For 16,536 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,706 out of 16536
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Mixed: 5,813 out of 16536
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Negative: 2,017 out of 16536
16536
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kenneth Turan
This enthralling film, based on the book by Naomi Oreskes and Erik M. Conway, is as fascinating as it is horrifying.- Los Angeles Times
- Posted Nov 15, 2014
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Reviewed by
Sheri Linden
It's an affectionate and admiring collection of moments, but the director's wobbly choreography never locates a dramatic core for this corps' story.- Los Angeles Times
- Posted Nov 15, 2014
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Reviewed by
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Reviewed by
Michael Rechtshaffen
A curious documentary by Oscar-nominated filmmaker Marshall Curry that makes interesting observations about contemporary thrill seekers.- Los Angeles Times
- Posted Nov 15, 2014
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Reviewed by
Gary Goldstein
Writer-director David Hayter revisits much-trod territory with wan results in Wolves, a werewolf tale that quickly loses its initial bite.- Los Angeles Times
- Posted Nov 15, 2014
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Reviewed by
Martin Tsai
Some of the black photographers' works here are breathtaking — and may prompt you to hunt down Willis' book for the coffee table. But there's so much more to take away from Harris' documentary.- Los Angeles Times
- Posted Nov 13, 2014
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Reviewed by
Martin Tsai
Filmmaker Jesse Quinones challenges certain racial and ethnic stereotypes while reinforcing others. When the script falls short, though, Royo and Haggard act up a storm.- Los Angeles Times
- Posted Nov 13, 2014
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Reviewed by
Martin Tsai
Through "Bhopal," the filmmaker argues that the promise of jobs and prosperity all too often trumps environmental and safety concerns, and it leads government to ignore corporate wrongdoing.- Los Angeles Times
- Posted Nov 13, 2014
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Reviewed by
Robert Abele
Besides never knowing where to stick a camera, or how long a given scene should last, Hopkins quickly ditches any potentially subversive joy in her cartoon vigilante by saddling her with a redemptive love story opposite James Badge Dale's kind-eyed sheriff.- Los Angeles Times
- Posted Nov 13, 2014
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Michael Rechtshaffen
An unholy mess co-produced by Cameron's faith-based Camfam Studios.- Los Angeles Times
- Posted Nov 13, 2014
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Gary Goldstein
Between lots of uneven acting, some embarrassingly bad dialogue ("How do you move forward when your soul is torn apart?!") and too many unconvincing, warmed-over moments, the movie, like its charisma-free characters, is a tough one to embrace.- Los Angeles Times
- Posted Nov 13, 2014
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Sheri Linden
Droll, unforced humor and low-magnitude emotional tremors register persuasively thanks to the natural performances of the three leads.- Los Angeles Times
- Posted Nov 13, 2014
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Reviewed by
Martin Tsai
Mbatha-Raw looks, sounds and moves like an A-lister. If "Belle" put the actress on Hollywood's radar, Beyond the Lights heralds her superstardom.- Los Angeles Times
- Posted Nov 13, 2014
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Reviewed by
Kenneth Turan
A despairing, intentionally disturbing film that draws us into a maelstrom of desperate emotions, it holds up a dark mirror to the American dream and does not like what it sees.- Los Angeles Times
- Posted Nov 13, 2014
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Reviewed by
Robert Abele
The Hawkins brothers have an envelopingly moody visual style that strives for offbeat touches, at times easily conjuring the existential threat in desolate areas. But that can't make up for the story deficiencies and character superficiality in the script.- Los Angeles Times
- Posted Nov 13, 2014
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Reviewed by
Robert Abele
Lowell, a sitcom actor ("Enlisted") and photographer, lards his "The Big Chill" ripoff with plenty of arty touches... He assumes this will lend the needed heft to paper-thin characters, witless exchanges and emotional recriminations you can see coming a mile away.- Los Angeles Times
- Posted Nov 13, 2014
