Los Angeles Times' Scores

For 16,536 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16536 movie reviews
  1. There's good cause to shake the biopic form out of its exhaustively linear, birth-to-death rut, and Bertrand Bonello's Saint Laurent — starring Gaspard Ulliel as the storied French designer — valiantly tries.
  2. Playing It Cool is a strained romantic comedy that seems to exist only to show how many talented, successful actors — first and foremost "Captain America" star Chris Evans — can be featured in one unworthy movie.
  3. Miles Away comes off like some low-budget take on "Trapped in the Closet" or a Tyler Perry movie, except it treats kitsch with all sincerity and seriousness.
  4. Emotional intensity is Farhadi's métier, and to see About Elly is to revel in his skill.
  5. This is an equal-opportunity fiasco.
  6. The plot is lean, the dialogue is spare and there are some intriguing stabs at intellectual and emotional terrain. But the pacing is deadly, so slow there might be time for a catnap or two without missing anything important.
  7. Uneven but nonetheless emotionally gratifying.
  8. There is a great deal of silliness about Allan's journey from start to finish and no real message other than to never stop taking life as it comes. But there is also a great deal of fun in watching a 100-year-old man climb out a window and disappear.
  9. Like a haute couture garment, Chic! is a finely crafted piece of work, a comedic romantic drama set within a frothy and sublimely funny caricature of the Parisian fashion world.
    • Los Angeles Times
  10. A compelling documentary that's short on running time but long on emotion.
  11. By the time the film reaches a faith-based, third-act crescendo, Bean, Walsh and company, despite their best efforts, look like they know they've been beaten, while the score's mournful strings wring out whatever pathos remains untapped.
  12. Bold and unsettling, Eastern Boys is a long, strange trip of a film that touches on myriad social, economic and sexual themes.
  13. Talky, relentlessly affirming and as predictable as a paint-by-number.
  14. It's a testament to the stars that they manage to sell the third act sentimentality after wading through so much screenplay triteness and unimaginative direction.
  15. Between the sheer on-screen beauty and the finely wrought performances of Mulligan and Schoenaerts, Far from the Madding Crowd has its appeal. Yet like unrequited love, one can't help but lament what might have been.
  16. In the penetrating character study that is Far From Men, existentialism has never felt so intimate.
  17. Writer-director Gerard Johnson resists all impulses to please the crowd. The graphic sex and violence never feel gratuitous, and there's something interesting in the way he deliberately denies his characters and the viewers any reprieve.
  18. Maysles' portrait of Iris Apfel, a 93-year-old self-described "geriatric starlet," is surprisingly memorable, graced with an unforced but unmistakable charm.
  19. Though some of the jabs "Me" takes at reality TV are clever, the film, like Alice, tends to fracture at key moments. What makes it worth watching is Wiig.
  20. You can't blame Hunt for perhaps taking on too much — at least she wrote herself a complicated role in this sorry age for front-and-center movie women — but it doesn't always make for a smooth Ride.
  21. The uncomfortable reality remains that although this movie is effective moment to moment, very little of it lingers in the mind afterward. The ideal vehicle for our age of immediate sensation and instant gratification, it disappears without a trace almost as soon as it's consumed.
  22. The young man is inspiring all on his own, never more so than when he's being social or making music with others. It's only the movie around him that is so artless in its uplift.
  23. For anyone who's not a Francophone tween girl, the film likely will be a tedious, precious exercise in indulgence.
  24. Tangerines is an example of lean, unadorned old-school filmmaking where familiar style and technique combine to unexpectedly potent effect because of the great skill with which they've been employed.
  25. Co-writer and director Maxime Giroux's Felix and Meira is an unusual love story that, though shrouded in chill and shadow, has moments of true loveliness.
  26. Get past the wince-inducing premise of Helicopter Mom...and you're still stuck with a forced comedy that mines uneasy humor from stale stereotypes.
  27. Once the stage is set and the more intense plot elements of Black Souls kick in, the film's emphasis on character and setting pays off, just as the muted nature of the storytelling adds to its considerable power.
  28. McNaughton shows some signs of directing rust in pacing and tone, but in much the way "Henry" played out, he keeps sensationalism at bay and twisted character drama in his sights, which makes for a more pleasurably icky suspense.
  29. It all feels forced and fabricated.
  30. With a succession of tangential flashbacks, the film gradually disengages viewers from the plot.

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