For 16,536 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,706 out of 16536
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Mixed: 5,813 out of 16536
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Negative: 2,017 out of 16536
16536
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Martin Tsai
After catalogs so many clichés in the dysfunctional family at its center that the film could be taught in a screenwriting class as a lesson in what not to do.- Los Angeles Times
- Posted Aug 14, 2014
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Reviewed by
Gary Goldstein
By turns sexy and exasperating, hypnotic and confusing, this Mexican import is an art film for the patient, adventurous and, let's be honest, forgiving.- Los Angeles Times
- Posted Aug 14, 2014
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Reviewed by
Gary Goldstein
A painstakingly crafted, lovingly wrought piece.- Los Angeles Times
- Posted Aug 14, 2014
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Reviewed by
Gary Goldstein
Too many roles remain underdeveloped — if developed at all. A lack of cohesion or camaraderie among the inmates compounds the film's impersonal vibe.- Los Angeles Times
- Posted Aug 14, 2014
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Reviewed by
Sheri Linden
The period details are so lovingly burnished in this uneven, if heartfelt, feature that for a while they threaten to overpower the story, which delves gently into a rarely explored aspect of the war.- Los Angeles Times
- Posted Aug 14, 2014
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Reviewed by
Robert Abele
Movies with no redeeming qualities are rare, but the execrable Found comes pretty close.- Los Angeles Times
- Posted Aug 14, 2014
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Reviewed by
Robert Abele
It humanely, intelligently questions the very nature of our desire to make sense of the past with the tools of the present, when the human mind remains the most aggressively obliterating battlefield of all.- Los Angeles Times
- Posted Aug 14, 2014
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Reviewed by
Charles Solomon
Koteas and the rest of the cast (including Jane Seymour, Virginia Madsen and Jennifer Jason Leigh) struggle gamely with the material, but they're defeated by the nonstop chatter, Goldberg's flat-footed direction and the needlessly choppy cutting.- Los Angeles Times
- Posted Aug 14, 2014
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Reviewed by
Sheri Linden
[Gibney's] chronicle informs rather than inspires, but it's a solid introduction to a fascinating figure.- Los Angeles Times
- Posted Aug 14, 2014
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Reviewed by
Charles Solomon
A welcome reminder that the art of animation is too protean to be limited to a single visual style, medium or point of view.- Los Angeles Times
- Posted Aug 14, 2014
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Reviewed by
Robert Abele
NightLights achieves something admirably genuine about the queasy mixture of anguish and joy attached to caretaking for the most needy of loved ones.- Los Angeles Times
- Posted Aug 13, 2014
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Reviewed by
Gary Goldstein
[A] well-crafted but frankly nonessential documentary.- Los Angeles Times
- Posted Aug 13, 2014
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Reviewed by
Gary Goldstein
It's a grotesque, deadly dull piece of cinematic upchuck, a horror film minus tension or chills.- Los Angeles Times
- Posted Aug 13, 2014
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Reviewed by
Robert Abele
By its bittersweet end, Fifi Howls From Happiness has stayed almost entirely in one apartment and yet somehow unveiled both a life in full and a blank canvas.- Los Angeles Times
- Posted Aug 13, 2014
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Reviewed by
Sheri Linden
Stars Aubrey Plaza and Dane DeHaan are game, as is the lineup of mostly wasted supporting actors. But what might have been a snappy short is interminable at feature length, the mayhem-in-suburbia conceit generating few laughs as it stomps along.- Los Angeles Times
- Posted Aug 13, 2014
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Reviewed by
Martin Tsai
By allowing Cameron's first-person account to take command of the narrative, though, the film seems to gloss over meaningful logistics of the expedition.- Los Angeles Times
- Posted Aug 13, 2014
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Reviewed by
Robert Abele
The movie relies too much on the same comic tension in each scene: Johnson is the gung-ho one, Wayans says no (a lot).- Los Angeles Times
- Posted Aug 13, 2014
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Reviewed by
Inkoo Kang
The film has a muscled buoyancy and thrilling, joyful spectacles that make the fifth installment of the popular franchise an energetic crowd-pleaser.- Los Angeles Times
- Posted Aug 8, 2014
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Reviewed by
Gary Goldstein
Although What If nobly attempts to honor and embellish the tropes of the genre rather than reinvent them, the filmmakers get tripped up on their own good intentions and uncertain comedic instincts.- Los Angeles Times
- Posted Aug 7, 2014
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Reviewed by
Kenneth Turan
Its story line and performances are no more than serviceable, but those terrible twisters are state of the art.- Los Angeles Times
- Posted Aug 7, 2014
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Reviewed by
Charles Solomon
"Battle of Gods" delivers not only the familiar look but also the slapstick comedy, character interaction and over-the-top martial arts fights that "Dragon Ball" fans want and expect.- Los Angeles Times
- Posted Aug 7, 2014
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- Los Angeles Times
- Posted Aug 7, 2014
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Reviewed by
Gary Goldstein
A harrowing picture of the casualties of war — and the unchecked madness that may drive those entrusted to defend us.- Los Angeles Times
- Posted Aug 7, 2014
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Reviewed by
Mark Olsen
Not out-and-out terrible enough to be completely dismissed, while also not particularly memorable either, perhaps the truest summation of the film is to say simply that the new Teenage Mutant Ninja Turtles is a movie that exists.- Los Angeles Times
- Posted Aug 7, 2014
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Reviewed by
Martin Tsai
37: A Final Promise comes off as a paranormal and schizophrenic take on a Lifetime movie with themes of terminal illness and assisted suicide.- Los Angeles Times
- Posted Aug 7, 2014
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Reviewed by
Martin Tsai
This journey into "Martha Marcy May Marlene" territory is never as tense and gripping as it should be, the incidents and most of the performances too tamped-down to spark a much-needed sense of animating friction.- Los Angeles Times
- Posted Aug 7, 2014
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Reviewed by
Inkoo Kang
There's just enough compelling reversals and anything-could-happen suspense to make this increasingly claustrophobic work effective.- Los Angeles Times
- Posted Aug 7, 2014
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Reviewed by
Gary Goldstein
The film takes such an emotionally based, non-wonky approach to its featured business, it should absorb gamers and non-gamers alike.- Los Angeles Times
- Posted Aug 7, 2014
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Reviewed by
Robert Abele
The film is a real "whew"-factor yarn, a hearty soup of thick accents, bold personalities and complicated motives, with an unmistakable taste of charismatic, ornery American hedonism.- Los Angeles Times
- Posted Aug 7, 2014
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Reviewed by
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Reviewed by
Robert Abele
The movie stalls in a limbo of half-realized characters and superficial weightiness.- Los Angeles Times
- Posted Aug 7, 2014
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Reviewed by