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Reviewed by
Gary Goldstein
There's power and authenticity here. And by the movie's incendiary climax, some tension. If only it were presented in a more magnetic package.- Los Angeles Times
- Posted Nov 13, 2014
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Reviewed by
Gary Goldstein
Unfortunately, Merson clutters her sometimes soulful, sensitive story with too many formulaic contrivances to impede Catherine's personal and professional progress.- Los Angeles Times
- Posted Nov 13, 2014
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Betsy Sharkey
The film's difficulties are in the roiling emotions that run through it. Intimacy and the interdependence required to survive a harsh environment are more easily achieved. Swank and Jones, in particular, are a very good odd couple, playing saint and sinner, sometimes reversing the roles.- Los Angeles Times
- Posted Nov 13, 2014
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Reviewed by
Kenneth Turan
Stewart acquits himself solidly, though not thrillingly, as a beginning director, doing especially well in the film's involving central section dealing with Bahari's time in prison, where the filmmaking is as compelling as the feature's intentions are admirable.- Los Angeles Times
- Posted Nov 13, 2014
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Reviewed by
Betsy Sharkey
The sequel sometimes feels like a series of gags ginned up by a gaggle of writers who are not always on the same page.- Los Angeles Times
- Posted Nov 13, 2014
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Reviewed by
Gary Goldstein
Sex Ed is a likable little comedy that features such a well-conceived and portrayed main character it makes up for the film's slender concept and leaps in logic.- Los Angeles Times
- Posted Nov 10, 2014
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Reviewed by
Sheri Linden
Though the film's second half could be tighter, the details and atmosphere ring true throughout, especially in the walking-wounded chemistry between Seimetz and Roberts' tentative dreamers.- Los Angeles Times
- Posted Nov 6, 2014
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Reviewed by
Betsy Sharkey
Amid all the nerd-inspired firepower that gives the movie much of its flash, the big boy's droning tone proves to be the film's stealth weapon, perfect for pulling off highly targeted comic strikes.- Los Angeles Times
- Posted Nov 6, 2014
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Reviewed by
Betsy Sharkey
It's when the film detours into Irving's personal attachment to the birds, including photos of her as a child on the beach, that Pelican Dreams gets seriously off track. Fortunately, pelicans are interesting creatures and the time spent with the lens focused on them is payoff enough.- Los Angeles Times
- Posted Nov 6, 2014
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Reviewed by
Michael Rechtshaffen
In the absence of a more conventional storytelling approach, this series of brief, fragmented glimpses of the harsh challenges that shaped Lincoln's early life never allows you to get sufficiently close to its celebrated subject.- Los Angeles Times
- Posted Nov 6, 2014
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Reviewed by
Michael Rechtshaffen
Magical Universe is a tender portrait of the artist as a weirdly gifted, wildly prolific and strange man.- Los Angeles Times
- Posted Nov 6, 2014
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Reviewed by
Michael Rechtshaffen
As inspirational pieces go, the journey taken by the affable Tubbs proves hard to resist, even as the film, in its hustle to get to the finish line, occasionally prevents viewers from feeling this underdog story's emotional victories.- Los Angeles Times
- Posted Nov 6, 2014
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Reviewed by
Robert Abele
"Next Chapter" may not exhibit the scrappy charm that characterized the first film's glimpse into a marginalized but colorful world, but for devotees, Dana Brown has assembled a love letter to a now-global culture.- Los Angeles Times
- Posted Nov 6, 2014
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Sheri Linden
Urgent investigative report and unforgettable drama, Virunga is a work of heart-wrenching tenderness and heart-stopping suspense.- Los Angeles Times
- Posted Nov 6, 2014
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Reviewed by
Kenneth Turan
The reason it never ceases to compel is not only the skill of the actors but also the kind of provocative and thoughtful dialogue that characterizes intellectual combat of a high order.- Los Angeles Times
- Posted Nov 6, 2014
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Reviewed by