in the original film.
  28. Audiences will find themselves face to face with their own prejudices, assumptions and, perhaps, squeamishness.
  29. Though the film is sometimes as fraught as the immigrant experience, in the end the ideas are so rich, the look so lovely, Ewa's journey so heartbreakingly real, even the flaws seem to suit it.
  30. You can see the stuff Million Dollar Arm throws at you from miles away, but that doesn't stop this baseball movie from being genially enjoyable.

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