Los Angeles Times' Scores

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For 16,536 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,706 out of 16536
  2. Mixed: 5,813 out of 16536
  3. Negative: 2,017 out of 16536
16536 movie reviews
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  1. Monk With a Camera
    Ultimately the documentary falls short of explaining why Vreeland not only made his choice but maintained it.
  2. Six Dance Lessons in Six Weeks
    Though it's no surprise that Rowlands shines on both the comedic and dramatic fronts, the versatile Jackson is often equally impressive.
  3. We Are the Giant
    Barker just hammers home the human-interest angle with a stirring score that serves to instruct the appropriate emotional response to each scene. The tacked-on uplift in the end is beyond comprehension, given that some of its subjects remain in peril.
  4. The Salt of the Earth
    The Salt of the Earth deals with two kinds of journeys the photographer made. The outward one may have literally taken him to the furthest corners of the Earth and resulted in the stunning images the film features, but it is the inward journey that paralleled it that completely holds our attention.
  5. Exodus: Gods and Kings
    As with the DeMille ventures, enjoyment here involves managing expectations and not taking things too seriously.
  6. Top Five
    Top Five is fully loaded. The laughs are earned, the intelligence never disappears, all the performers shine. But Rock is the diamond — raw, rough and rare.
  7. Inherent Vice
    Joaquin Phoenix and the terrific acting ensemble that joins him in this pot-infused '70s-era beach noir create such a good buzz you can almost get a contact high from watching.
  8. Magician: The Astonishing Life and Work of Orson Welles
    Magician may not be its own rich experience, but like Workman's many breathlessly compiled odes to the history of movies, it'll certainly spur a meaty living room film festival.
  9. Es El Chapo?
    [Minn] runs around with a microphone in hand like an if-it-bleeds-it-leads ambulance chaser, playing out that local news reporter stereotype often spoofed in mockumentaries.
  10. The Pyramid
    The obnoxious sound design and score divest the film of much of its suspense, and perhaps more important characters have no survival instincts. The audience never has a chance to build some false hope that someone might make it out alive.
  11. Comet
    There is just enough in Comet to keep it from fizzling out entirely – largely in the performances of Long and Rossum – but its conceits also get in the way of its characters, making it feel fussy and convoluted when it aims for something more simple and elegant.
  12. A Small Section of the World
    The documentary A Small Section of the World is straight-up corporate propaganda. But its uplifting, powerful, well-meaning message might be enough to win over even some skeptics.
  13. The Humbling
    If you can adjust to the film's uneven rhythms and often illusory vibe, there's a treasure trove of off-kilter humor, affecting pathos and first-class acting to be savored.
  14. Remote Area Medical
    Although the documentary can feel like a volunteer instructional video at times, the faces on those who have fallen through the cracks in the system speak volumes.
  15. Murder of a Cat
    A plodding comic caper that fails to deliver.
  16. By the Gun
    Emilio Mauro's screenplay is all rancid machismo, tedious yelling and turgid plotting, while director James Mottern exhibits a pathological love for repetitive close-ups and terrible acting that instantly brings each endlessly talky scene to a dead stop within seconds.
  17. Life Partners
    Meester and Jacobs have an easy, authentic chemistry, but there isn't enough structure or storytelling thrust to sustain interest in the plot: Triumphs, calamities and reunions keep happening, but none contains real dramatic heft.
  18. Dying of the Light
    Cage's loop-di-loop performance, the movie's surviving asset, at least hints at the themes of institutional illness and mortal decline that must have fascinated Schrader.
  19. Pioneer
    As far as conspiracy thrillers go, Pioneer is as paranoid as they come.
  20. Miss Julie
    The heat that should saturate the film as betrayals mount and boundaries are broken flickers and dies many times over Miss Julie's languid two-plus hours.
  21. Still Alice
    Elements of its plot have the standard quality of a Hallmark production, and the work of some of the film's costars is a bit too on the nose. But, with Moore and Stewart on the case, we feel the presence of something real here, something that can't be shrugged off or ignored.
  22. Uzumasa Limelight
    Drenched in nostalgia, this loving tribute to the unsung heroes of cinema has immense appeal.
  23. Panic 5 Bravo
    Inept on every level, Panic 5 Bravo is a virtually unwatchable, blood-soaked crime drama serving as the writing-directing debut of actor Kuno Becker.
  24. Before I Disappear
    Because it's all shot to look like a South Korean noir, with umpteen slo-mo shots and stylistic noodlings to affect a kind of grimy urban anti-hero chic, Christensen effectively leeches the emotion from the central story.
  25. Two-Bit Waltz
    Two-Bit Waltz is watchably imitative, arch nonsense. It has committed performances — including a deadpan turn on the edges by William H. Macy as the dad who's only seen reading books — and the occasional, provocatively funny line of dialogue.
  26. Aftermath
    That the movie works as well as it does is a testament to writer-director Thomas Farone's persistence and clear connection to his cagey material.
  27. Archaeology of a Woman
    Kirkland manages to rise above the soap opera script with its improbable twists, stilted dialogue and internal contradictions to give a believable and often-sympathetic performance.
  28. Wild
    Though there are occasional stumbles along the 1,100-mile hike, the peaks in Wild make the journey more than worth it.
  29. Black or White
    The filmmaker and his on-screen proxies boldly go places our national discourse desperately needs to go, yet rarely does.
  30. The Key
    The arty visual effects, backed by a soundtrack of ambient noise, may recall the experimental work of early practitioners such Stan Brakhage and Kenneth Anger, but the ponderous, headache-inducing results do the story and the actors no favors.
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