For 16,536 reviews, this publication has graded:
-
56% higher than the average critic
-
6% same as the average critic
-
38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
-
Positive: 8,706 out of 16536
-
Mixed: 5,813 out of 16536
-
Negative: 2,017 out of 16536
16536
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Sheri Linden
The film flirts with upper-class stereotypes, but in the nuanced writing and the work of the strong cast, led by a terrific Valeria Bruni Tedeschi, it goes far deeper.- Los Angeles Times
- Posted Jan 17, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
At a mere 75 minutes, this often amusing, uniformly well-acted movie had the leeway to more fully explore both the script's showbiz gambit and its romantic roundelay.- Los Angeles Times
- Posted Jan 17, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Martin Tsai
Impressively, Gangs of Wasseypur manages its sprawling story lines deftly and maintains a brisk pace throughout its daunting length. The performances are uniformly excellent, even if no character in Part 1 is at all likable.- Los Angeles Times
- Posted Jan 17, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
Akhavan's confidently off-kilter approach to basic human interaction makes for an authentically ironic, adorably wistful, smartly observed ride.- Los Angeles Times
- Posted Jan 17, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Rechtshaffen
A technically impressive but talky sci-fi drama that never quite comes to life.- Los Angeles Times
- Posted Jan 17, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Rechtshaffen
Director Sean McNamara's film is impressively buoyed by a cast of young newcomers and seasoned pros.- Los Angeles Times
- Posted Jan 17, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Martin Tsai
The messy relationships and sexual predilections make for an equally messy plot, which distracts from the film's strength — depicting the truths of a romantic relationship that's past the initial excitement and the selective memories of love lost.- Los Angeles Times
- Posted Jan 17, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Abele
Perhaps aware of how little its audience might pay attention to anything not running, fired off or blown up, the movie's characters explain themselves regularly. Willis, meanwhile, mutters his executive-suite-villain lines as if he's afraid of waking you.- Los Angeles Times
- Posted Jan 17, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Satiric, surreal, unexpected and at times wildly funny, Zero Motivation is a savage black comedy that eviscerates an unexpected target: the Israeli army.- Los Angeles Times
- Posted Jan 15, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Betsy Sharkey
The look helps provide a little subtext, but not enough. For such an emotional piece, the dialogue stays too close to the surface. More problematic, the trio's encounters feel contrived; you can see the filmmaker's hand staging each one.- Los Angeles Times
- Posted Jan 15, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Betsy Sharkey
Artfully and cleverly, the sweet spirit of that young bear from darkest Peru and his many London misadventures materializes brilliantly on screen in the very good hands of writer-director-conjurer Paul King.- Los Angeles Times
- Posted Jan 15, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Technology may have changed, cyber-crime may be all the rage, but the narrative song remains the same in films like this, and it's a tune this director knows by heart.- Los Angeles Times
- Posted Jan 15, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Betsy Sharkey
It's not quite a match made in heaven, but there is considerable comic chemistry between the high-octane Kevin Hart and the energy-conserving Josh Gad. A good thing since theirs is the only relationship worth watching in The Wedding Ringer.- Los Angeles Times
- Posted Jan 15, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Abele
Though the thin mystery at the center becomes a narrative albatross, and Lillard and Gugino seem hamstrung by the schematic nature of their characters, Stewart's melancholic electricity manages to maintain its appeal.- Los Angeles Times
- Posted Jan 14, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Martin Tsai
There's little going on in the final product other than good intentions, as Jeta Amata always seems overreaching for the right buttons to push.- Los Angeles Times
- Posted Jan 12, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
The film takes a few rough turns that lead to Dana's inevitable bottoming out. Otherwise, this well-acted piece is a gentle, humanistic look at the unexpected ways in which relationships form, flourish and flounder and how we define who — and what — is "normal."- Los Angeles Times
- Posted Jan 12, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Rechtshaffen
Writer-director Marni Zelnick makes an assured debut, coaxing considerable production value out of her limited budget while weaving in an understated, enlightening conservation message that feels organic to the story.- Los Angeles Times
- Posted Jan 12, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Betsy Sharkey
This time around the dramatics and dialogue are so laugh-out-loud funny that if there is a "4" — despite the promises that "3" is the final chapter — maybe it should be a straight-out satire.- Los Angeles Times
- Posted Jan 9, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
Song of the Sea is a wonder to behold. This visually stunning animation masterwork, steeped in Irish myth, folklore and legend, so adroitly mixes the magical and the everyday that to watch it is to be wholly immersed in an enchanted world.- Los Angeles Times
- Posted Jan 8, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Rechtshaffen
Each sequence is masterfully calibrated for maximum lip-quivering effect, swelling strings and all.- Los Angeles Times
- Posted Jan 8, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Kenneth Turan
As lengthy and passionate as a drawn-out kiss, Beloved Sisters is a beautifully made romantic drama set in 18th century Germany that's smart, sensual and emotionally resonant.- Los Angeles Times
- Posted Jan 8, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Betsy Sharkey
That Two Days, One Night retains such an organic sensibility, even with a major star in the lead, is credit to both filmmakers and actress.- Los Angeles Times
- Posted Jan 8, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
Let's Kill Ward's Wife gets by on the casual charms and deft timing of its appealing cast until the midpoint, when the film's pacing and narrative structure take a hit — and never quite recover.- Los Angeles Times
- Posted Jan 8, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Sheri Linden
The movie finally feels more manufactured than organic, a travelogue of portent, complete with plangent guitars and peopled by characters from the backwoods playbook.- Los Angeles Times
- Posted Jan 8, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Martin Tsai
The Spierig brothers have deftly fashioned an unpredictable thrill ride, and the joy is to fit together all its puzzle pieces.- Los Angeles Times
- Posted Jan 8, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Martin Tsai
Writer-director Timothy L. Anderson mistakes foul language for wit, and the result is all painfully humorless.- Los Angeles Times
- Posted Jan 1, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
The appealing Doleac, who also produced, acquits himself as an actor. But as a director, he shows a wobbly visual sense and an uneven hand with his cast.- Los Angeles Times
- Posted Jan 1, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Rechtshaffen
Like any well-researched piece worth its weight in MSG, the documentary uses food as an angle to something else: a look at immigration and at a melting pot stirred by prejudice and persecution, later seasoned with adaptation, innovation and acceptance.- Los Angeles Times
- Posted Jan 1, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Martin Tsai
Tsui will try anything once in 3-D. Splatters of blood travel in bullet-time, and the requisite ridiculousness — like action scenes with skis and zip-lines — characterize Tsui's work. But bookending the story with the 2015-set prologue and epilogue turns out to be his most inspired touch.- Los Angeles Times
- Posted Jan 1, 2015
- Read full review
-
Reviewed by
-
-
Reviewed by
Gary Goldstein
The new installment is, at best, a serviceable creep show, one with far more chills than thrills.- Los Angeles Times
- Posted Jan 1, 2015
- Read full review
-
Reviewed by